1,092 shellac records · mostly British pressings, 1900s–1950s
1,092 records matching · page 23 of 23
Vincent Lopez Orchestra performing 'Titina' and 'While We Danced Till Dawn' on Parlophone E5376, a 1930s American big-band recording.AI summary
Parlophone E5376 Orchestra
Vivian Ellis, a British composer, performing a selection from his musical 'Streamline' on Columbia; likely mid-1930s.AI summary
Columbia DB1448 Orchestra
'Voice of the Stars', a chorus or ensemble, performing on Regal's VS (house-group) series, a budget British label.AI summary
Regal VS3 Orchestra
Vorhees performing orchestral pieces 'Soliloquy' and 'Baby's Blue' on Columbia, circa mid-1920s.AI summary
Columbia 4682 Orchestra
Vorzanger Band recorded 'Wana' and 'Oh Star of Eve' for Belt, catalogue 167, a small British budget label of the 1920s–early 1930s.AI summary
Beltona 167 Orchestra
The Vienna Philharmonic Orchestra under Lehár (composer-conductor) performing 'Musical Memories' on His Master's Voice catalogue EH1301, a likely 1930s–1940s pressing of a salon piece.AI summary
His Master's Voice EH1301 Orchestra
Waldorf Astoria Band, an unidentified ensemble, recorded instrumental selections for Act, a minor British label of uncertain date.AI summary
Actuelle 10103 Orchestra
The Waldorf Astoria Orchestra performing 'Peggy O'Neill' and an instrumental piece on the Aco label, a budget British imprint active in the 1920s.AI summary
Aco 15057 Orchestra
Walter Schumann leading orchestral arrangements of 'Goodnight Waltz' and 'Paddlin' Madeline Home' on His Master's Voice. Schumann was a conductor known for film-score work and orchestral arrangements in the 1950s.AI summary
His Master's Voice B10757 Orchestra
Walter Schumann was an American composer and conductor known for orchestral and film work; this His Master's Voice recording of 'Goodnight waltz' and 'Paddlin' Madeline Home' may be a reissue of US material.AI summary
His Master's Voice B10757 Orchestra
Walter Wheatley on Columbia 100, described as performing 'Star of Bethlehem' and 'Finlandia' (credited to Scots Guards Band). The very low catalogue number suggests an early Columbia recording.AI summary
Columbia 100 Orchestra
A record credited to 'Waring' on Victor, likely Fred Waring's Pennsylvanians, a major American vocal group of the 1920s.AI summary
Victor 19648 Orchestra
The Warwick Orchestra plays Musica Proibita and In a Monastery Garden on Duophone A1004.AI summary
Duophone A1004 Orchestra
Ted Weems (or Weems Orchestra), an American bandleader of the 1920s–30s, recorded 'Blue Sky Avenue' and 'Stay as Sweet as You Are' for Columbia. This is a light orchestral number from his extensive recording career.AI summary
Columbia FB1002 Orchestra
Ted Weems' orchestra on 'At the Baby Parade', recorded for His Master's Voice B6327. Weems was a prominent American bandleader active in the 1920s–30s; HMV pressed many of his sides for the British market.AI summary
His Master's Voice B6327 Orchestra
Ted Weems and his orchestra on His Master's Voice B6005, performing 'Walkin' My Baby Back Home' and 'By My Side', likely early 1930s.AI summary
His Master's Voice B6005 Orchestra
Whidden performs a 'Blue Skies' selection (both sides) on Columbia 9239. This is an orchestral or piano-based arrangement of Irving Berlin's evergreen.AI summary
Columbia 9239 Orchestra
White Viennese Band recording 'La Mattchiche' for G&T 086. An acoustic orchestral recording from the very early catalogue; extremely scarce.AI summary
G&T 086 Orchestra
G&T 089 Orchestra
G&T 093 Orchestra
Whiteman recorded 'Song of the Dawn' and 'I like to do Things for you' for Columbia CB series, likely from the early 1920s. This is probably an orchestral or dance-band side.AI summary
Columbia CB87 Orchestra
