2,704 shellac records · mostly British pressings, 1900s–1950s
2,704 records matching · page 33 of 57
Harry Champion, the dominant British music-hall star. Valkyrie 173 records 'Boiled Beef and Carrots', one of his signature songs, on a minor label; UK copies are scarce.AI summary
Valkyrie 173 Music Hall
Harry Champion, the cockney music-hall comedian and singer, performing two comic songs on Regal Records. Champion was enormously popular in Edwardian and inter-war Britain, and his recordings remain sought by music-hall collectors.AI summary
Regal 6701 Music Hall
Harry Champion, the prolific Edwardian music-hall comedian, performs two novelty songs for Zonophone: 'PC Green' and 'Don't do it again Matilda'.AI summary
Zonophone 379 Music Hall
Harry Champion was a leading British music-hall comedian and singer of the early 20th century, famous for cheeky, topical songs. 'Beaver' and 'Have you paid the Rent?' are typical of his repertoire — crude, funny, and aimed at working-class audiences. This Winner pressing dates from the 1920s.AI summary
Winner 3754 Music Hall
Harry Champion performing 'I want Meat' and 'In my old white Spats' on Winner, catalogue 4201. Winner was a budget British label for dance and comic material, active from the 1920s.AI summary
Winner 4201 Music Hall
Harry Cove recorded two Irish novelty songs for Winner (2447) in the late 1920s. The artist is otherwise unidentified. Winner was a cheap British label, and Irish songs were popular novelty items of the period.AI summary
Winner 2447 Music Hall
Harry Cove recorded 'Hear that Orchestra Rag' and 'I'm Coming back to Bonnie Scotland' for Ar catalogue 3226, early acoustic era.AI summary
Ariel 3226 Music Hall
Harry Cove, an early British recording artist of the 1910s–20s, on Scala 392, performing ragtime and music-hall novelties. Cove was a prolific but largely forgotten vaudeville and recording performer.AI summary
Scala 392 Music Hall
Harry Cove sings On the Mississippi and Hear That Orchestra Rag on Pilgrim 5672.AI summary
Pilgrim 5672 Music Hall
Harry Cove recorded 'Get out & get under' and 'Where did you get that Girl' for Sound, a minor British label. The titles suggest early 1920s vaudeville material.AI summary
Soundwave 107 Music Hall
Harry Cove performs 'My Baby' and (with F Miller) 'Take Me Down Piccadilly' on Exo, a minor British label. Cove was an obscure music hall performer of the early 20th century.AI summary
Exo 223 Music Hall
Harry Cove performs two World War I songs on Winner 2867: 'There'll Be Nothing But Boys in Khaki by the Seaside' and 'The Army of To-day's All Right', written by T. Yorke.AI summary
Winner 2867 Music Hall
Harry Cove performing 'Everybody Loves a Chicken' and 'Hullo Miss London' on Homo 4149, a small British label.AI summary
Hom 4149 Music Hall
Harry Cove performing two novelty or comic songs, 'Ring-a-ring o' Roses' and 'If we all went on Strike', for the British Mar label, catalogue 209.AI summary
Marathon 209 Music Hall
Harry Cove recorded music-hall songs for Best, a small British label; light entertainment material of the era.AI summary
Best 369 Music Hall
Harry Cove on Pelodeon (Pel), performing two novelty comic songs of the 1920s era. Pelodeon was a small British label, active briefly in the mid-to-late 1920s.AI summary
Pelican 72 Music Hall
Harry Cove performing comic or novelty songs for Pioneer (PionC), a short-lived British label, on catalogue no. 70 — an early pressing.AI summary
Pioneer C70 Music Hall
Harry Dearth, a British character vocalist, performing comic monologues in character for His Master's Voice. Dearth was a music hall entertainer, though he is now obscure.AI summary
His Master's Voice D214 Music Hall
Harry Dearth was a British music-hall and concert vocalist of the early 20th century. These folk or character songs reflect the ballad tradition of Edwardian variety entertainment.AI summary
His Master's Voice E42 Music Hall
Harry Donovan credited on DomA (Dominion) with Irish novelty songs 'When Magee Draws His Pay' and 'Next Train', a small British budget label side from the early 1930s.AI summary
Dominion A116 Music Hall
Harry Fay on Zonophone 1215, 'Pullman Porter's Parade'; a music-hall novelty side from the late 1920s or early 1930s on a secondary label.AI summary
Zonophone 1215 Music Hall
Harry Fay on Zonophone 2038, a Gramophone Company budget label; the titles suggest music-hall or comic material from the 1910s–1920s.AI summary
Zonophone 2038 Music Hall
Harry Fay recorded two comic songs, 'Roast Beef of Old England' and 'If You'll Pull a Bonbon with Me', for Zonophone. Fay was an obscure British music-hall performer of the early 1930s whose recording career left little trace.AI summary
