2,703 shellac records · mostly British pressings, 1900s–1950s
2,703 records matching · page 25 of 57
Florrie Forde was one of the greatest British music-hall stars of the early 20th century, celebrated for her comedic delivery and broad popular appeal. This Imperial label recording captures her in four classic music-hall numbers.AI summary
Imperial 2827 Music Hall
Florrie Forde, one of Britain's greatest music-hall stars of the Edwardian era, performs classic medley recordings for Imperial — Forde's records are rarities, as most of her best-known work was recorded much earlier on other labels.AI summary
Imperial 2853 Music Hall
Florrie Forde, the Irish-Australian music hall star, recorded 'Having a good Time wish you were here' for Imperial. Forde was one of the most popular variety entertainers of the early 20th century.AI summary
Imperial 2883 Music Hall
Florrie Forde recorded for Zonophone; 'Mary's Ticket' and 'Come Into the Parlour Charlie' are early comic and novelty songs, likely from the acoustic era or shortly after.AI summary
Zonophone 142 Music Hall
Florrie Forde, the Australian-born music hall star of the Edwardian and Georgian eras, recorded these comic songs for Zonophone. Forde was a major recording artist in Britain from the 1900s through the 1920s, celebrated for her comic timing and strong soprano voice.AI summary
Zonophone 160 Music Hall
Florrie Forde, a celebrated British music-hall star, on 'Yip I Adee I Ay' and 'Girls of the Clogs and Shawl', issued on Zonophone (catalogue 174). Forde was one of Britain's most popular entertainers in the early 20th century.AI summary
Zonophone 174 Music Hall
Florrie Forde on Zonophone 34, a very early Zonophone pressing: British music-hall comedy and character song from the Edwardian era (c. 1900–1910).AI summary
Zonophone 34 Music Hall
Florrie Forde, the celebrated Australian music-hall singer who built her career in Britain, performing two songs on Zonophone (catalogue 77), from the early acoustic era.AI summary
Zonophone 77 Music Hall
Florrie Forde on Imperial 2455, performing 'Maggie Jane' and 'Let's Pretend We're Having a Jolly Good Time'. Forde was a British music-hall entertainer and singer, extremely popular in the Edwardian and First World War era.AI summary
Imperial 2455 Music Hall
Florrie Forde, the Australian-born British music-hall star and recording artist, sang these two sentimental ballads for Imperial in the early 1910s.AI summary
Imperial 2660 Music Hall
Florrie Forde, the English music-hall singer and star of the Edwardian era, recorded "Maggie Jane" and "Let's pretend we're having a jolly good time" for Imperial, a minor British label.AI summary
Imperial 2455 Music Hall
Florrie Forde, a British music-hall star of the Edwardian era, performs 'Shake and Let Us Be Friends' and 'The Smile Song' on Imperial 2500.AI summary
Imperial 2500 Music Hall
Florrie Forde, the Australian-born music-hall star, sings ''Tis a Faded Picture' and 'John James O'Hara' on Ariel.AI summary
Ariel 9225 Music Hall
Florrie Forde, a major British music-hall and variety star of the Edwardian and 1920s eras, performing two sentimental ballads on the Imperial label. Forde was one of the most recorded entertainers of her time.AI summary
Imperial 2660 Music Hall
Florrie Forde (1876–1940) was a legendary British music-hall star, famous for her stirring rendition of "Down at the Old Bull and Bush." This Regal pressing is a medley from her archive of recordings.AI summary
Regal G9461 Music Hall
Flotsam and Jetsam performing 'The Pussycat News' and 'Little Chap' on Columbia DB843. Flotsam and Jetsam were a popular British music-hall and comedy duo active from the 1920s to the 1940s, known for their witty patter and songs.AI summary
Columbia DB843 Music Hall
Flotsam and Jetsam, the British comedy duo, recorded "PC Lamb" and "Modern Diver" for Columbia, reflecting their music-hall roots and comic timing.AI summary
Columbia 5587 Music Hall
Flotsam and Jetsam were a popular British comedy duo of the 1920s–30s who recorded extensively for Columbia. 'Maud Marie' and 'Little Joan' are typical of their humorous patter songs and novelty material that made them stars of stage and wireless.AI summary
Columbia 4680 Music Hall
Flotsam and Jetsam, the BBC radio duo of B. C. Hilliam and Malcolm McEachern, with Must It Always Be So and Little Betty Bouncer on Columbia 4697.AI summary
Columbia 4697 Music Hall
Flotsam and Jetsam, a British comedy duo, recorded 'Love and Kisses' and 'Girl across the Way' for Columbia, catalogue 5012, likely from the early 1930s.AI summary
Columbia 5012 Music Hall
Flotsam and Jetsam, the British musical-comedy duo, on Columbia FB2522, performing 'The Londoner and the Hun' and 'Old Bill and Young Bill', likely 1930s–40s.AI summary
Columbia FB2522 Music Hall
