618 shellac records · mostly British pressings, 1900s–1950s
618 records matching · page 4 of 13
Elena Gerhardt was a celebrated German mezzo-soprano, specialist in Lieder and art song. 'Auf dem grünen Balkon' and 'Verborgenheit' (Hermann) are German Lieder; this HMV DA715 acoustic pressing captures Gerhardt's artistry. HMV acoustics of major European art singers command collector interest.AI summary
His Master's Voice DA715 Voice
His Master's Voice GS39 Voice
Elisabeth van Endert, a soprano, performs two pieces for His Master's Voice: the German song 'Heimweh' (Homesickness) and 'Ave Maria'.AI summary
His Master's Voice 2-43450 Voice
Elizabeth Welch was a celebrated Black British-American singer and performer of the 1920s–1930s. This His Master's Voice side (catalogue B8144) records her singing popular and theatrical songs. Welch is now remembered as a significant figure in twentieth-century musical theatre.AI summary
His Master's Voice B8144 Voice
Elizabeth Welch, the British-American singer and entertainer active in London musical theatre, recorded 'Soft Lights and Sweet Music' for His Master's Voice, B8144; Welch was a sophisticated cabaret and theatre performer.AI summary
His Master's Voice B8144 Voice
Elsie Carlisle, a British torch singer and vaudeville performer of the late 1920s and 1930s, recorded two sentimental ballads for His Master's Voice B2579.AI summary
His Master's Voice B2579 Voice
Elsie Carlisle, a popular British light-soprano and comedic vocalist of the 1920s–1930s, recorded this medley for His Master's Voice. Carlisle was a prolific recording artist and stage performer known for her vivacity and musical versatility.AI summary
His Master's Voice BD476 Voice
Elsie Janis, the American entertainer and Broadway star, recorded 'I love them all a little bit' for His Master's Voice, probably in the 1910s–1920s. Janis was a major stage and early recording artist.AI summary
His Master's Voice 2-3315 Voice
Emilio de Gogorza was a Spanish baritone and one of the earliest recording artists, whose voice was preserved on Edison cylinders and early gramophone records; this HMV pressing of "Juanita" documents his career in the acoustic era.AI summary
His Master's Voice 5-2102 Voice
Emilio de Gogoza, a celebrated Italian baritone of the early 20th century, on His Master's Voice; these lyric ballads represent his later acoustic recording work in the early 1920s.AI summary
His Master's Voice DA180 Voice
Emilio de Gogorza was a celebrated American baritone of the early 20th century who recorded extensively for His Master's Voice. This DA187 of "John Peel" and "When Dull Care" are traditional ballads recorded in the acoustic era, circa 1920–1925.AI summary
His Master's Voice DA187 Voice
Ernest Butcher, a British tenor, recorded these sentimental songs for His Master's Voice in the early electrical era; the E200 catalogue suggests a 1930s pressing.AI summary
His Master's Voice E200 Voice
His Master's Voice 4-2440 Voice
Ernest Crampton sings two sentimental Edwardian-era ballads on His Master's Voice C460: "Flicker of the Firelight" and T. Bates's "White Sentinels," a very early pressing from around 1908–1912. HMV C-prefix records are among the earliest British mainstream pressings.AI summary
His Master's Voice C460 Voice
Ernest Hastings performing two English patriotic or novelty songs—'Roast Beef of Old England' and 'There's Nothing Over Sixpence in the Store'—on His Master's Voice. The second title suggests material from the Second World War period.AI summary
His Master's Voice B2481 Voice
Ernest Hastings recorded '& yet I don't know' and 'Matilda' for HMV C1052, a UK pressing from the early 1930s. Hastings was a minor British vocalist.AI summary
His Master's Voice C1052 Voice
Ernest Hastings was a British vocalist; this His Master's Voice pressing pairs two sentimental popular songs from the 1920s.AI summary
His Master's Voice C1138 Voice
Ernest Hastings recorded 'Oh dear What can the matter be' for HMV, a traditional English song. Hastings is not well documented; the catalogue number suggests early acoustic era.AI summary
His Master's Voice C1138 Voice