Zonophone 2174 Music Hall
Zonophone 623 Music Hall
Harry Fay recorded music-hall comedy songs for the small British label Rena in the late 1920s; this coupling — 'Put on Your Old Green Bonnet' and the classic novelty 'I Do Like to Be Beside the Seaside' — typifies the variety-hall repertoire.AI summary
Rena 1121 Music Hall
Harry Fay performing the patriotic novelty song 'Sister Susie's Sewing Shirts for Soldiers' (a famous World War I number) on Zonophone 1419. Fay was a British comedian and recording artist; this pressing dates to the early 1900s.AI summary
Zonophone 1419 Music Hall
Harry Fay recorded 'How's your mother how's your Dad' and 'Colonel Knut' for Zonophone, catalogue 1496. The comic titles suggest music-hall repertoire.AI summary
Zonophone 1496 Music Hall
Harry Fay performing comic songs on Zonophone in the mid-1920s, a period when the label was under Gramophone Company control but still issued budget releases.AI summary
Zonophone 1861 Music Hall
Harry Fay performing two novelty comic songs—'May Look at Charlie' and 'I've Never Had a Bite Since Xmas'—for Imperial, catalogue 1791, from the 1920s.AI summary
Imperial 1791 Music Hall
Harry Fay was a British music-hall comedian famous for novelty and comic songs of the early 20th century; this Twin label pressing of 'Boiled Beef and Carrots' and 'For Months and Months and Months' is from his variety repertoire.AI summary
Twin 213 Music Hall
Harry Fay, a performer of novelty and comic songs, on Odeon. The title 'The Whistling Bowery Boy' suggests a music-hall or vaudeville number from the early acoustic era.AI summary
Odeon 44580 Music Hall
Harry Fay singing two novelty numbers, If we hadn't any Women in the World and When there isn't a Girl about, on Odeon 44671.AI summary
Odeon 44671 Music Hall
Harry Fay recorded 'The Man Who Broke the Bank at Monte Carlo' and 'Two Lovely Black Eyes' for HMV (B3973). Harry Fay was a light comedian and vocalist of the 1920s–30s; both titles are well-known songs from the earlier variety tradition.AI summary
His Master's Voice B3973 Music Hall
Harry Fay recorded 'My Motter' (a comic or novelty song) for GC Records—little is known of this artist or label.AI summary
Gramophone Company 4-2057 Music Hall
Harry Fay singing "PC 49", a novelty title-song tied to a British radio and film comedy character, and the ubiquitous "It's a Long Way to Tipperary" on Zonophone, a British label active in the 1920s–1930s.AI summary
Zonophone 1070 Music Hall
Harry Fay was a British comedian and singer of the 1920s–30s, recorded here on Ar (Arlequin), a small British label. 'The Galloping Major' and 'Wire in My Lads' are comic or novelty songs.AI summary
Ariel 1908 Music Hall
Harry Fay recorded 'Pom Diddley Orum' for Columbia, a music-hall novelty number. Fay is unidentified in standard references.AI summary
Columbia 26486 Music Hall
Curry's 101 Music Hall
Harry Fay performs two novelty character songs on Pathé 60983: "New Taximeter Car" and "Galloping Major," likely from the 1920s or early 1930s. Pathé was a major European label with British pressings; this artist is otherwise untraced.AI summary
Pathé 60983 Music Hall
Harry Fay, a music-hall entertainer, recorded on the Broadcast label, a minor British marque of the 1920s–30s.AI summary
Broadcast 227 Music Hall
Harry Fay, a British music-hall vocalist, recorded for Broadcast, a minor British label, with music-hall and novelty songs.AI summary
Broadcast 614 Music Hall
Harry Fay, a British music-hall performer, recorded 'Has anybody here seen Kelly?' (a famous Fred Karno sketch and song) and 'I like your old French bonnet' for Columbia 1165, placing this in Columbia's earliest vocal series from the 1900s-1910s.AI summary
Columbia 1165 Music Hall
Columbia 1254 Music Hall
Harry Fay performing the music-hall novelty 'My Word if I catch you bending', credited to the Crown label, a small British imprint of uncertain date.AI summary
Crown Music Hall
Harry Fay was a British entertainer who recorded comic and novelty material. This His Master's Voice pressing from the acoustic era represents his work for the major label.AI summary
His Master's Voice B4011 Music Hall
Harry Fay performing a character song on Decca, a major British label, in the mid-1930s.AI summary
Decca F3044 Music Hall
Harry Fay performs two music hall comedy songs, 'With her Head tucked underneath her Arm' and 'Lion & Albert', on Decca F5295 from the mid-1930s.AI summary
Decca F5295 Music Hall
Harry Fay credited on GC, a small and obscure British label, performing music-hall material.AI summary
Gramophone Company 4-2069 Music Hall