1,260 shellac records · mostly British pressings, 1900s–1950s
1,260 records matching · page 10 of 27
Erna Sack, the German soprano specialising in coloratura and vocal effects, recorded two Italian opera arias, "Io sono Docile" and "Una Voce Poco Fa", for Decca.AI summary
Decca X150 Opera
Ernst Kraus, the German heroic tenor, sings Siegfried's Forging Songs from Wagner's 'Siegfried' on G&T.AI summary
G&T 3-42670 Opera
Ernest Pike, a baritone, recorded opera duets with identified soprano partners (Violetta and Yarrow) for Zonophone, a British label of the early 1900s.AI summary
Zonophone GO1 Opera
Ernest Pike and A Yarrow perform operatic excerpts—'In the Combat' from Verdi's La Traviata and the Miserere—on Zonophone's early GO series, a rare British label run.AI summary
Zonophone GO1 Opera
Ernest Pike and A. Yarrow performing the operatic duet 'O Night of Hymen' (likely from Rossini's *L'italiana in Algeri*) for Zonophone X-series, an early acoustic catalogue from the 1900s–1910s.AI summary
Zonophone X44160 Opera
A duet recorded on Zonophone, a British budget label, pairing Ernest Pike with vocalist 'Mme Violetta' on the operetta standard 'Home to our Mountains'.AI summary
Zonophone X44123 Opera
Winner 3407 TEST Opera
Ernest van Dyck was a celebrated Belgian tenor who had a major career at Bayreuth and the Vienna Court Opera in the late nineteenth century, one of the foremost Wagner tenors of his generation. This Homophon disc, catalogue 8702/8390, contains two French songs. Van Dyck's recordings are of significant collector interest to students of early Wagnerian singing.AI summary
Hom 8702/8390 Opera
Ernest Van Dyck, a Belgian tenor of the late 19th century, performing two German Romantic lieder on Columbia. The catalogue number IRCC indicates this is a reissue or compilation pressing, not an original acoustic recording.AI summary
Columbia IRCC6 Opera
Ernst Kraus, a German tenor. G&T 3-42909 records Handel operatic excerpts; early electrical operatic recording.AI summary
G&T 3-42909 Opera
Ernst Kraus, a German tenor, singing two Schubert Lieder ('Der Neugierige' and 'Du biste die Ruh') for HMV, recorded in the 1920s-30s.AI summary
His Master's Voice 042466/7 Opera
Ethel Hook performs operatic arias—'Softly, Awakes My Heart' and 'O Love: From Thy Power'—on Vocallion, a budget British label of the 1920s–30s.AI summary
Vocalion D02065 Opera
Eugenia Burzio was an Italian operatic soprano; this Columbia D4289 contains two operatic or vocal pieces, 'Figlio del sol' and 'Ave Maria'.AI summary
Columbia D4289 Opera
Eugenia Bronskaja was a Russian soprano who had a significant career in the early twentieth century, recording for several labels. This Columbia A5295 disc contains 'Ave Maria' and 'Caro nome' from Verdi's Rigoletto. Bronskaja's recordings are of interest to collectors of early Russian singing.AI summary
Columbia A5193 Opera
Eugenie Bronskaja, a singer, recorded the operatic standards 'Ave Maria' and 'Caro Nome' (from Rigoletto) for Columbia.AI summary
Columbia A5193 Opera
Eva Plaschke-von der Osten, the Dresden soprano who created Octavian in Strauss's 'Der Rosenkavalier', sings duets with the Czech tenor Otto Mařák on a single-sided Gramophone Company disc.AI summary
Gramophone Company 044193 Opera
Eva Plaschke-von der Osten, the Dresden soprano who created Octavian in Strauss's 'Der Rosenkavalier', sings duets with the Czech tenor Otto Mařák on a single-sided Gramophone Company disc.AI summary
Gramophone Company 044193 Opera
Eva Turner, one of the greatest British operatic sopranos of the 20th century, performing arias from Puccini's 'Turandot' on Columbia D1631.AI summary
Columbia D1631 Opera