The Four Bright Sparks, with B. Howes, performing 'The Kerb Step' and 'Hard to get' on Columbia 5735. Identity and context of the group are unclear.AI summary
Columbia 5735 Music Hall
The Four Crotchets, a vocal ensemble, recorded "Chinatown My Chinatown" and "Limehouse Blues" for Regal, a British budget label of the 1920s-1930s.AI summary
Regal 2111 Music Hall
Frank Leo on Zonophone 1553, performing 'Arry & Family at the Zoo' Parts 1 and 2, a comedy sketch in the British music-hall tradition with Cockney or working-class characters.AI summary
Zonophone 1553 Music Hall
Frank Lynne recorded two comedy or character songs for Fest, an obscure British label of the early 1900s.AI summary
Festival 7066 Music Hall
Frank St Clair on Beka 9811, a small British label. Beka was an early imprint with limited distribution; St Clair is not documented in major discographies.AI summary
Beka 9811 Music Hall
Frank Thomas performing two Irish comic songs on Columbia's early Irish series (IS prefix), suggesting a London or Irish pressing of the 1920s. The artist and repertoire are consistent with Irish novelty material of the period.AI summary
Columbia is1833 Music Hall
Fred and Nina performing 'A Sister to assist 'er' on the Scala label, a British imprint of unclear standing; likely a music-hall duo.AI summary
Scala 543 Music Hall
Fred Bowers performs 'I Love the Girls from A to Z' and 'Jimmy Valentine' (a quartette piece) for Columbia A1043, from the early 1920s.AI summary
Columbia A1043 Music Hall
Fred Daniels performing 'Playwright' and 'Runaway Motor Car' on Bek, an obscure British label of the 1920s–1930s.AI summary
Beka 40005/24 Music Hall
Fred Daniels performing 'Merriest Man alive' for Beka 9625.AI summary
Beka 9625 Music Hall
Fred Douglas on Cinch, a minor British label of the 1920s–30s, with music-hall song titles typical of the period.AI summary
Cinch 5158 Music Hall
Fred Douglas on Regal 8667 with 'How Now, Brown Cow' and 'Good Night (I'll See You in the Morning)', on a Regal budget pressing.AI summary
Regal 8667 Music Hall
Fred Douglas singing 'Ain't it grand to be blooming well dead', a cockney novelty song, on the St label. Very little is known about this artist or pressing.AI summary
Sterno 949 Music Hall
Fred Duprez, a British entertainer of the early acoustic era, recorded comedic and popular songs for the World label, a minor British imprint. 'Do married Men make the best Husbands' is typical of the sentimental-comic repertoire of the 1910s–1920s.AI summary
World 501 Music Hall
Fred Earle recorded for Cinch, a small budget British label of the late 1920s–early 1930s, with novelty titles like "Meat Meat" and "In the Morning". Cinch labels are scarce in collections today.AI summary
Cinch 5064 Music Hall
Fred Earle recorded 'Meat Meat' and 'In the Morning' for Cinch Records 5064. Earle cannot be identified; Cinch was a minor British label active in the 1920s–early 1930s.AI summary
Cinch 5064 Music Hall
Fred Elton recorded 'The funny little bunny Sonny had' and 'Should a Woman tell' for Zonophone, a secondary British label. Elton was a minor British music-hall singer of the 1900s-1910s.AI summary
Zonophone 1309 Music Hall
Zonophone 1322 Music Hall
Fred Elton, 'The Islander' and 'The Bulldog's Bark', on Winner Records, a budget British label active from the 1920s onwards.AI summary
Winner 2100 Music Hall
Fred Gibson performing 'Let's all join the Mustard Club' and 'I've never seen a straight Banana' on Aco, a British budget label, catalogue 16124.AI summary
Aco 16124 Music Hall
Fred Harrison recorded novelty ragtime sides for Winner in the late 1920s; 'Ragtime Navvy' and 'Ragtime Ragshop' suggest comic or descriptive pieces.AI summary
Winner 2304 Music Hall
Fred Harrison recorded 'PC Forty Nine' and Ted Yorke's 'Everybody's doing it at the Seaside' on the Apollo label, a small British imprint.AI summary
Apollo 306 Music Hall
Fred Harrison performing novelty material on Winner, a cheap British budget imprint, with 'Any old Iron' a music-hall standard.AI summary
Winner 2241 Music Hall
Fred Hillebrand performing 'Man on the Flying Trapeze', the Victorian novelty song, on the Pan label, an obscure British imprint.AI summary
Panachord 25667 Music Hall
Fred Kitchen recorded 'Private Potts' parts 1 and 2 for Columbia in the early 1920s. Kitchen was a music-hall entertainer known for character songs and comic monologues.AI summary
Columbia 1635 Music Hall
Fred Kitchen on Regal, a British budget label, performing a comic monologue or comic song, popular in the 1920s–30s music-hall tradition.AI summary
Regal 6554 Music Hall
Fred Kitchen performing novelty music-hall numbers 'How to cook a Sausage' and 'Oh happy married Life' on Regal; the title suggests period comic material.AI summary
Regal 6470 Music Hall