55 shellac records · mostly British pressings, 1900s–1950s
55 records matching · page 1 of 2
Adam Didur was a celebrated Polish bass who had a major career at the Metropolitan Opera and in Europe in the early twentieth century. This Brunswick disc, catalogue 60049, contains two Polish songs — 'Song of the Emblem Bearer' and 'Kozak'. Didur's recordings are of interest to collectors of early Slavic operatic singing.AI summary
Brunswick 60049 Opera
Alfred Piccaver, the British-based tenor, recorded 'Pour un Baiser' and 'Amor ti vieta' (the latter from Puccini's *Le villi*) for Brunswick. Piccaver was a leading lyric tenor of the 1920s and 1930s, much admired in both operatic and concert repertoire.AI summary
Brunswick 15133 Opera
Alfred Piccaver, an Austrian-born tenor of the early 20th century known for his operatic recordings on Brunswick. 'Carmen Flower Song' and 'Faust Salut, Demeure' are celebrated tenor arias from the standard repertoire.AI summary
Brunswick 50110 Opera
Alfred Piccaver recorded the arias 'Ah si ben mio' (from *Il Trovatore*) and 'O tu che in Seno Agli Angeli' (from *La Forza del Destino*) for Brunswick, catalogue 50115. Piccaver was a celebrated English-born Heldentenor who sang regularly in Vienna and Europe in the 1920s–30s.AI summary
Brunswick 50115 Opera
Alfred Piccaver, an Austrian tenor who enjoyed a long career on stage and record, recorded two arias — 'Questa o quella' and 'Siciliana' — on Brunswick in the 1920s.AI summary
Brunswick 15131 Opera
Alfred Piccaver was an English tenor of the 1920s–30s who recorded Italian opera roles; this Brunswick pressing of Rossini's 'Siciliana' and 'Questa o Quella' captures his light tenor work in Italian repertoire.AI summary
Brunswick 15131 Opera
Alfred Piccaver, an established tenor of the 1920s–30s, recorded 'Pour un Baiser' and 'Amor ti vieta' (from *Fedora*) for Brunswick, catalogue 15133. Piccaver was a noted operatic tenor, and these are standard tenor-song repertoire items of the era.AI summary
Brunswick 15133 Opera
Claire Dux, a Polish-American soprano of the early twentieth century, recorded operatic arias ('Deh vieni non tardar' from The Marriage of Figaro, 'Voi che sapete' from The Marriage of Figaro) for Brunswick. Dux was a celebrated lyric soprano of the 1910s–1920s.AI summary
Brunswick 50057 Opera
Elisabeth Rethberg, one of the greatest sopranos of the 20th century, performing Handel's 'Largo' from Xerxes and a Donizetti aria on Brunswick 30119. Rethberg (1894–1976) was a dominant figure at the Metropolitan Opera and a prolific recording artist from the 1910s through the 1940s.AI summary
Brunswick 30119 Opera
Elisabeth Rethberg was a world-renowned soprano of the Metropolitan Opera; 'Elsa's Dream' and 'Elisabeth's Prayer' are arias from Wagner's *Lohengrin* and Tannhäuser, recorded for Brunswick in the electrical era.AI summary
Brunswick 50109 Opera
Elizabeth Lennox sings two arias from Handel's Messiah, 'He Shall Feed His Flock' and 'O Rest in the Lord', on Brunswick 5165. A classical soprano on a major label, likely from the 1930s-40s.AI summary
Brunswick 5165 Opera
Elizabeth Rethberg, the German soprano, recorded operatic art songs including Schubert's 'Nur Wer Die Sehnsucht Kennt' and a French ariette for Brunswick. Rethberg was a celebrated lyric soprano of the Metropolitan Opera in the 1920s-40s.AI summary
Brunswick 10166 Opera
Elisabeth Rethberg was a celebrated American opera soprano of the early 20th century, noted for Verdi roles. This Brunswick pressing pairs two romantic vocal pieces from her concert repertoire.AI summary
Brunswick 10253 Opera
Elizabeth Rethberg performing two art-song or classical vocal pieces on Brunswick 10166. Rethberg (1894–1976) was a German-American soprano of major international renown, particularly celebrated for Wagner and operatic roles; she had an enormous recording career.AI summary
Brunswick 10166 Opera
Erna Sack, the German coloratura soprano, on Brunswick — a virtuosic vocalist known for her extraordinary range and technique, popular in recordings from the 1920s–40s.AI summary
Brunswick 02414 Opera
Erna Sack, the German coloratura soprano famous for her vocal range and yodelling, recorded 'I'm the Echo' and 'I Dream Too Much' for Brunswick. Sack was an international recording star of the 1930s–1950s, known for her precision and virtuosity.AI summary
