834 shellac records · mostly British pressings, 1900s–1950s
834 records matching · page 17 of 18
Tony Bennett singing 'There'll Be No Teardrops Tonight' and 'My Heart Won't Say Good-Bye' on Columbia, early recordings from the singer who became one of the most successful popular vocalists of the post-war era.AI summary
Columbia C2384 Voice
Tremaine (likely a session group or pseudonym) on Columbia CB111, 'Swing Low Sweet Chariot' and 'There's One More River to Cross'; spiritual songs on an obscure Columbia sub-series.AI summary
Columbia CB111 Voice
Trevor Watkins performing the musical theatre songs 'Rio Rita' and 'You're Always in My Arms' on Columbia DB21, an early British pressing from the late 1920s.AI summary
Columbia DB21 Voice
The Trix Sisters were a close-harmony vocal trio on Columbia in the 1920s-30s, performing novelty and popular material characteristic of the era.AI summary
Columbia 3684 Voice
The Trix Sisters performing 'Stay out of the South' and 'Hundred Years from now' on Columbia, likely from the late 1920s. The Trix Sisters were an American vocal group.AI summary
Columbia 5031 Voice
The Trix Sisters, a vocal trio, recorded 'I'm crazy over you' and the spiritual 'Shout Hallelujah 'cause I'm Home' for Columbia 5236.AI summary
Columbia 5236 Voice
The Trix Sisters were a vocal trio active in the 1920s-30s, known for novelty and pop numbers. This Columbia 5349 pressing features their harmonies on upbeat material.AI summary
Columbia 5349 Voice
Tudor Davies, a Welsh tenor and star of opera and operetta, performing 'I Hear You Calling Me' and 'An Evening Song' on Columbia is4532. Davies was a celebrated recording artist of the 1920s and 1930s.AI summary
Columbia is4532 Voice
Tudor Davies, a Welsh tenor, recorded 'Dreaming in Your Eyes' and 'Little Garden Mine' for Columbia, catalogue is1378; Davies was a classically trained singer active in the 1920s–1930s.AI summary
Columbia is1378 Voice
Turner Layton, an American pianist and singer, recorded 'Smoke Gets in Your Eyes' and 'Lovely to Look At' for Columbia. Layton was a versatile entertainer who recorded extensively in the 1920s and 1930s.AI summary
Columbia DB1574 Voice
Turner Layton was an American pianist, singer and composer active from the 1920s through the 1950s. This Columbia FB-series recording, listed as 'selection' on both sides, likely contains medley arrangements of popular songs of the period.AI summary
Columbia FB2050 Voice
Turner Layton, an American pianist and singer, recorded 'The Village of Gretna Green' and 'Nature Boy' for Columbia DB2434, likely 1950s. Layton was a popular recording artist and performer of ballads and jazz material.AI summary
Columbia DB2434 Voice
Val Anthony recorded these sentimental ballads for Columbia in the post-war era; the artist is a minor popular singer of the 1940s–1950s.AI summary
Columbia DB3396 Voice
Valerie Carr, a British-Canadian pop singer of the 1950s, recorded these novelty numbers for Columbia's DB-series.AI summary
Columbia DB4131 Voice
Rudy Vallée was one of the greatest American crooners and bandleaders of the 1920s and 1930s, and a major radio and recording star; this Columbia recording of 'Say It Isn't So' captures his distinctive tenor voice and romantic delivery.AI summary
Columbia CB524 Voice
Vallee, likely Rudy Vallée the American crooner, recorded 'A Bed Time Story' and 'I'm Playing with Fire' for Columbia. The catalogue number 2737D places this in the late 1920s electrical era.AI summary
Columbia 2737D Voice
Van and Schenk were a popular American vocal duet of the 1910s and 1920s, recorded here on Columbia for 'Shadatin Dee' and 'Get Out and Get Under'. The high catalogue number places this in the early 1920s or late 1910s.AI summary
Columbia 4984 Voice
Van Phillips recorded 'Oh Donna Clara' and 'Little Russian Rose' for Columbia, catalogue CB159, in the mid-1920s. Phillips was an accordion or light-music recording artist.AI summary
Columbia CB159 Voice
Van Phillips on Columbia Records performing 'I'm Like a Sailor' and 'High and Low'. Little is known of this artist, likely a popular vocalist of the 1930s era.AI summary
Columbia CB6 Voice
Van Phillips performs 'Wind in the Willows' and 'With a Song in my Heart' on Columbia's popular CB series, catalogue 30.AI summary
Columbia CB30 Voice
Van Phillips recorded two popular songs for Columbia (CB67) in the early 1930s. Phillips was a known British dance-band pianist and composer; this is standard popular song repertoire of the period.AI summary
Columbia CB67 Voice
Van Phillips on Columbia CB150, with 'It Must Be You' and 'Two of Everything' — a vocalist or instrumentalist on a major British label's mid-range series, mid-1930s.AI summary
Columbia CB150 Voice
Van Phillips recorded two popular songs for Columbia (CB160) in the early 1930s. Phillips was a known British dance-band pianist of the era, though this entry provides little identifying detail.AI summary
