834 shellac records · mostly British pressings, 1900s–1950s
834 records matching · page 5 of 18
Doris Day and Frankie Laine's 1952 duet 'Sugar Bush' was a popular song of the day, released on Columbia in the UK and recorded during the pair's successful recording partnership.AI summary
Columbia DB3123 Voice
Doris Day duetting with Buddy Clark on Columbia, from the early 1950s when both were major recording stars. This is a standard commercial release by one of the most prolific and successful recording artists of the era.AI summary
Columbia DB2525 Voice
Doris Day and Johnnie Ray, two of the biggest American stars of the early 1950s, paired on Columbia DB 3242. Both sides are jazz-influenced popular songs typical of their commercial peak.AI summary
Columbia DB3242 Voice
Doris Day and Johnnie Ray, two major American popular singers of the early 1950s, on Columbia. Day was an established star; Ray was a sensation of the 1950s with a distinctive emotional style.AI summary
Columbia DB3242 Voice
Dorothy Squires, a popular British-Australian vocalist of the 1940s–1950s, performing two seasonal novelty numbers, 'Say Goodnight Not Goodbye' and 'Snowy White Snow and Jingle Bells', on Columbia's DB series. Squires was best known for her dramatic ballads and film appearances.AI summary
Columbia DB2600 Voice
Dorothy Lamour, a popular American singer and actress known for her work in tropical-themed films and Bing Crosby duets, on Columbia. 'Moonlight and Shadows' and 'Thanks for the Memory' are song standards from her film repertoire.AI summary
Columbia DB1803 Voice
Dorothy Lamour, the American singer and actress famous for the Bing Crosby Road pictures, performs 'Moon of Mannakooba' and 'Lovelight in the Starlight' on Columbia DB1777.AI summary
Columbia DB1777 Voice
Dorothy Lamour, the American singer and actress known for her sarong roles in 1930s and 1940s films, recorded 'Little Lady Make Believe' and 'Tonight Will Live' for Columbia, catalogue DB1783. Lamour was a major star in both film and recordings during this period.AI summary
Columbia DB1783 Voice
Dorothy Lamour, the Hollywood singer and actress, performs two popular ballads from the late 1930s–early 1940s on Columbia's standard pressing.AI summary
Columbia DB1777 Voice
Dorothy Squires, a British-born popular vocalist and entertainer of the 1940s–50s, performing 'Song of the valley' and 'Our song' on Columbia DB3985. Squires was a stage and recording artist.AI summary
Columbia DB3985 Voice
Dorothy Squires, a British pop singer of the 1940s–50s known for emotional ballad delivery, recorded 'Anything I Dream Is Possible' and 'Break My Heart and Say You Love Me' for Columbia. Squires had a long recording career and remained a working entertainer for decades.AI summary
Columbia DB2439 Voice
Dot Temple sings 'An Old-Fashioned Wife' and — with T Powers — 'Words Are Not Needed' on Columbia L1287, a 12-inch coupling. Temple is not a widely recognised recording name; the 12-inch L-series Columbia is a premium format but the artist cannot be placed with confidence.AI summary
Columbia L1287 Voice
Dutch Daly performs 'Yarns' and 'Spring song' on Columbia 2216, likely a humorous or narrative piece paired with a popular tune.AI summary
Columbia 2216 Voice
E Bronskaja and F Constantino perform two romantic duets or vocal pieces for Columbia Records, 'While Again I Gaze' and 'Borne on the Breezes to Thee'; artists appear to be light opera or operetta singers.AI summary
Columbia A5182 Voice
Evelyn Laye and Roy Royston perform 'Not a Scrap' and 'You Know How Much I Love You' as a vocal duet on Columbia F1049, a coupling from the same mid-1920s Columbia F-series as her solo recording. Royston was a popular stage and revue performer; the duet format with Laye adds variety-revue interest.AI summary
Columbia F1049 Voice
E Stralia performing 'Il Bacio' (The Kiss, a celebrated romantic song) on Columbia 7126. The artist and pressing details are sparse.AI summary
Columbia 7126 Voice
Ed Smalle recorded two light popular songs for Columbia 4235 in the 1920s–30s.AI summary
Columbia 4235 Voice
Ed Smalle recorded 'Side by Side' and 'Deed I do' for Columbia, likely from the 1930s.AI summary
Columbia 4463 Voice
Ed Smalle on Columbia 4464; 'Positively Absolutely' and 'Half a Moon' are light vocal numbers, likely from the 1920s–early 1930s.AI summary
Columbia 4464 Voice
Ed Smalle recorded 'A Little Girl, a Little Boy, a Little Moon' and 'Magnolia' for Columbia 4546. Without further context, the artist is not identifiable in standard references.AI summary
Columbia 4546 Voice
Eddie Pola recorded the period novelty numbers 'Madame du Barry' and 'Cleopatra' for Columbia, catalogue DB1251. Pola was an American vocalist and songwriter of the 1930s.AI summary
Columbia DB1251 Voice
Edgar Coyle was a British or American vocalist. This Columbia recording of sentimental ballads 'Vacant Chair' and 'Song that Reached My Heart' is from the acoustic or early electric era, but Coyle is not a widely remembered name in vocal recording history.AI summary
Columbia 5295 Voice
Edgar Coyle performing two sentimental ballads on early Columbia, catalogue 746 suggesting late 1900s or early 1910s. Nothing is known of the artist.AI summary
Columbia 746 Voice
Edith Clifford on Columbia 4849 recorded 'Love Lies' and 'I've Made up My Mind to Marry Mary'; light vocal material from the 1920s–early 1930s.AI summary
Columbia 4849 Voice
