834 shellac records · mostly British pressings, 1900s–1950s
834 records matching · page 14 of 18
Pete Woolery recorded 'Then Came the Dawn' and 'If You Don't Love Me' for Columbia, catalogue 5114; both are sentimental popular songs, likely from the 1920s-1930s.AI summary
Columbia 5114 Voice
Peter Gawthorne was a British baritone and character singer active in the 1920s–1930s; 'Garden of Girls' and 'Hearts that Were Aching' are typical drawing-room and sentimental ballad material from his repertoire.AI summary
Columbia D1344 Voice
Petula Clark, who later became an international pop star, recorded 'I'll Always Love You' and 'Clancy Lowered the Boom' on Columbia DB2551 as a young artist in the late 1940s.AI summary
Columbia DB2551 Voice
Petula Clark recorded 'I'll always love you' and 'Clancy lowered the Boom' for Columbia DB series in the early 1950s. Clark was a British child star and recording artist who later became an international popular singer.AI summary
Columbia DB2551 Voice
Phil Brown performing 'Crazy People' and 'Love in Lilac Time' on Columbia CB499, a catalogue format suggesting early 1920s pressing.AI summary
Columbia CB499 Voice
Phyllis Dare was a British stage actress and singer of the early 1900s–1920s era; 'Atlantic Blues' and 'Here in my Arms' (the latter a duet with Jack Hulbert) are light song material from her theatrical repertoire. Columbia 4226 indicates a 1920s pressing. Dare was a West End star and early recording artist.AI summary
Columbia 4226 Voice
Phyllis Dare, the Edwardian musical comedy actress who starred in The Arcadians, The Merry Widow, and many Gaiety productions, sings 'Some Day' on Columbia MC11. The MC prefix is an unusual Columbia series designation; Dare is a collected name in Edwardian musical theatre and an unusual catalogue prefix warrants investigation.AI summary
Columbia MC11 Voice
Phyllis Titmuss was a soprano and musical-comedy actress who appeared in West End productions of the 1920s; Jack Hulbert was a prominent musical-comedy star of the same era. This Columbia F-series coupling of two light operetta numbers probably dates from around 1924–1926. A pleasant period piece from the British musical theatre of the 1920s, though not among the rarer Columbia pressings of the decade.AI summary
Columbia F1013 Voice
Piero Trombetta, 'Cantando Questa Strana Canzon' and 'Mi Bumba Ne', on Columbia CQ17774; an Italian vocalist recorded for one of the major labels, with song titles in Italian.AI summary
Columbia CQ17774 Voice
Polla credited on Columbia, performing popular sentimental material of the late 1920s with orchestral accompaniment.AI summary
Columbia 3613 Voice
Polla (artist name unverified) on two popular songs, 'Kickin the Clouds away' and 'Why do I love you', from Columbia's 3000 series around 1925. Nothing is known of this performer or these performances.AI summary
Columbia 3694 Voice
The Poluski Brothers on two novelty or popular numbers, Misunderstood and Sue, on Columbia 1804.AI summary
Columbia 1804 Voice
A vocal quartet on Columbia IS1545, an early electrical Columbia catalogue number; 'Sunset Trail of gold' and 'Sweet Genevieve' are sentimental popular songs of the 1920s–1930s.AI summary
Columbia IS1545 Voice
R Buckman and M d'Oisly performing 'No Eyes on Earth' and 'Strange Harmony' on Columbia L1174, a British pressing.AI summary
Columbia L1174 Voice
R Buckman and M d'Oisly recorded two popular sentimental duets for Columbia: 'Give Me Your Darling Hands' and 'Lovely Maid in the Moonlight'.AI summary
Columbia L1076 Voice
R. Jackson performing 'Trooper Johnny Ludlow' and 'Follow the Colours' on Columbia 1129, a British pressing from the early 1920s. The titles suggest military-themed recitation or narrative song.AI summary
Columbia 1129 Voice
R. Miller performing two early jazz standards on Columbia, a major international label. The recording appears to be from the 1920s-30s era of popular dance and jazz repertoire.AI summary
Columbia 3092 Voice
R Miller recorded these two piano songs for Columbia early in the label's history. Little is known of this artist, but Columbia pressings from the 3000 series date to the 1910s.AI summary
Columbia 3217 Voice
R. Miller recorded 'Weep no more my Mammy' and 'The Sheik' for Columbia, catalogue 3092. Both titles are characteristic of early 1920s ballad and novelty repertoire. The artist is not identified beyond initials.AI summary
Columbia 3092 Voice
'C'e Mimi' by R. Pampanini et al. on Columbia, a pre-war vocal recording in Italian. The artist is not well documented in English-language sources.AI summary
Columbia D14526 Voice
