834 shellac records · mostly British pressings, 1900s–1950s
834 records matching · page 18 of 18
Will Terry sang 'It's the Only Bit of England That We've Got' and 'Oh the Steamer, Oh the Sea' on Columbia D126. These are patriotic or sentimental songs of the 1920s-30s on a major label.AI summary
Columbia D126 Voice
Will Terry, a British vocalist of the 1920s–30s, recorded 'Where Oh Where' and 'Jolly Jarge' for Columbia in the early acoustic era.AI summary
Columbia D96 Voice
Will Terry is not identified in standard discographies. 'Oh the Merry Widow' was recorded on Columbia 26184, a catalogue number consistent with early-to-mid 1920s release.AI summary
Columbia 26184 Voice
Will Thompson, a male vocalist, performs two popular songs on Columbia, catalogue IS1089; the catalogue series and numbering suggest a recording from the 1920s.AI summary
Columbia IS1089 Voice
William McCulloch performing 'Grandfather Tells the Children About David & Goliath' (Parts 1 & 2) on Columbia 4058, a British pressing from the early 1920s. The title suggests religious or narrative recitation material.AI summary
Columbia 4058 Voice
William McCulloch recorded 'When Agnes Got Married' for Columbia, a Scottish vocal recording from the early 1900s. McCulloch was a minor Scottish recording artist of the acoustic era.AI summary
Columbia 4529 Voice
Williams and Stevens performing two novelty or musical-comedy numbers, On the Shore at Le-Lei-Wi and Some sort of Somebody (Marsh/Grey), on Columbia 2692.AI summary
Columbia 2692 Voice
A recording by Windeatt of 'Mammy o' Mine' and 'Everybody wants a Key to my Cellar' on Columbia catalogue 796, dating from the early acoustic era (likely 1910s–early 1920s).AI summary
Columbia 796 Voice
Two popular ballad songs credited to Windeatt on Columbia, from the 1920s or early 1930s.AI summary
Columbia 826 Voice
Credited to Windeatt on Columbia 827, performing 'Cairo' and 'I Never Realised'. The artist is not identified in standard record references; Columbia 827 suggests a very early catalogue number from the acoustic or very early electrical era.AI summary
Columbia 827 Voice
Windeatt on Columbia 837, performing 'Somebody' and 'Blue Palace waltz', popular songs from the 1920s.AI summary
Columbia 837 Voice
Winifred Barnes was a British vocalist popular in the 1920s; this Columbia pressing pairs two sentimental ballads of the period.AI summary
Columbia L1047 Voice
W. V. Robinson recorded 'Little Bateese' and 'Wreck of the Julie Plante' for Columbia, narrative ballads of Canadian life; Robinson is obscure but the pieces suggest he was a singer of character or topical songs in the 1920s–1930s.AI summary
Columbia 3385 Voice
Wylie (vocal artist, likely with accompanying group credited as the Ambassadors) on Columbia IS1798, performing 'Look at those Eyes' and 'Lady of my Cigarette'.AI summary
Columbia is1798 Voice
The Yacht Club Boys were a close-harmony vocal quartet popular in the 1930s–40s, recorded here on Columbia. 'The Great American Tourist' and 'Sing Sing Isn't Prison Any More' show the group's light comic style.AI summary
Columbia FB1238 Voice
A disc on Columbia J-series (catalogue J1432) of a Czech vocal work — 'Píseň o Měsíčku' (the Song to the Moon from Dvořák's Rusalka) and a second Czech song — credited to Zpívá O. Horáková. The J-series Columbia pressings were issued for continental European markets and are uncommon in British collections. The artist appears to be a Czech soprano.AI summary
Columbia J1432 Voice
An unidentified artist recorded 'April Showers' and 'Rock a Bye Your Baby' for Columbia—two popular standards of the 1920s–1930s.AI summary
Columbia DB2613 Voice
A spoken recitation of Percy Bysshe Shelley on Columbia, catalogue DX1875, with no artist credited.AI summary
Columbia DX1875 Voice