2,704 shellac records · mostly British pressings, 1900s–1950s
2,704 records matching · page 46 of 57
Noble (artist or ensemble name unclear) on His Master's Voice B6440, performing popular comedic or novelty songs of the 1920s–30s.AI summary
His Master's Voice B6440 Music Hall
Noble performing 'Old Moore's Almanac' on His Master's Voice, a major British label.AI summary
His Master's Voice B6269 Music Hall
Noble was a prolific light entertainment songwriter and bandleader of the interwar period; this His Master's Voice side offers two novelty comedy songs.AI summary
His Master's Voice B6421 Music Hall
Noël Coward on His Master's Voice B4269 performing two of his own compositions, including the famous 'Mad Dogs and Englishmen'. Coward was a major British playwright, composer, performer and wit; this is an authentic recording by the composer of his own work.AI summary
His Master's Voice B4269 Music Hall
Norah Blaney recorded 'Oh Mr Porter' and 'Our Lodger's Such a Nice Young Man' for Columbia, catalogue DB568, likely 1930s.AI summary
Columbia DB568 Music Hall
Norah Blaney and Gwen Farrar on HMV B1688 with comic novelty songs 'Who Tied the Can on the Old Dog's Tail' and 'Percy's Posh Plus Fours are Priceless'. This is a British music-hall duo recording of the early 1920s.AI summary
His Master's Voice B1688 Music Hall
Norah Blaney and Gwen Farrar, British music-hall comedians, on Columbia 3540 with 'Shall I have it bobbed or shingled' — a topical comedy number reflecting 1920s fashion.AI summary
Columbia 3540 Music Hall
Norman Griffin recorded 'Carry on the Good Work' for His Master's Voice 4-2965. The title and HMV catalogue suggest a topical or comic song of the 1930s-40s era.AI summary
His Master's Voice 4-2965 Music Hall
Norman Long, a British comic pianist and entertainer of the music-hall era, performs 'What would Mr Gladstone say to that?' and 'That rests entirely with me' on Columbia DB185. Long was known for witty, rapid-fire spoken comedy delivered at the piano and was a popular entertainer from the 1920s into the 1930s.AI summary
Columbia DB185 Music Hall
Norman Long, the British entertainer and raconteur, on Columbia DO1935, performing comic monologues in his characteristic style.AI summary
Columbia DO1935 Music Hall
Norman Long, a British comic vocalist, performing his novelty songs 'Never Have a Bath with Your Wrist Watch On' and 'Why Is the Bacon So Tough?' on Columbia 5162.AI summary
Columbia 5162 Music Hall
Norman Long performing 'You Mustn't Do It After 8 O'Clock' and the sentimental ballad 'That's Why I Love Her' on Columbia 5324.AI summary
Columbia 5324 Music Hall
Norman Long performs two comic monologues—'That Little Back Garden of Mine' and 'Aren't We All'—on Columbia, representing his prolific output as a spoken-word entertainer.AI summary
Columbia 5478 Music Hall
Norman Long, the British comedian, performs two comic monologues—'The Imports of England' and 'I Do Hate Lying in Bed'—on Columbia's mainstream catalogue.AI summary
Columbia 5666 Music Hall
Norman Long, a British comedian and entertainer, performs 'What Would Mr Gladstone Say to That?' and 'That Rests Entirely With Me' on Columbia, a later double-sided acoustic issue.AI summary
Columbia DB185 Music Hall
Norman Long, a comedian and entertainer, on Columbia DB292, performing his characteristic spoken-word comedy material about London life.AI summary
Columbia DB292 Music Hall
Norman Long was a British entertainer and composer known for comic and novelty material. His Columbia recording 'In the Parlour when the Company's gone' was one of his established pieces.AI summary
Columbia DB317 Music Hall
Norman Long was a British comedy-monologue artist and pianist of the interwar era, popular on stage and records. This Columbia DB383 features his characteristic comic patter.AI summary
Columbia DB383 Music Hall
Norman Long, the British comedian, performs 'I Had to Go and Draw Another Pound Out' and 'Isle of Hootcha Kootcha' on Columbia, exemplifying his spoken-word comedy style.AI summary
Columbia DB412 Music Hall
Norman Long, a British entertainer and humorist, recorded for Columbia DB576, likely mid-to-late 1930s.AI summary
Columbia DB576 Music Hall
Norman Long, a British comic vocalist and entertainer, performing his comic songs 'Ten Pahnds Dahn' and 'On the Day That Chelsea Went and Won the Cup' on Columbia DB1287.AI summary
Columbia DB1287 Music Hall
Norman Long, a British comedian and novelty vocalist, on Columbia DB1380—a recording from the 1930s.AI summary
Columbia DB1380 Music Hall
Norman Long with 'When I get my Rag out' and 'The Council Schools are good enough for me' on Columbia (DB1447), comedy novelty material from the early 1930s.AI summary
Columbia DB1447 Music Hall
Norman Long, a British comedian and entertainer, recorded these comic monologues—'Dick Turpin's Ride to York' and 'It's Really Too Terribly Thrilling'—which exemplify his spoken-word style on Columbia.AI summary
