302 shellac records · mostly British pressings, 1900s–1950s
302 records matching · page 4 of 7
Harry Richman performing two popular songs on Brunswick, catalogue 5-15457. Richman was an American entertainer and recording artist prominent in the late 1920s–1930s; this catalogue number places it in the swing era.AI summary
Brunswick 5-15457 Voice
Harry Shalson was a British vocalist; this Brunswick pressing pairs two popular sentimental songs from the very early electrical era, circa 1929–1931.AI summary
Brunswick 118 Voice
Heinrich Schlusnus, a celebrated German baritone, performing lieder on Brunswick 80033, likely from the acoustic or early electric era of the late 1920s.AI summary
Brunswick 80033 Voice
Heinrich Schlusnus was a leading German baritone of the 1920s–30s, and this Brunswick recording of 'Lovers' Pledge' and 'Longing for Home' represents his popular vocal repertoire in an English-market pressing.AI summary
Brunswick 7004 Voice
Helen Forrest, the American swing vocalist, recorded 'In a Moment of Madness' for Brunswick in the late 1930s or early 1940s.AI summary
Brunswick 03559 Voice
Helen Forrest, American jazz and popular singer, recorded 'Anywhere' and 'Every Day of My Life' for Brunswick (03605) in the 1940s. Forrest was known for her work with swing orchestras and as a popular wartime vocalist.AI summary
Brunswick 03605 Voice
Helen Morgan, the celebrated American torch singer and stage actress, performs two classic 1920s popular songs for Brunswick; Morgan's distinctive vocal style and theatrical star power made her a major recording artist of her era.AI summary
Brunswick 129 Voice
Helen Morgan, the American torch singer and actress of the 1920s-30s, performing two sentimental ballads on Brunswick. Morgan was famous for her languid, intimate vocal style and her performances in 'Show Boat'.AI summary
Brunswick 111 Voice
Hildegarde, a sophisticated American cabaret singer and pianist popular in the 1930s and 1940s, recorded 'Jenny' for Brunswick; she was known for her urbane style and recording for major labels.AI summary
Brunswick 03512 Voice
Hirsch Grever on Brunswick 8129, singing two popular songs. Grever was a Mexican composer and recording artist; his recordings are less common in British collections.AI summary
Brunswick 8129 Voice
Hoagy Carmichael was an American composer and singer; this Brunswick side pairs two novelty and jazz-age standards he was known for.AI summary
Brunswick 04698 Voice
Hoagy Carmichael, the composer and pianist, as performer on Brunswick 03709 in the late 1930s. 'Ole Buttermilk Sky' was his own composition from 1946, so this coupling is unusual and warrants checking.AI summary
Brunswick 03709 Voice
Huntley performing 'Lonely' and 'Gee But I'd Like to Make You Happy' for Brunswick, 01035. Huntley is unidentified; the catalogue number format suggests an early Brunswick pressing.AI summary
Brunswick 01035 Voice
I. Jones recorded 'Dreamy Paradise' and 'Sweet Woman' for Brunswick, catalogue 5028. The artist is identified by initials only and is not known from major recording careers.AI summary
Brunswick 5028 Voice
I. Jones recorded 'Virginia Blues' and 'You're Only a Baby' for Brunswick, catalogue 2195, in the late 1920s.AI summary
Brunswick 2195 Voice
I Jones recorded for Brunswick in what appears to be the 1920s or early 1930s; 'Those longing for you blues' and 'After the Rain' suggest light popular ballad or blues-inflected material.AI summary
Brunswick 2243 Voice
I Jones performing 'Don't Bring Me Posies' and 'Some Sunny Day' on Brunswick 2274 — a mid-period Brunswick pressing.AI summary
Brunswick 2274 Voice
I Jones performing 'My Honey's Loving Arms' and 'Nobody Lied' on Brunswick 2301.AI summary
Brunswick 2301 Voice
I Jones recorded two popular songs for Brunswick in the electrical era. The artist is not identified in standard references.AI summary
Brunswick 2767 Voice
I. Jones recorded 'Alabamy Bound' and 'Indian Love Call' for Brunswick, catalogue 2789, in the late 1920s.AI summary
Brunswick 2789 Voice
I Jones is credited with 'Monte Carlo' and 'One of Those Things' on Brunswick 3112. Without further identifying information this artist cannot be placed or valued with confidence.AI summary
Brunswick 3112 Voice
I. Jones recorded 'The Cat' and 'I'm Back to Love Again' for Brunswick in the late 1920s–early 1930s.AI summary
Brunswick 3461 Voice
I. Jones on Brunswick 3685, performing 'What'll You Do' and 'Together We Two', likely early 1930s.AI summary
Brunswick 3685 Voice
I Jones performing 'Koolemoff' and 'Japanese Sandman' on Brunswick, catalogue 5026. 'Japanese Sandman' is a popular song of the 1920s; the artist and the identity of 'Koolemoff' are unclear.AI summary
Brunswick 5026 Voice
I. Jones performing two sentimental popular songs on Brunswick, catalogue 5066. The artist is unidentified beyond the initial.AI summary
Brunswick 5066 Voice