Edith Day, an American stage and recording star, performing two theatrical numbers on Columbia in the 1920s; Day was well known in British variety and revue.AI summary
Columbia 3639 Voice
Edith Day was a British stage and film actress and singer of the 1920s–30s; 'Romance' and 'Sabre Song' are light song material from her theatrical repertoire. Columbia 4388 indicates a 1920s pressing.AI summary
Columbia 4388 Voice
Edith Day, an American musical-theatre star and vocalist, recorded these two popular songs on Columbia DB115, likely early 1930s. Day was a well-known stage and recording artist.AI summary
Columbia DB115 Voice
Edith Day recorded "Dance Away the Night" and "You Are Love" (with H Worster) for Columbia catalogue 9429. Day was an American musical theatre star of the 1920s-1930s, famous for her roles in light operas and musical comedies on both the London and New York stages.AI summary
Columbia 9429 Voice
Edith Day, the American-born operetta star, performing 'Alice Blue Gown' and 'Irene' on Columbia F1044, songs from the 1920s musical theatre repertoire.AI summary
Columbia F1044 Voice
Edith Day, American operetta star, performing 'Castle of Dreams' and 'To Be Worthy of You' on Columbia F1045, romantic ballad sides from the 1920s.AI summary
Columbia F1045 Voice
Edith Piaf, the iconic French chanson singer, on Columbia with 'Les Trois Cloches' (The Three Bells), a major hit and signature song. This is likely an early Columbia pressing of the recording.AI summary
Columbia 242 Voice
Edward Favor recorded 'Louisiana Lou' for Columbia 490, a sentimental or narrative song from the very early Columbia catalogue, likely 1910s–20s.AI summary
Columbia 490 Voice
Elizabeth Pollock performing 'A Theatrical Bazaar', a novelty piece in two parts, on Columbia's DB-series from the 1930s.AI summary
Columbia DB795 Voice
Ella Logan, the Scottish-American singer, performing the Hawaiian ballads 'Waikiki' and 'Goodnight My Beautiful' on Columbia 35243, a pre-war vocal recording.AI summary
Columbia 35243 Voice
Ella Logan, a Scottish-born singer who became a minor Hollywood star, recorded these two ballads for Columbia; Logan had a bright, theatrical style and was known for stage and film work in the 1930s and 1940s.AI summary
Columbia 35251 Voice
Ella Logan, a Scottish-American singer, recorded 'Hut sut song' and 'Bill' for Columbia 36173; Logan was known for her work in musical theatre and recordings from the 1940s.AI summary
Columbia 36173 Voice
Elrick, credited on Columbia FB1954, recorded "I Love to Whistle" and "Tis Better to Have Loved and Lost", popular ballad material of the mid-catalogue era.AI summary
Columbia FB1954 Voice
Elsie Randolph, a British stage and film performer, recorded 'Just Round the Corner' and 'If I Had Only Known' (with Glen) on Columbia, catalogue 3539. Randolph was active in musical theatre and revue in the 1920s–30s.AI summary
Columbia 3539 Voice
Emmy Destinn (also spelled Destinová) was one of the supreme dramatic sopranos of the early twentieth century, celebrated at Covent Garden, the Met, and across Europe. Her recording of 'Kennst du das Land' (Mignon's aria from Ambroise Thomas's opera) on Columbia 40587 is a single-sided disc from her prolific acoustic recording career, likely made c.1906–1914. Destinn records are consistently sought by collectors of the Golden Age of singing.AI summary
Columbia 40587 Voice
Enrico Gentille recorded 'September Song' and 'Un Bacio' for Columbia (DCQ52). Enrico Gentille does not appear in standard discographies; Columbia DCQ series suggests 1940s–50s dating.AI summary
Columbia DCQ52 Voice
Erich Kunz, an acclaimed Austrian baritone, recorded two Viennese songs ('Wie Meinahn'l zwanzig jahr' and 'Treu sein das liegt mir nicht') for Columbia—examples of the operetta and vocal repertoire Kunz specialised in.AI summary
Columbia LB117 Voice
Ernest Hastings performing sentimental ballads 'Emigrant's Letter' and 'Molly Magee' on Columbia 2518, from the early acoustic era.AI summary
Columbia 2518 Voice
Ernest Jones performing "Pompadour" and "Swanee Echoes" on Columbia 5491, an early acoustic issue. The artist is otherwise unidentified.AI summary
Columbia 5491 Voice
Ernst Woolf recorded German vocal music for Columbia. 'Aus Meinen Grossen Schmerzen' and 'Auf Den Moore' are German romantic songs. Woolf's identity and recording history are unclear from the available information, and Columbia DX-series pressings of this artist are not widely known.AI summary
Columbia DX749 Voice
Ethel Waters, the pioneering African-American jazz and blues singer and entertainer, recorded two songs on Columbia 14134D: 'If You Can't Hold the Man You Love' and 'I Wonder What Became of Joe'. Waters was one of the first major Black recording stars, active from the early 1920s.AI summary
Columbia 14134D Voice
Eva Turner, one of the finest British dramatic sopranos of the 20th century, singing 'Homing' and 'I Love Thee' on Columbia LB11.AI summary
Columbia LB11 Voice
Eva Turner, a celebrated British dramatic soprano and operatic star, recorded 'Sometimes in My Dreams' and 'Because' for Columbia. Turner had a major career in Italian opera and made records from the 1920s onwards; these ballad sides are atypical of her stage reputation.AI summary
Columbia D1563 Voice
Evelyn Dall was a British vocalist and entertainer; this Columbia side captures her in an upbeat popular song from the 1930s-1940s.AI summary
Columbia FB60000 Voice