834 shellac records · mostly British pressings, 1900s–1950s
834 records matching · page 8 of 18
Hall performing 'Red Sails in the Sunset' and 'Curly Head' on Columbia (FB1100), popular songs of the swing era.AI summary
Columbia FB1100 Voice
Hall performing two light popular songs on Columbia's FB series—'Say the Word and It's Yours' and 'Everything's in Rhythm With My Heart'. The artist is unidentified.AI summary
Columbia FB1195 Voice
Hall on Columbia FB1220, with 'There's No Time Like the Present' and 'Just Bits and Pieces' — an unidentified vocalist on a major British label's mid-range series, likely mid-1930s.AI summary
Columbia FB1220 Voice
Hall performing two light popular songs, 'Got a Brand New Suit' and 'Love is a Dancing Thing', on Columbia. The artist is unidentified in the catalogue, and the titles suggest British popular song of the 1930s–40s.AI summary
Columbia FB1280 Voice
Hall recorded 'The Music Goes 'Round and Around', a hit novelty song of 1935, and 'The Broken Record', a comedy number, for Columbia's FB-series budget label. The artist's full name and biographical details are not clearly documented.AI summary
Columbia FB1288 Voice
Harold Williams performing 'Rebecca' and 'Jim' on Columbia 3224, likely from the 1920s-1930s.AI summary
Columbia 3224 Voice
Harold Williams singing 'Matilda' and 'Henry King', recorded for Columbia 3225. Williams was a British bass-baritone and concert singer active in the 1920s–30s; this early Columbia catalogue number suggests an acoustic or early electrical pressing.AI summary
Columbia 3225 Voice
Harold Williams and his quartette performing 'Sailing at Dawn' and 'The Song of the Sou'wester' on Columbia 949, an early Columbia catalogue number suggesting a 1920s recording.AI summary
Columbia 949 Voice
Harry Fay recorded 'I Want to Go to Idaho' and 'Ladies Beware' for Columbia D197, a very low catalogue number in the early Columbia numerical series.AI summary
Columbia D197 Voice
Harry Fay was an obscure singer on the British Columbia label in the early 1920s; little is known of his career beyond these recordings.AI summary
Columbia 1146 Voice
Harry Fay performing 'Won't There Be Any Wedding Bells for Me?' and 'When You're Married Girls' on Columbia 1359.AI summary
Columbia 1359 Voice
Harry Glen performing 'Where Did That One Go' and a song titled 'Our Navy' on Columbia.AI summary
Columbia L1195 Voice
Harry Tally, an American tenor recording artist of the early 1900s, performing 'Sadie Moore' on Columbia. Tally was a prolific acoustic-era recording artist, and his sides are collected by enthusiasts of early American popular song.AI summary
Columbia 1088 Voice
Harry Thornton recorded character and dramatic songs for Columbia in the 1920s–1930s; the artist is not well documented.AI summary
Columbia 141 Voice
Harry Welchman, a light operatic tenor of the 1920s and 1930s, recorded theatrical reminiscences for Columbia as part of a longer series; this is part 3 and 4.AI summary
Columbia FB1240 Voice
Harry Welchman, a tenor and musical-theatre performer, recorded 'Theatre Memories' for Columbia. Welchman was active in light opera and musical theatre in the 1920s and 1930s.AI summary
Columbia DB754 Voice
Hayes and Croft recorded for Columbia, with catalogue number IS1020, likely from the early 1930s. The material is sentimental vocal material typical of the era.AI summary
Columbia is1020 Voice
Heddle Nash, a celebrated British tenor, recorded 'Two Eyes of Grey' and 'To a Wild Rose' on Columbia, catalogue DB1365.AI summary
Columbia DB1365 Voice
Helen Gilliland singing 'If you're a Friend of mine' and 'Calling me Home', recorded for Columbia in the early acoustic era.AI summary
Columbia 9420 Voice
Helen Hope, an obscure vocalist, singing two sentimental ballads on Columbia DB784, likely mid-1930s.AI summary
Columbia DB784 Voice
Henri Leoni recorded 'When the Angelus is Ringing' and 'The Red White and Blue' for Columbia, probably in the early 1920s. Leoni was a minor vocal artist of the acoustic era.AI summary
Columbia 2485 Voice
Henri Leoni on Columbia 3935, performing 'Valencia' and 'Have you forgotten Yvonne?', popular sentimental songs from the 1920s.AI summary
Columbia 3935 Voice
Henri Leoni recorded 'When the Angelus is Ringing' and 'The Red White and Blue' for Columbia. Leoni was a tenor vocalist active in the early 1900s–1920s.AI summary
Columbia 2485 Voice
Henri Scott recorded 'Heart bowed down' and 'In happy Moments' for Columbia, catalogue L1093. Scott was a tenor vocalist of the 1920s–30s, and these are drawing-room ballads typical of the era.AI summary
Columbia L1093 Voice
Henry Burr, a prolific American ballad singer, performing 'Won't You Come Over to My House' on Columbia 3603 — an early catalogue number suggesting c. 1910s pressing.AI summary
Columbia 3603 Voice