Paul Whiteman and his orchestra recorded 'Should I' and 'Bundle of Old Love Letters' on Columbia, catalogue 2047D. Whiteman was the dominant dance bandleader of the 1920s–30s and his many recordings are readily available.AI summary
Columbia 2047D Orchestra
Paul Whiteman on Columbia 5007, with popular sentimental dance-band material from the late 1920s–early 1930s. Whiteman was the leading American dance-band leader and recorded extensively for all major labels.AI summary
Columbia 5007 Orchestra
Paul Whiteman on His Master's Voice B6107 with 'When It's Sleepy Time Down South' and 'Old Playmates'. Whiteman was the most famous and commercially successful bandleader of the 1920s and 1930s, leading his orchestra to become the era's dominant popular dance ensemble.AI summary
His Master's Voice B6107 Orchestra
Paul Whiteman on His Master's Voice B5492, performing dance-band material. Whiteman was the leading American dance-band leader of the 1920s and recorded extensively for major labels.AI summary
His Master's Voice B5492 Orchestra
Paul Whiteman's orchestra on 'Lonely Melody', recorded for His Master's Voice B5516. Whiteman was the dominant American bandleader of the 1920s–30s, and HMV pressed many of his Columbia and Victor sides for the British market.AI summary
His Master's Voice B5516 Orchestra
Whiteman (likely Paul Whiteman's orchestra) recorded 'Down round the Sippy Shore' and 'Scandinavia' (credited to Benson Chicago) for His Master's Voice, B1254; if this is Whiteman, it represents a recording by the prominent dance-band leader.AI summary
His Master's Voice B1254 Orchestra
Paul Whiteman (listed as 'Whiteman') on Columbia CB116, performing 'Without a Song' and 'Great Day'. Whiteman was the most famous bandleader of the 1920s-30s, known as the 'King of Jazz'; these are significant popular songs from his repertoire.AI summary
Columbia CB116 Orchestra
Paul Whiteman—the "King of Jazz"—recording two popular songs for His Master's Voice, likely from the later phase of his recording career when his commercial dominance had waned from its 1920s peak.AI summary
His Master's Voice B5516 Orchestra
A Wilbur orchestra recording of a selection from *Shall We Dance*, likely the Gershwin film score, on Rex from the late 1930s.AI summary
Rex 9125 Orchestra
Willem Mengelberg, one of the greatest orchestral conductors of the early 20th century, recorded Cherubini's 'Anacréon Overture' and Beethoven's 'Symphony No. 8' for Columbia. Mengelberg conducted the Amsterdam Concertgebouw Orchestra and was a major figure in the concert music of the 1920s–40s.AI summary
Columbia L1973 Orchestra
William Flynn Orchestra recorded instrumental selections for Radiola, an obscure British label of the early 1930s.AI summary
Radiola 004 Orchestra
The Winnipeg Band recorded 'United Empire' and 'In Old Quebec' for Columbia, a major British label. The titles and ensemble name suggest Canadian colonial material or Canadian-themed repertoire from the early 1900s.AI summary
Coliseum is699 Orchestra
The Winter Garden Orchestra, conducted by Ansell, recorded 'Cabaret Girl' selection in two parts for His Master's Voice C1086. This is a 12-inch orchestral medley, likely from a stage show, and represents theatre-related dance-band recording of the inter-war period.AI summary
His Master's Voice C1086 Orchestra
An unnamed orchestra under conductor (Cowen) recorded 'The butterfly's ball' and an excerpt from Elgar's 'Dream of Gerontius' for His Master's Voice D181, light orchestral and classical selections from the 1920s–30s.AI summary
His Master's Voice D181 Orchestra
A performance of the ubiquitous 'Funicul Funicula' coupled with 'Suonno' on His Master's Voice catalogue IR464, artist unnamed.AI summary
His Master's Voice IR464 Orchestra