Brunswick 131 Opera
Felicie Huni-Mihacsek performing 'Nun Eilt Herbei' and another piece on Brunswick 50105. Huni-Mihacsek was a soprano of some prominence, likely from the central European operatic tradition.AI summary
Brunswick 50105 Opera
Giacomo Lauri-Volpi, a celebrated Italian tenor and major operatic recording artist of the early-to-mid 20th century, performed two arias ('Racconto di Rodolfo' and 'Quando Nascesti Tu') on Brunswick 50073. Lauri-Volpi was a principal tenor at the Metropolitan Opera and made numerous recordings.AI summary
Brunswick 50073 Opera
Giacomo Lauri-Volpi was an acclaimed Italian tenor, famous for Puccini and Verdi roles. 'O sole mio' and 'Lasciati amar' are Italian songs recorded here for Brunswick. Lauri-Volpi's acoustic recordings are sought by opera collectors, though Brunswick pressings are less prominent than his HMV or other major-label work.AI summary
Brunswick 10244 Opera
Giacomo Lauri-Volpi on Brunswick 10172 with 'Cielo Turchino' and 'Manella Mia', Italian operatic vocal recordings. Lauri-Volpi was a celebrated Italian tenor active from the 1920s through the 1950s, known for his role in the early *Cavalleria Rusticana* recordings and his recordings for major labels.AI summary
Brunswick 10172 Opera
Giacomo Lauri-Volpi, the celebrated Italian operatic tenor, performing two famous arias from Verdi's *Rigoletto* on Brunswick — 'La Donna è Mobile' and 'Questa o Quella' — likely from the 1920s–30s.AI summary
Brunswick 15047 Opera
Giacomo Lauri-Volpi, an Italian operatic tenor of the 1920s-30s, performing two art songs, 'Serenata' and 'Luna d'estate', on Brunswick—a vocal recording from the acoustic or early electric era.AI summary
Brunswick 15072 Opera
Giacomo Lauri-Volpi, an eminent Italian tenor, recorded the operatic arias 'Ah si ben mio' and 'Di quella pira' for Brunswick, probably in the early 1930s. Lauri-Volpi was a major international operatic artist of the interwar period.AI summary
Brunswick 15095 Opera
Grace Moore, American soprano and film star, recorded 'Serenade' (likely Schubert's 'Ständchen') and 'Vissi d'Arte' (from Tosca) for Brunswick, catalogue 0136. Moore was a leading lyric soprano of the 1920s–30s, equally known for opera and Hollywood.AI summary
Brunswick 0136 Opera
Grace Moore, the American soprano and film star of the 1930s, sings two showpieces—"Serenade" and the famous "Vissi d'Arte" from Puccini's *Tosca*—on Brunswick 0136. Moore was a major recording artist and this represents her classical operatic repertoire rather than her popular or film work.AI summary
Brunswick 0136 Opera
Giuseppe Danise, an Italian baritone and major operatic singer of the early 20th century, performing two arias from Verdi's *Othello* ('Credo' and 'Nemico della Patria') on Brunswick 50079. Danise was a significant opera recording artist.AI summary
Brunswick 50079 Opera
Giuseppe Danise was an Italian baritone opera singer, active in the early 20th century. 'Avant de quitter ces Lieux' (from La Juive by Halévy) and 'In Provenza il Mar' (from I Vespri Siciliani by Verdi) are operatic arias, recorded on Brunswick 50083, a catalogue number consistent with the 1920s–1930s.AI summary
Brunswick 50083 Opera
Kemp on Brunswick, recorded 'One Kiss' and 'Monna Vanna' (credited to 'haring'). The titles suggest operatic or classical vocal material, likely from the 1930s, but the artist is not established in discography.AI summary
Brunswick 3944 Opera
Lauritz Melchior, the legendary Wagnerian tenor, performing two passages from Wagner's *Die Walküre*: 'Wintersturme wichen' and 'Morgenlich leuchtend' on Brunswick 50085. Melchior was one of the most recorded and collected operatic voices of the twentieth century.AI summary
Brunswick 50085 Opera
Maria Ivogun was a German operatic soprano of the 1920s–1930s, noted for her performances in Mozart and contemporary opera; this Brunswick 15075 contains two operatic arias, 'Hark Hark the Lark' (Schubert) and 'The Post'.AI summary
Brunswick 15075 Opera
Mario Chamlee, a celebrated American tenor of the 1920s–30s, sings two hymn-like pieces on Brunswick: 'Open the Gates of the Temple' and 'Hosanna'. Chamlee was known for operetta and light classical tenor repertoire.AI summary