I Jones performs two popular standards for Brunswick, a major American label's British pressing.AI summary
Brunswick 01083 Voice
I. Jones on Brunswick 02163, 'Life Begins When You're in Love' / 'Saddle Your Blues to a Wild Mustang'.AI summary
Brunswick 02163 Voice
I Jones was a British vocalist; this Brunswick recording pairs two sentimental popular songs, likely from the early 1930s based on the Brunswick 01000-series catalogue number.AI summary
Brunswick 01239 Voice
The Ink Spots, one of the most commercially successful vocal groups of the 1930s–1940s, recorded two numbers for Brunswick: "My Greatest Mistake" and "I'll Never Smile Again Until I Smile at You". The Ink Spots were prolific and hugely popular.AI summary
Brunswick 3081 Voice
Irene Dunne recorded 'When I Grow Too Old to Dream' and 'Lovely to Look At' for Brunswick 02048 in the mid-1930s; Dunne was a major American film actress and popular singer known for her light soprano voice and sophisticated comedic timing.AI summary
Brunswick 02048 Voice
Irene Dunne was an American film star and sophisticated vocalist, celebrated for her roles in musical films of the 1930s–40s. 'When I Grow Too Old To Dream' and 'Lovely to Look At' are from her film work, recorded for Brunswick during her Hollywood years.AI summary
Brunswick 02048 Voice
Irving Berlin, the legendary American composer, sings his own compositions from the First World War era on Brunswick. 'Oh How I Hate to Get up in the Morning' was one of Berlin's hits from Yip, Yip, Yaphank (1918).AI summary
Brunswick 03492 Voice
Judy Garland and Dick Haymes, major American film and recording stars, recorded 'For You, For Me, For Evermore' and 'Aren't You Kind of Glad We Did' for Brunswick 03776, likely 1940s.AI summary
Brunswick 03776 Voice
Jane Wyman, later a major film star, recorded 'It Was Great While It Lasted' and 'I'm Taking a Slow Burn' for Brunswick (05160) in the mid-1940s. She was at the height of her screen popularity, and this record captures her early singing work.AI summary
Brunswick 05160 Voice
Jean Sablon was a French singer and actor of the 1930s and 1940s, known for his sophisticated interpretation of popular and cabaret songs. This Brunswick pressing of 'Au Revoir' and 'La Chanson des Rues' captures his Parisian chanson style.AI summary
Brunswick 03858 Voice
Judy Garland recorded for Brunswick in 1939, performing two songs that would later be associated with her film career.AI summary
Brunswick 03128 Voice
Judy Garland, aged 15, recorded these two numbers for Brunswick in 1937, before her famous MGM contract. 'Dear Mr Gable' was her first recorded vocal, a novelty song written to secure Clark Gable's attention; 'You Can't Have Everything' was a standard of the day.AI summary
Brunswick 02488 Voice
Judy Garland, the American film and recording star, recorded "Dear Mr Gable" and "You Can't Have Everything" for Brunswick in the late 1930s. These are early commercial recordings by Garland before her major MGM film successes.AI summary
Brunswick 02488 Voice
An early Judy Garland recording on Brunswick, predating her MGM stardom: 'Buds Won't Bud' and 'I'm Nobody's Baby'. Garland's Brunswick sides are uncommon as her best-known recordings came later.AI summary
Brunswick 03038 Voice
Judy Garland recorded 'This Heart of Mine' and 'Love' for Brunswick. Garland was one of the most important entertainers of the 20th century, and her Brunswick 78 recordings remain highly valued by collectors of classic American popular song and film music.AI summary
Brunswick 03623 Voice
Judy Garland with Dick Haymes on Brunswick, a duet from the 1940s–1950s. Garland was one of the greatest entertainers of the 20th century; her recordings remain highly sought after.AI summary
Brunswick 03776 Voice
Judy Holliday on Brunswick Records with 'Full of Life' and 'These will be the Good Old Days'. Holliday was an American comedic actress and singer, known for her stage and film career; her recordings are less sought than her theatrical work.AI summary
Brunswick 05667 Voice
The Kalin Twins recorded "Forget me not" and "Dream of you" for Brunswick 05759 in the late 1950s. The twins had a brief pop-music career and were known for their vocal harmonies.AI summary
Brunswick 05759 Voice
Katzman recorded 'I'd Rather Be Blue with You' and 'My Man' for Brunswick, a major British pressing label, catalogue 3932.AI summary
Brunswick 3932 Voice
Kay Armenand the Balladiers recorded "Later Tonight" and "Cuddle Up a Little Closer" for Brunswick. Kay Armen was an American vocalist of the 1950s with minor popular success.AI summary
Brunswick 03501 Voice
Kemp recorded 'That's What I Call Heaven' and 'Things That Were Made for Love' for Brunswick, catalogue 5011, likely 1930s.AI summary
Brunswick 5011 Voice
Kemp performs two songs for Brunswick, a major American label.AI summary
Brunswick 7334 Voice
Kemp on Brunswick 7634, performing popular ballads from the 1930s–40s; unidentified artist.AI summary
Brunswick 7634 Voice