Columbia DB825 Music Hall
Norman Long, the British comedian, performs 'Luxembourg Calling' and its continuation on Columbia, reflecting his popular spoken-word style.AI summary
Columbia FB1208 Music Hall
Norman Long, a pianist and entertainer, recorded 'Homes' and 'Drage Way' for His Master's Voice, catalogue B2257; Long was a British recording artist active in the late 1920s and early 1930s.AI summary
His Master's Voice B2257 Music Hall
Norman Long, a popular British comic entertainer and monologist, performed 'Good Little Boy and the Bad Little Boy' and 'Under the Bazunka Tree' on His Master's Voice B2454, a mid-1920s pressing. Long was a music-hall star known for comic character pieces.AI summary
His Master's Voice B2454 Music Hall
Norman Long was a British comedian and singer known for music-hall novelty numbers. This His Master's Voice pressing from the early 1930s captures two of his comic songs.AI summary
His Master's Voice B2580 Music Hall
A novelty recording credited to an unknown artist, possibly George Buck, performing a comedic "Village wedding" on Decca. The attribution and artist identity are uncertain.AI summary
Decca F2221 Music Hall
The O'Gorman Brothers on Piccadilly 575 recorded 'You Can't Beat the Old Fashioned Razor' and 'Proverbs'; Piccadilly was a cheap British marque of the 1920s–30s.AI summary
Piccadilly 575 Music Hall
The O'Gorman Brothers recorded Irish novelty and comic material for Piccadilly, a cheap British budget label of the early 1930s.AI summary
Piccadilly 620 Music Hall
Oakley and Kirkby on Winner 2124, performing novelty and ragtime pieces. Both artists are unidentified.AI summary
Winner 2124 Music Hall
Olive Burton and Eric Courtland performing the novelty songs 'There's a Little Bit of Bad in Every Good Little Girl' and 'Arizona' on His Master's Voice B802, a British pressing from the 1920s.AI summary
His Master's Voice B802 Music Hall
Olly Oakley on Zonophone, performing character or novelty material; the catalogue number is low, suggesting a recording from the 1910s-20s.AI summary
Zonophone 1174 Music Hall
Olly Oakley, a performer in the music-hall tradition, recorded these two comic pieces—Darkey's Awakening and a circus galop—for His Master's Voice in the early acoustic era.AI summary
His Master's Voice B1566 Music Hall
Olly Oakley recorded 'A Black Coquette' and 'Lancashire Clogs' for His Master's Voice, catalogue C286, likely 1910s–20s.AI summary
His Master's Voice C286 Music Hall
Olly Oakley on Broadcast 486, a small British label of the early 1930s, performing novelty and music hall material.AI summary
Broadcast 486 Music Hall
Olly Oakley recorded 'Banjoland' and a historical title on DuoM 141, a minor British label, likely banjo novelty or comic songs from the 1920s–30s.AI summary
Duophone M141 Music Hall
Olly Oakley recorded 'Drum major' and 'Red cockade' for Regal G6203, likely music-hall novelty or instrumental material from the 1920s–30s.AI summary
Regal G6203 Music Hall
Olympic Duettists singing 'Mademoiselle from Armentières' and 'Muldoon's Big Bassoon' on Olympian, catalogue 166. Both are comic songs from the First World War era or earlier.AI summary
Oly 166 Music Hall
Oscar Natzke on Parlophone R2723, performing choral novelty items. 'The Yeomen of England' and 'Four Jolly Sailormen' suggest this is light choral or music-hall material from the 1920s–30s era.AI summary
Parlophone R2723 Music Hall
A pantomime recording of 'Cinderella' on Columbia 422, likely a British theatrical or music hall release from the early 1900s–1920s.AI summary
Columbia 422 Music Hall
Pauline Potter recorded two pieces from pantomime — 'Jack & the Beanstalk' and 'Dick Whittington & His Cat' — for His Master's Voice; Potter was a British light mezzo-soprano known for comedy and character roles in musical theatre.AI summary
His Master's Voice C503 Music Hall
Payne (identity unknown) recorded 'You Can't Do That There 'Ere' and 'A Thick Thick Fog in London' for Rex. The titles suggest British music-hall comedy of the 1930s.AI summary
Rex 8657 Music Hall
Peggy Cochrane performing musical comedy memories on Broadcast 3097. Broadcast was a minor British label; the artist is not widely documented in general references.AI summary
Broadcast 3097 Music Hall
Penrose & Whitlock on Winner 3931, 'Yuletide Coach', a seasonal side from a short-lived British marque; Winner pressings from the 1930s are uncommon.AI summary
Winner 3931 Music Hall
Penrose & Whitlock, British entertainers, on Winner 3932, performing a comic sketch or novelty piece about tourism.AI summary
Winner 3932 Music Hall
Penrose and Whitlock, a British music hall duo, performing two novelty and character numbers on Columbia; the is780 catalogue number places this in Columbia's early electrical or late acoustic period, circa 1925–1928.AI summary
Columbia is780 Music Hall