1,260 shellac records · mostly British pressings, 1900s–1950s
1,260 records matching · page 20 of 27
Marie-Thérèse Gauley, a French soprano, singing both sides of 'Les Noces de Jeannette' (The Wedding of Jeannette), a popular mid-19th-century opéra comique by Victor Massé, on Pathé X.2255.AI summary
Pathé X.2255 Opera
Italian baritone Mario Ancona singing the Prologue from Leoncavallo's "Pagliacci", an early single-sided acoustic recording on G&T.AI summary
G&T 052075z Opera
Mario Ancona was a celebrated Italian baritone who had a major international career at Covent Garden, the Metropolitan and La Scala in the 1890s and early 1900s. This Pathé disc, catalogue 4300, contains 'Chanson de l'Adieu' and Hahn's 'L'Heure Exquise'. Pathé pressed in limited quantities for named artists of this calibre; Ancona's recordings are of collector interest.AI summary
Pathé 4300 Opera
Mario Chamlee, a celebrated American tenor of the 1920s–30s, sings two hymn-like pieces on Brunswick: 'Open the Gates of the Temple' and 'Hosanna'. Chamlee was known for operetta and light classical tenor repertoire.AI summary
Brunswick 30110 Opera
Mario Chamlee, American operatic tenor, on Brunswick 50021 performing Ave Maria and Agnus Dei. Chamlee had a long Metropolitan Opera career in the 1920s–1930s; this is a classical vocal recording from that era.AI summary
Brunswick 50021 Opera
Mario Chamlee, an American operatic tenor of the early 20th century, recorded operatic arias on Brunswick, likely from the 1920s–30s.AI summary
Brunswick 50030 Opera
Mario Chamlee, the American operatic tenor, recorded 'My Desire' and 'Mother O My Mother!' for Brunswick, catalogue 10188; Chamlee was a prominent lyric tenor of the 1920s–30s and his recordings remain sought by opera and vocal collectors.AI summary
Brunswick 10188 Opera
Mario Chamlee on Brunswick 10230, performing 'Parted' and 'My Dreams'. Chamlee was an American tenor and light-opera singer active in the 1920s-30s.AI summary
Brunswick 10230 Opera
Mario Chamlee, a celebrated American tenor of the 1920s-30s, records two operatic songs for Brunswick — Chamlee was known for concert and operatic roles and these would reflect that standing.AI summary
Brunswick 15037 Opera
Mario Chamlee, the American tenor, performing Leoncavallo's 'Vesti la Giubba' and Puccini's 'E Lucevan le Stelle' on Brunswick 15130, standard operatic repertoire.AI summary
Brunswick 15130 Opera
Mario Sammarco, the renowned Italian baritone, recorded 'Eri tu' (the famous aria from Verdi's Un Ballo in Maschera) for His Master's Voice on the 2-052011 catalogue number, indicating a serious operatic release. Sammarco was a celebrated recording artist in the early years of the gramophone and his HMV recordings remain sought by collectors of operatic singing.AI summary
His Master's Voice 2-052011 Opera
Mario Sammarco, a celebrated Italian baritone of the early 20th century, performs the Prologue from Leoncavallo's Pagliacci on His Master's Voice. Sammarco was one of the most important baritones of his era and a prolific recording artist.AI summary
His Master's Voice 2-052031 Opera
Mario Sammarco performs 'Non Più Andrò' (Fiorello's aria from Mozart's The Marriage of Figaro) on His Master's Voice. This is one of Sammarco's numerous operatic recordings for HMV.AI summary
His Master's Voice 2-052042 Opera
Marta Eggerth, a Hungarian-born soprano who became an international opera and musical-theatre star, recorded these two German romantic art-songs for Odeon; Eggerth was celebrated in German and Austrian culture.AI summary
Odeon 011891 Opera
Giovanni Martinelli and Antonio de Luca recorded 'Dio che nell' alma' (from Verdi's *Un ballo in maschera*) for His Master's Voice. This is an operatic duet from one of the greatest tenors of the 20th century and a baritone soloist, part of Martinelli's extensive recorded legacy.AI summary
His Master's Voice 2-054117 Opera
Mary Boyer and M. Piccalugga recorded the 'Duo du Portrait' (Portrait Duet) for Columbia 50604, likely an operatic or theatrical piece.AI summary