Columbia CB160 Voice
van Phillips on Columbia CB172, performing 'Dancing on the Ceiling' and 'No Place but Home'.AI summary
Columbia CB172 Voice
Vaughn de Leath, a pioneering American radio singer and recording artist, on Columbia 4443 performing two popular ballads. De Leath was one of the first female singers to achieve fame through radio in the 1920s and had a long recording career.AI summary
Columbia 4443 Voice
Vaughn de Leath on Columbia 4443, performing 'I wonder how I look when I'm asleep' and 'Oh baby don't we get along'. De Leath was an early American recording artist known for intimate vocal delivery; this is a duet with Harris from the 1920s.AI summary
Columbia 4443 Voice
Vaughn de Leath on Columbia 4443, an early American dance or sentimental vocal from the 1920s; de Leath was an early female recording artist, and this early Columbia issue may be quite old and obscure.AI summary
Columbia 4443 Voice
Vee Lawnhurst on Columbia, mid-1930s pressing.AI summary
Columbia DB1173 Voice
Vernon Dalhart, the American folk and pop singer, on Columbia 1000D: commemorative songs about Charles Lindbergh and the 1927 transatlantic flight, recorded shortly after the event.AI summary
Columbia 1000D Voice
Versatile Three performing 'The Dear little Garden I love' and 'Oogie Oogie Wa Wa' on Columbia, a vocal ensemble from the 1920s-1930s.AI summary
Columbia 3314 Voice
Victor de Maunee recorded 'I pitch my lonely Caravan' and 'In the great unknown' for Columbia, catalogue WO1. The 'WO' prefix is unusual and may indicate a special series or early catalogue variant.AI summary
Columbia WO1 Voice
Violet Essex, a British entertainer, performing "Follow Yvette" and "Just to Hold You in My Arms" (accompanied by H. Williams) on Columbia 3507, part of Columbia's early acoustic catalogue.AI summary
Columbia 3507 Voice
Violet Loraine was a British singer and actress of the Edwardian era; this Columbia side features the 'Kipling Walk' and orchestral accompaniment, representing early 1900s musical theatre recording.AI summary
Columbia D1340 Voice
Vivian Foster singing a sentimental ballad on Columbia DB696, a British vocal recording of the early 1930s.AI summary
Columbia DB696 Voice
Wallace (artist unidentified) on Columbia CB94. The titles are popular standards; the CB series suggests early or mid-1930s pressing.AI summary
Columbia CB94 Voice
Walsh and Barker on Columbia Records with 'You can't fool the boys behind the Desk' and 'You better go now'. The DB series suggests a late 1920s-early 1930s pressing.AI summary
Columbia DB1816 Voice
Walter Midgley, the English tenor, sings One Flower Alone in Your Garden and Serenade on Columbia DB1905.AI summary
Columbia DB1905 Voice
A Columbia educational or speech-training recording by Walter Ripman, titled 'Good Speech', likely part of a series on proper English pronunciation or elocution from the early-to-mid twentieth century.AI summary
Columbia D40014 Voice
Weiner & Doucet, a French vocal duo, performing two numbers—a French song and 'Hungaria'—on Columbia's D series.AI summary
Columbia D13029 Voice
Welchman and Carlisle performing popular song material on Columbia DB647, a mid-1930s or later pressing.AI summary
Columbia DB647 Voice
W.H. Berry and Cyril Delysia, both established entertainers of the 1920s, recorded 'Babyin' You' and a Clarke composition for Columbia. This represents popular song and theatre music of the era by performers with stage credentials.AI summary
Columbia 4187 Voice
Whidden performing two novelty songs on Columbia—'Let's All Go to Mary's House' and the sing-along 'The More We Are Together'. The artist is unidentified and likely a minor vocalist.AI summary
Columbia 4130 Voice
Whidden was a singer recorded for Columbia in the early acoustic era. The titles and catalogue format suggest a recording from the early 1920s or late 1910s.AI summary
Columbia 4241 Voice
Whidden recorded two sentimental ballads—one a blues novelty, one Irish—for Columbia 4010 in the 1920s–30s.AI summary
Columbia 4010 Voice
Whidden on Columbia, performing light sentimental songs with Oriental themes from the late 1920s.AI summary
Columbia 4067 Voice
A singer named Whidden performed 'Shepherd of the Hills' and 'Sheila O'Shay' for Columbia, catalogue 4266, in the late 1920s–early 1930s. The artist and label are obscure.AI summary
Columbia 4266 Voice
Whiteman performing two sentimental songs on Columbia 5675, a British pressing from the late 1920s or early 1930s. The artist and titles are unplaceable without research.AI summary
Columbia 5675 Voice
Will Terry, a British vocalist of the 1920s–30s, recorded 'Put Me Amongst the Girls' and 'Oh the Merry Widow' for Columbia in the early acoustic era.AI summary
Columbia D125 Voice