R Starita, credited on Columbia 4765, a vocal side from the early 1930s; the artist and titles are obscure.AI summary
Columbia 4765 Voice
R Starita performing 'There's Somebody New' and 'Together' on Columbia 4872, from the early 1930s. Starita was a bandleader and accordionist, though the artist listing and pressing suggest a vocal record.AI summary
Columbia 4872 Voice
R Starita on Columbia CB series, likely the bandleader and composer, performing light popular ballads from the late 1920s.AI summary
Columbia CB122 Voice
R Starita on Columbia, performing 'I Think of What You Used to Think of Me' and 'Just a Night for Meditation', likely early 1930s sentimental material.AI summary
Columbia 5179 Voice
R Starita recorded 'Blue Hills of Pasadena' and 'Ever so Goosey' for Columbia 5424 in the 1920s, part of the same recording artist's catalogue visible in other entries in this collection.AI summary
Columbia 5424 Voice
R Starita recorded 'Iz izzy azzy wozz' and 'Sarah Jane' for Columbia 5479 in the 1920s. Starita (likely Ray or Rudy Starita) was part of the British dance and popular music scene of that era.AI summary
Columbia 5479 Voice
R. Starita recorded 'Pickin' Petals off o' Daisies' and 'Night of Happiness' for Columbia CB4. This very early Columbia catalogue number suggests a recording from the 1920s, but the artist is not established.AI summary
Columbia CB4 Voice
Ralton performs two popular songs on Columbia British 3910, from the early 1920s.AI summary
Columbia 3910 Voice
Credited to Ralton on Columbia 4019, an early catalogue number suggesting a 1910s recording; the repertoire ('Pearl of Malabar', 'Carolina') suggests a popular vocalist of the acoustic era.AI summary
Columbia 4019 Voice
Ralton performing 'Headin' for Home' and 'She Was Just a Sailor's Sweetheart' on Columbia 3825, an early 1920s vocal recording.AI summary
Columbia 3825 Voice
Ralton performing two sentimental songs—'Brown Eyes why are you blue?' and 'Isn't she the sweetest thing?'—on Columbia 3826.AI summary
Columbia 3826 Voice
Ralton on Columbia 3883; an early Columbia acoustic catalogue number suggesting popular material from the 1920s.AI summary
Columbia 3883 Voice
Ralton recorded 'I Never See Maggie Alone' and 'Am I Wasting My Time on You' for Columbia 4092 in the 1920s, two popular sentimental songs of the period.AI summary
Columbia 4092 Voice
Columbia A5176 Voice
Randolph and Cicely Hulbert in a duet on Columbia—likely from the 1930s.AI summary
Columbia 4140 Voice
Credited to Raph on Columbia, a major British label. 'Please don't talk about me when I'm gone' and 'Dream a little Dream of you' are popular sentimental songs of the late 1920s–early 1930s.AI summary
Columbia CB326 Voice
Raymond Newell narrates or sings a sequence of nursery rhymes and children's songs on Columbia, likely from the 1930s-1940s.AI summary
Columbia DB1342 Voice
Raymond Newell was a British singer active in the 1920s and early 1930s. This Columbia DB recording of two popular songs is a modest vocal release from the early electric recording era.AI summary
Columbia DB1402 Voice
Rebecca Goldblatt on Columbia LE81, singing in Afrikaans. Columbia LE series carried non-standard repertoire from the 1930s onwards.AI summary
Columbia LE81 Voice
Rev F.E. Hutchinson reading from John Bunyan's Pilgrim's Progress, part 4, on Columbia. A spoken-word recording from the early electrical era, likely 1920s-1930s.AI summary
Columbia D40069 Voice
Rich was a singer recorded for Columbia in the early acoustic era. 'Singin' in the Rain' was an extremely popular song of the 1920s-1930s, recorded by many artists.AI summary
Columbia 1838 Voice
Rich (likely a session vocalist or minor artist) recorded 'It All Depends on You' and 'The Birth of the Blues' for Columbia 4392, likely mid-1920s.AI summary
Columbia 4392 Voice
A vocal recording credited to Rich on Columbia 4721, light popular material of the late 1920s.AI summary
Columbia 4721 Voice
A singer named Rich performing novelty material on Columbia.AI summary
Columbia 5622 Voice
Rich performing 'Good News' and 'Lucky in love' on Columbia 4965.AI summary
Columbia 4965 Voice
Rignold performing 'One Day When We Were Young' and 'Sweethearts' on Columbia in the 1930s or 1940s.AI summary
Columbia FB2186 Voice
Robert Carr recorded 'City of Laughter' and 'In sweet September' for Columbia, catalogue IS1263, likely from the early 1930s or earlier.AI summary
Columbia IS1263 Voice
Robert Carr, a vocalist on Columbia's IS series (a budget line), performing sentimental or religious material, likely from the 1930s-40s.AI summary
Columbia IS1353 Voice