158 shellac records · mostly British pressings, 1900s–1950s
158 records matching · page 4 of 4
The Vienna Philharmonic under Wilhelm Furtwängler performing the 'Emperor Waltz' and 'Pilgrims' Chorus' (two parts) on His Master's Voice DB21174. A prestigious electrical recording of classic repertoire by one of the era's greatest conductors.AI summary
His Master's Voice DB21174 Orchestra
The Vienna Philharmonic Orchestra under Lehár (composer-conductor) performing 'Musical Memories' on His Master's Voice catalogue EH1301, a likely 1930s–1940s pressing of a salon piece.AI summary
His Master's Voice EH1301 Orchestra
Walter Schumann leading orchestral arrangements of 'Goodnight Waltz' and 'Paddlin' Madeline Home' on His Master's Voice. Schumann was a conductor known for film-score work and orchestral arrangements in the 1950s.AI summary
His Master's Voice B10757 Orchestra
Walter Schumann was an American composer and conductor known for orchestral and film work; this His Master's Voice recording of 'Goodnight waltz' and 'Paddlin' Madeline Home' may be a reissue of US material.AI summary
His Master's Voice B10757 Orchestra
Ted Weems' orchestra on 'At the Baby Parade', recorded for His Master's Voice B6327. Weems was a prominent American bandleader active in the 1920s–30s; HMV pressed many of his sides for the British market.AI summary
His Master's Voice B6327 Orchestra
Ted Weems and his orchestra on His Master's Voice B6005, performing 'Walkin' My Baby Back Home' and 'By My Side', likely early 1930s.AI summary
His Master's Voice B6005 Orchestra
Paul Whiteman on His Master's Voice B6107 with 'When It's Sleepy Time Down South' and 'Old Playmates'. Whiteman was the most famous and commercially successful bandleader of the 1920s and 1930s, leading his orchestra to become the era's dominant popular dance ensemble.AI summary
His Master's Voice B6107 Orchestra
Paul Whiteman on His Master's Voice B5492, performing dance-band material. Whiteman was the leading American dance-band leader of the 1920s and recorded extensively for major labels.AI summary
His Master's Voice B5492 Orchestra
Paul Whiteman's orchestra on 'Lonely Melody', recorded for His Master's Voice B5516. Whiteman was the dominant American bandleader of the 1920s–30s, and HMV pressed many of his Columbia and Victor sides for the British market.AI summary
His Master's Voice B5516 Orchestra
Whiteman (likely Paul Whiteman's orchestra) recorded 'Down round the Sippy Shore' and 'Scandinavia' (credited to Benson Chicago) for His Master's Voice, B1254; if this is Whiteman, it represents a recording by the prominent dance-band leader.AI summary
His Master's Voice B1254 Orchestra
Paul Whiteman—the "King of Jazz"—recording two popular songs for His Master's Voice, likely from the later phase of his recording career when his commercial dominance had waned from its 1920s peak.AI summary
His Master's Voice B5516 Orchestra
The Winter Garden Orchestra, conducted by Ansell, recorded 'Cabaret Girl' selection in two parts for His Master's Voice C1086. This is a 12-inch orchestral medley, likely from a stage show, and represents theatre-related dance-band recording of the inter-war period.AI summary
His Master's Voice C1086 Orchestra
An unnamed orchestra under conductor (Cowen) recorded 'The butterfly's ball' and an excerpt from Elgar's 'Dream of Gerontius' for His Master's Voice D181, light orchestral and classical selections from the 1920s–30s.AI summary
His Master's Voice D181 Orchestra
A performance of the ubiquitous 'Funicul Funicula' coupled with 'Suonno' on His Master's Voice catalogue IR464, artist unnamed.AI summary
His Master's Voice IR464 Orchestra