Evelyn D'Alroy, CH Workman, A Augarde and L Pringle performing duets including material from 'The Chocolate Soldier' operetta on Odeon 66827. The performers were stage and music-hall artists of the early 20th century.AI summary
Odeon 66827 Opera
Evelyn Laye, the British stage and musical-theatre star, on Columbia 9751, performing opera and musical-theatre arias.AI summary
Columbia 9751 Opera
Evelyn Laye (credited Oldham) performing arias from Madame Pompadour on Columbia 3372. Laye was a major British theatre and operetta star of the 1920s–1940s; this early Columbia release captures her signature operetta roles.AI summary
Columbia 3372 Opera
Evelyn Scotney (1886-1967), the Australian soprano, sings Charmant oiseau and the Jewel Song on Vocalion A0219.AI summary
Vocalion 0219 Opera
Evelyn Scotney performs 'Piangi fanciulla' from Puccini's opera on the VocA label with explanatory notes.AI summary
Vocalion 0194 Opera
Ezio Pinza, the celebrated Italian bass and major figure in 20th-century opera, recorded 'Se oppressi ognor da ria sentenza' (Verdi, *I masnadieri*) and 'Dal tuo stellato soglio' for His Master's Voice DB698. Pinza was a principal baritone of the Metropolitan Opera and remains highly collected.AI summary
His Master's Voice DB698 Opera
Ezio Pinza (1892–1957), an Italian bass and international opera star, performing arias on His Master's Voice with baritone A. Turchetti; Pinza was one of the leading operatic basses of the 20th century.AI summary
His Master's Voice DB698 Opera
Ezio Pinza, the distinguished Italian–American bass-baritone, recorded 'Fin ch'han dal vino' (from *Don Giovanni*) and 'Deh vieni alla finestra' (from *Don Giovanni*) for HMV. Pinza was a major Metropolitan Opera star and his operatic recordings on electrical media remain prized by serious collectors.AI summary
His Master's Voice DA1134 Opera
Frances Alda and Giacomo Martinelli, two celebrated operatic singers, perform a duet from Puccini's 'La Bohème' on His Master's Voice. Both were significant Metropolitan Opera artists; this is an acoustic-era recording of major singers.AI summary
His Master's Voice DK100 Opera
Operatic tenor Giacomo Martinelli and soprano Frances Alda performing the duet 'O quanti occhi fisi' from Verdi's *La forza del destino*, on His Master's Voice 2-054123. Both were major international opera singers of the 1920s–30s.AI summary
His Master's Voice 2-054123 Opera
Two operatic performers, F Austral and R Radford, recorded excerpts from Wagner's "Die Walküre" with orchestral accompaniment conducted by Albert Coates and Eugène Goossens respectively, for His Master's Voice; the high pedigree of conductor and artists suggests a substantial pre-war or early electrical recording.AI summary
His Master's Voice D680 Opera
F. Austral and T. Davies performing two famous operatic excerpts—the Valkyries' death-foretelling scene and the Ride of the Valkyries from Wagner's *Die Walküre*—as conducted by Albert Coates on His Master's Voice D681, an early orchestral recording.AI summary
His Master's Voice D681 Opera
De Lucia, Huguet, and Pini Corsi, operatic performers. Gramophone Company 054083 records Rossini's 'Barbiere di Siviglia'; an early electrical operatic recording.AI summary
Gramophone Company 054083 Opera
Frieda Hempel and Pasquale Amato, two celebrated operatic singers, perform the operatic duet 'Figlia mio padre' on this HMV record, catalogue 2-054060, a late 1920s electrical recording.AI summary
His Master's Voice 2-054060 Opera
Lauritz Melchior (1890–1973), one of the greatest dramatic tenors of the 20th century, recorded an excerpt from Wagner's *Tristan und Isolde* with another vocalist on the G&T (Gramophone and Typewriter Company) label, one of the earliest recording companies.AI summary
Disque Gramophone W-1149 Opera