Brunswick 30110 Opera
Mario Chamlee, American operatic tenor, on Brunswick 50021 performing Ave Maria and Agnus Dei. Chamlee had a long Metropolitan Opera career in the 1920s–1930s; this is a classical vocal recording from that era.AI summary
Brunswick 50021 Opera
Mario Chamlee, an American operatic tenor of the early 20th century, recorded operatic arias on Brunswick, likely from the 1920s–30s.AI summary
Brunswick 50030 Opera
Mario Chamlee, the American operatic tenor, recorded 'My Desire' and 'Mother O My Mother!' for Brunswick, catalogue 10188; Chamlee was a prominent lyric tenor of the 1920s–30s and his recordings remain sought by opera and vocal collectors.AI summary
Brunswick 10188 Opera
Mario Chamlee on Brunswick 10230, performing 'Parted' and 'My Dreams'. Chamlee was an American tenor and light-opera singer active in the 1920s-30s.AI summary
Brunswick 10230 Opera
Mario Chamlee, a celebrated American tenor of the 1920s-30s, records two operatic songs for Brunswick — Chamlee was known for concert and operatic roles and these would reflect that standing.AI summary
Brunswick 15037 Opera
Mario Chamlee, the American tenor, performing Leoncavallo's 'Vesti la Giubba' and Puccini's 'E Lucevan le Stelle' on Brunswick 15130, standard operatic repertoire.AI summary
Brunswick 15130 Opera
Michael Bohnen, a German baritone, recorded German operatic and dramatic repertoire on Brunswick, likely from the 1920s.AI summary
Brunswick 15074 Opera
Michael Bohnen, a German-American baritone of the early 20th century, recorded operatic arias 'O Isis & Osiris' and 'Within this hallowed Dwelling' (from Die Zauberflöte and Die Meistersinger) for Brunswick 50056.AI summary
Brunswick 50056 Opera
Michael Bohnen, a German baritone of the early twentieth century, recorded operatic selections for Brunswick: the 'Freischutz Drinking Song' and an aria from Weber's operas. Bohnen was a celebrated Wagnerian and Lieder singer of the acoustic era.AI summary
Brunswick 15074 Opera
Rosa Raisa, an acclaimed Italian operatic soprano, and Giacomo Rimini, a baritone, recorded these two duets from Mozart and Mozart opera for Brunswick; Magic Flute and Don Giovanni are cornerstone operatic works.AI summary
Brunswick 15135 Opera
Schorr, a vocalist, performing two operatic arias ('Czar and Zimmerman' and 'Don Giovanni') on Brunswick.AI summary
Brunswick 15088 Opera
Sigrid Onegin, an Austrian-born mezzo-soprano and concert artist, recorded 'Sapphische Ode' and 'In the Churchyard' for Brunswick, catalogue 10255.AI summary
Brunswick 10255 Opera
Sigrid Onegin, the Swedish-German contralto celebrated for her rich voice and her portrayals of Amneris, Dalila, and other dramatic roles, sings 'Mon Coeur s'ouvre à ta voix' from Samson and Delilah and the Chanson Bohème from Carmen on Brunswick 50018. Onegin's Brunswick recordings are collected by admirers of the dramatic contralto voice.AI summary
Brunswick 50018 Opera
Sigrid Onegin was a Swedish contralto of exceptional range and richness, one of the leading voices of the 1920s and 1930s, particularly admired in Meyerbeer and Verdi. Brunswick 50076 couples 'Ah, mon fils' from Meyerbeer's Le prophète with 'Amour, viens aider' from Saint-Saëns's Samson. Onegin's recordings are steadily collected by operatic enthusiasts.AI summary
Brunswick 50076 Opera
Sigrid Onegin on Brunswick 50077 — 'Mon cœur s'ouvre à ta voix' from Saint-Saëns's Samson et Dalila and 'Chanson Bohème' from Bizet's Carmen — is a companion to Brunswick 50076 in this collection, extending her recorded French repertoire. Onegin's deep contralto was particularly admired in these French roles. A fine pair of Onegin Brunswicks.AI summary
Brunswick 50077 Opera
Sigrid Onegin, a Swedish mezzo-soprano, recorded these two opera arias for Brunswick. Onegin was an important opera singer of the 1920s-1930s; her recordings remain of interest to opera and vocal collectors.AI summary
Brunswick 50018 Opera
Sigrid Onegin was an Estonian mezzo-soprano who had a major career in European opera houses and the concert hall during the 1920s and 1930s. This Brunswick recording preserves two of her performances.AI summary
Brunswick 10277 Opera