Henry Burr, a prolific American recording artist and tenor, recorded 'Goodnight Little Girl Goodnight' and a spoken announcement advertising Columbia records on Columbia. The latter is a non-musical item of advertising interest; Burr was active from the 1900s through the 1920s and recorded prolifically.AI summary
Columbia Advert Voice
Henry Newbolt, the English poet and patriotic writer, recited selections from his own work for Columbia: 'Vitai Lampada' and 'Drake's Drum', paired with 'Best School of all' and 'He fell among Thieves'—some of his most famous verses.AI summary
Columbia D40181 Voice
Henry Wendon, tenor, with pianist Gerald Moore on "Eleanore" and "Love Went a-Riding" for Columbia DB2083. Moore was one of the finest accompanists in the 20th century, known chiefly for art-song and orchestral repertoire.AI summary
Columbia DB2083 Voice
Herbert Langley, a British tenor of the 1920s–1930s, performs a comic monologue and an orchestral arrangement (conducted by Goosens) on Columbia catalogue L1370, suggesting a mid-1930s pressing of a relatively popular disc.AI summary
Columbia L1370 Voice
Hickman on Columbia Records with 'Sweet and Low' and 'Patches'. The catalogue number A2814 suggests an early Columbia pressing, likely from the mid-1920s.AI summary
Columbia A2814 Voice
Hildegarde, the cabaret singer and pianist, performing a retrospective or medley on Columbia; likely 1940s–1950s.AI summary
Columbia FB1541 Voice
Hildegarde (Hildegarde Loretta Sell), a sophisticated cabaret and theatrical performer, on Columbia FB1468 performing two popular standards. Hildegarde was known for her elegant, intimate style and her long career in nightclubs and theatre from the 1930s through the 1950s.AI summary
Columbia FB1468 Voice
Hildegarde, the French-American singer and cabaret performer, on Columbia FB1758. Hildegarde was known for sophisticated popular and novelty songs; this pressing dates to the 1930s–40s era of her main recording activity.AI summary
Columbia FB1758 Voice
Hildegarde was a French-American supper-club singer and pianist, famous for her sophisticated torch-song style; this Columbia recording from the late 1930s or early 1940s shows her in her element.AI summary
Columbia FB1768 Voice
Hildegarde, an American cabaret singer popular in the 1930s and 1940s, recorded "I Believe in Miracles" and "Listen to the German Band" for Columbia DB1552.AI summary
Columbia DB1552 Voice
Hildegarde, a Belgian-born American cabaret and popular singer, recorded 'Darling Je Vous Aime Beaucoup' for Columbia; the title song became one of her signature pieces in the 1950s.AI summary
Columbia DB1556 Voice
Hildegarde, the Belgian-American supper-club vocalist, singing two standard ballads on Columbia during her 1940s recording period.AI summary
Columbia FB1992 Voice
Holloway and Davies, artists active in light opera and musical theatre, recorded 'True Eyes' and 'Somewhere' on Columbia, catalogue 5085. This is a duet or dramatic vocal from the early 1920s.AI summary
Columbia 5085 Voice
The Holme Valley Male Voice Choir, a northern English amateur ensemble, recorded folk songs and traditional numbers for Columbia.AI summary
Columbia 3484 Voice
Howard Keel, the American musical-theatre star and later Hollywood actor, performing 'Parisienne' and 'Love wonderful Love' on Columbia. Keel was famous for his roles in MGM musicals of the 1950s.AI summary
Columbia DB3969 Voice
Hubert Eisdell, a British baritone singer and teacher, recorded two songs for Columbia's L-series light catalogue in the 1920s.AI summary
Columbia L1728 Voice
Hue Lee performing two popular songs on Columbia DB2837 from the mid-20th-century.AI summary
Columbia DB2837 Voice
Hue Lee recorded 'Rose, Rose, I Love You' and 'An Autumn Melody' for Columbia; 'Rose, Rose, I Love You' was a major hit by Frankie Lymon and the Teenagers in 1955, but this recording predates or is contemporary with the rock and roll era.AI summary
Columbia DB2837 Voice
Hue Lee recorded 'Rosie, Rosie, I Love You' and 'An Autumn Melody' for Columbia in the early 1950s. Lee was a minor vocalist in the popular register of the early-to-mid 1950s.AI summary
Columbia DB2837 Voice
Hulda Lashanska performing sentimental ballad standards 'Annie Laurie' and 'Home Sweet Home' on Columbia 7341, from the early acoustic era.AI summary
Columbia 7341 Voice
Huntley Wright, a British tenor and musical-theatre performer, recorded songs from his stage repertoire for Columbia. Wright was associated with Edwardian and later musical comedy and operetta.AI summary
Columbia F1080 Voice
Idelle Patterson on Columbia, a female vocalist recording sentimental and light novelty material from the late 1920s.AI summary
Columbia 1817 Voice
Ifor Evans, a distinguished Welsh poet and broadcaster, performing readings of twentieth-century poetry on Columbia's D40100 series, a prestige educational label. Part 1 and Part 2 appear on this disc.AI summary
Columbia D40100 Voice