Columbia 50604 Opera
Mary Ellis, the American operetta singer and actress, recorded this Ivor Novello song for His Master's Voice; Ellis was a leading operetta star of the 1920s–1930s.AI summary
His Master's Voice B8890 Opera
Mary Garden, the Scottish-born opera singer, performing Scottish songs 'John Anderson My Jo' and 'Comin' Thro' the Rye' on Columbia A1190, a classical and voice issue from an early electrical era.AI summary
Columbia A1190 Opera
Mary Garden, the Scottish-American soprano and opera star, recorded 'Across the Steppe' and 'En Vain pour eviter' for His Master's Voice VA18. Garden was a celebrated opera singer and interpreter of French repertoire, active from the 1900s onward.AI summary
His Master's Voice VA18 Opera
Mary Garden, the legendary Scottish opera singer, recorded two arias from Massenet's Thaïs on Columbia A5284 in the early 1920s; one of the great divas of the Belle Époque.AI summary
Columbia A5284 Opera
Mary Garden, the famous Scottish-American opera soprano, recorded 'Il Est Doux Il Est Bon' and 'Liberté' on Columbia A5289.AI summary
Columbia A5289 Opera
Mary Law recorded operatic and theatrical music for Zonophone in the early 1920s; this coupling of two operatic favourites is typical of acoustic-era vocal recordings on the secondary label.AI summary
Zonophone A231 Opera
Martha Angelici, a French mezzo-soprano, performing Mireille (listed twice) on HMV's prestigious DB series.AI summary
His Master's Voice DB11.184 Opera
Mattia Battistini, the great Italian baritone (1856–1928), recorded Italian operatic material for His Master's Voice in the early acoustic era. Battistini was one of the finest and most recorded baritones of the late 19th and early 20th centuries.AI summary
His Master's Voice DB199 Opera
Mattia Battistini, one of the greatest baritones of the gramophone age, singing an aria from Puccini's *Tosca* on His Master's Voice 052312.AI summary
His Master's Voice 052312 Opera
Mattia Battistini was one of the supreme Italian baritones of the late nineteenth and early twentieth centuries, called 'the king of baritones.' HMV DB200 couples 'Eri tu' from Verdi's Un ballo in maschera with the duet 'Lo vedremo, o veglio audace' sung with Sillich. The DB series is HMV's prestigious double-sided black-label series, and Battistini is one of the most sought-after names in acoustic operatic collecting.AI summary
His Master's Voice DB200 Opera
Mattia Battistini, the celebrated Italian baritone, in two arias: 'Amour amour' and 'Ideale' for HMV DB213.AI summary
His Master's Voice DB213 Opera
Mattia Battistini, the celebrated Italian baritone, singing 'Si puo' and 'Un Nido di memorie' on His Master's Voice DB239, a premium electrical-era release.AI summary
His Master's Voice DB239 Opera
Mattia Battistini, the legendary Italian baritone, in duets with other singers performing Italian opera arias on His Master's Voice; Battistini was one of the most celebrated operatic voices of the late 19th and early 20th centuries.AI summary
His Master's Voice VB23 Opera
Mattia Battistini, an Italian baritone and one of the greatest singers of the late 19th and early 20th centuries, performing *O Ma Charmante* on His Master's Voice. This is an acoustic or early electric recording of one of opera's most celebrated voices.AI summary
His Master's Voice 052321 Opera
Mattia Battistini, the celebrated Italian baritone, sings 'O casto fior' on His Master's Voice. Battistini was one of the most recorded singers of the early 20th century and remained influential throughout his career; this double-faced catalogue number places it in the early electrical period.AI summary
His Master's Voice 2-052201 Opera
Mattia Battistini, one of the greatest baritones of the late 19th and early 20th centuries, recorded an Italian operatic aria for His Master's Voice's prestigious Red Label; a canonical figure in opera recording history.AI summary
His Master's Voice 2-052204 Opera