Geraldine Farrar and Giovanni Martinelli, two of the greatest singers of the early twentieth century, in a dramatic duet from Offenbach's opera on His Master's Voice DK108.AI summary
His Master's Voice DK108 Opera
Geraldine Farrar and Giuseppe Clement performing 'Au clair de la lune' on His Master's Voice B7-34002. Farrar was one of the most famous opera singers of the early 20th century; this novelty duet likely dates from the 1920s.AI summary
His Master's Voice B7-34002 Opera
Geraldine Farrar and Enrico Caruso were the most celebrated opera singers of the early twentieth century; this His Master's Voice acoustic recording of the famous death duet from Puccini's Madama Butterfly is a historic document of operatic art.AI summary
His Master's Voice 054126 Opera
Geraldine Farrar, the famous American soprano, and Antonio Scotti, the distinguished Italian baritone, recorded the duet 'La ci darem la mano' and a scene from Puccini's *La Bohème* for His Master's Voice—operatic repertoire by two celebrated early-20th-century singers.AI summary
His Master's Voice DK111 Opera
Felicie Huni-Mihacsek performing 'Nun Eilt Herbei' and another piece on Brunswick 50105. Huni-Mihacsek was a soprano of some prominence, likely from the central European operatic tradition.AI summary
Brunswick 50105 Opera
Fernand Ansseau, a leading Belgian baritone of the early-to-mid 20th century, performing a sacred aria on His Master's Voice. The title suggests a piece from Catholic liturgical or devotional repertoire.AI summary
His Master's Voice 2-032056 Opera
Fernand Ansseau, the celebrated Belgian tenor of the early 20th century, singing Italian operatic arias ('O Paradis' from L'Africaine and 'Pourquoi Me Réveiller' from Werther) on His Master's Voice in acoustic recording, representing the prestige acoustic opera catalogue.AI summary
His Master's Voice DA427 Opera
Fernando de Lucia, the celebrated Neapolitan tenor of the acoustic era, sings two arias from Rossini's 'Il turco in Italia' (DA124, 'Ah non credevi tu') and Mozart's 'Don Giovanni' ('Il mio tesoro intanto') on His Master's Voice, recorded early in his career.AI summary
His Master's Voice DA124 Opera
Fernando De Lucia (1860-1925) was one of the great Italian tenors of the Caruso generation, recorded for Fonotipia in the 1900s; here he sings A suon di baci and Leoncavallo's Mattinata.AI summary
Fonotipia 92696 Opera
Fernando de Lucia recorded "O Paradiso" from L'Africaine and "O Selika io t'adoro" (Mignon) for Phonotype catalogue 1766. De Lucia was an important Italian tenor of the late 19th century, famous in his day but now primarily of historical interest.AI summary
Phonotype 1766 Opera
Fernando de Lucia, one of the most admired Italian tenors of the verismo era, duets with soprano Giuseppina Huguet in this early recording of the Pearl Fishers duet from Bizet's opera.AI summary
G&T 054082 Opera
Feruccio Giannini was an Italian-American operatic tenor among the earliest artists recorded commercially by Victor in the United States; this disc preserves his rendition of 'M'appari tutt'amor' from Martha.AI summary
Victor 4056 Opera
Florence Smithson was a British soprano of the 1910s–20s. The 'Waltz Song' from *Tom Jones* (Bantock/Jones) is a drawing-room song of Edwardian vintage. This HMV pressing represents light classical and theatrical repertoire of the period.AI summary
His Master's Voice 3917 Opera
Florence Smithson performing arias from *Tom Jones* on His Master's Voice, from the early operatic recording era.AI summary
His Master's Voice B444 Opera
Fr Weidemann and R Mayr, operatic performers. Gramophone Company 3-42730 records operatic arias and ensembles ('Peitschenlied', 'Sextette Lucia'); early electrical.AI summary
Gramophone Company 3-42730 Opera