Mattia Battistini, the celebrated Italian baritone, in the operatic aria Voce fatal di morte on His Master's Voice 2-052207. Battistini was one of the greatest singers of the late 19th and early 20th centuries.AI summary
His Master's Voice 2-052207 Opera
Mattia Battistini (1856–1928) was one of the most celebrated Italian operatic baritones of the early 20th century, recorded here in two operatic arias, "Decidi il mio destin" and "E allor perche di tu..." for His Master's Voice, an acoustic or early electrical recording.AI summary
His Master's Voice DB203 Opera
Mattia Battistini, one of the greatest baritones of the early 20th century, recorded the "Prologue" (Prologue) from Leoncavallo's *Pagliacci* for Schallplatte (Schal), a German or Central European label.AI summary
Schal 052305 Opera
Mattia Battistini, the legendary Italian baritone, performing part 2 of the Prologue (likely from an opera) on Schal 052306, an early acoustic recording from one of the greatest singers of the nineteenth and early twentieth centuries.AI summary
Schal 052306 Opera
Mattia Battistini, one of the greatest baritones of the late 19th and early 20th century, recorded an aria from Verdi's Un Ballo in Maschera on the G&T label, a very early British-based imprint.AI summary
Gramophone Company 052146 Opera
Mattia Battistini, the celebrated Italian baritone who dominated the operatic stage from the 1870s to 1920, recorded two items from Italian vocal repertoire for His Master's Voice. The DB199 catalogue number places this in HMV's early electrical vocal series, circa 1928–1931.AI summary
His Master's Voice DB199 Opera
Mattia Battistini, one of the greatest operatic baritones of the early twentieth century, recorded two arias from Verdi's 'Un Ballo in Maschera' for HMV—'Eri tu' and 'Urna fatale del mio destino'.AI summary
His Master's Voice DB738 Opera
Maurice Dutriex performing excerpts from Gounod's 'Faust' and the opera 'Julien' on Aerophone 1352, a vocal recording on this small British label.AI summary
Aerophone 1352 Opera
Maurice Renaud was a leading French baritone of the early 20th century, admired for his dramatic stage presence at the Paris Opéra; this Gramophone Company disc preserves his recording of Don Giovanni's serenade.AI summary
Gramophone Company 032097 Opera
Maurice Renaud, one of the greatest French baritones of the late nineteenth and early twentieth centuries, performing two operatic arias on HMV D857. Renaud was celebrated for his vocal artistry and dramatic intelligence; his HMV recordings are collected by operatic 78 enthusiasts.AI summary
His Master's Voice D857 Opera
Maurice Renaud, the celebrated French baritone, performing 'Voici des Roses' and 'Devant la Maison' on HMV D858. As with the companion D851 and D857 discs in this collection, Renaud's HMV recordings are consistently collected by operatic 78 enthusiasts.AI summary
His Master's Voice D858 Opera
Maurice Renaud, the celebrated French baritone, performing 'Vision fugitive' from Massenet's Hérodiade and 'Ah, viens à ta fenêtre' from Mozart's Don Giovanni on HMV D851. Renaud was widely regarded as one of the greatest baritones of the early recording era; his HMV recordings are consistently collected.AI summary
His Master's Voice D851 Opera
Maurice Renaud, the celebrated French baritone, performing 'Vision fugitive' and 'Ah, viens à ta fenêtre' on HMV D851 — a duplicate of id 12220. Both copies should be compared for condition; Renaud's HMV recordings are consistently collected.AI summary
His Master's Voice D851 Opera
Parlophone E10886 Opera
John McCormack and Giuseppe Sammarco, two of the greatest singers of the early 20th century, recorded a duet from Puccini's 'La Bohème' for His Master's Voice. This is a historically important vocal recording of two legendary voices in operatic repertoire.AI summary
His Master's Voice 2-054011 Opera
Melanie Kurt, the Austrian Wagnerian soprano, sings Santuzza's romance from 'Cavalleria rusticana' and Senta's Ballad from 'The Flying Dutchman' on Beka.AI summary
Beka M99 Opera