Ernest Lough, a legendary boy treble, recorded two sacred vocal pieces—"Vesper Hymn" and "Ave Maria"—for His Master's Voice. Lough was the most famous choir boy of his era and a popular recording artist.AI summary
His Master's Voice B8697 Voice
Ernest Lough was an English boy soprano celebrated for his ethereal rendition of 'The Holy City'; this His Master's Voice recording from the late 1920s became one of the best-selling records of the era and remains iconic.AI summary
His Master's Voice B8712 Voice
Evan Williams was a Welsh singer recording in the 1920s–30s. This HMV DA-series side pairs two Welsh-language pieces: 'Yu iach i ti Cumru' and 'Mentra Gwen', representing the specialized market for recordings in minority languages within the UK.AI summary
His Master's Voice DA387 Voice
Evan Williams was a British baritone and light-opera singer who recorded art-song repertoire for HMV in the 1920s and 1930s; this disc pairs two romantic ballads, 'Hark Hark the Lark' and 'Softly through the Night'.AI summary
His Master's Voice DA383 Voice
Evan Williams on His Master's Voice, recording a sentimental song by Edna Park. The artist is not recognised; GC series indicates an early acoustic pressing from c. 1910-20.AI summary
His Master's Voice GC4-2093 Voice
Evelyn Laye, a British musical theatre star of the 1920s–30s, in songs from 'The Princess is Awakening', a show in which she performed. HMV B8138 is from her popular era.AI summary
His Master's Voice B8138 Voice
Everett Marshall, an American baritone and popular singer, recorded "Here's to the Old Days" and "Mr and Mrs Sippi" for His Master's Voice in the early 1930s.AI summary
His Master's Voice B3570 Voice
Eydie Gorme was an American pop and jazz singer with a long recording career; this His Master's Voice POP-series side captures two of her mid-1950s ballad recordings.AI summary
His Master's Voice POP432 Voice
His Master's Voice DK100 Voice
F Day and A Riscoe, recorded by HMV, performing the sentimental duet 'Let's Lay Our Heads Together' and the dance number 'I'd Do the Most Extraordinary Things'. Both artists are obscure.AI summary
His Master's Voice B8278 Voice
Florence Smithson recorded Japanese-themed vocal material for His Master's Voice, early in the electrical recording era. The catalogue number C531 dates to around 1926-1928, a period when British singers recording exotic subjects was fashionable.AI summary
His Master's Voice C531 Voice
Fox on His Master's Voice BD5059, a 1930s recording of popular songs. The artist Fox cannot be identified from standard discographies.AI summary
His Master's Voice BD5059 Voice
Fox recorded two popular songs of the late 1940s for His Master's Voice: 'Shoe Shine Boy' and 'It's a Sin to tell a Lie', catalogue BD5107. BD series pressings were common.AI summary
His Master's Voice BD5107 Voice
Frances Day, a British musical-theatre star, recorded 'Now you're here' and 'It's best to forget' for His Master's Voice. Day was active in West End revue and film throughout the 1920s and 1930s.AI summary
His Master's Voice B4427 Voice
Frances Day, the British actress and cabaret singer, recorded 'Old Playmates' and 'I Don't Know Why' for HMV (B4068) in the early 1930s. Day was well known in theatre, film and radio, and her records are sought by British entertainment collectors.AI summary
His Master's Voice B4068 Voice
Frances Day, a stage actress and vocalist, on His Master's Voice B8277 in the late 1930s.AI summary
His Master's Voice B8277 Voice
Frances Day, a British singer and actress famous for her roles in musical theatre and film, performing 'It's d'Lovely' and 'How do you do Mr Right' on His Master's Voice. These are Cole Porter standards.AI summary
His Master's Voice B8790 Voice
Frances Day performing 'Excuse me' and 'Did you ever see a Dream walking' on His Master's Voice. Day was a popular British actress and singer of the 1930s-40s.AI summary
His Master's Voice B8096 Voice
Frances Day was a British actress and cabaret performer known for witty, sophisticated entertainment. These two songs are from Cole Porter's catalogue, recorded for His Master's Voice in the late 1930s.AI summary
His Master's Voice B8526 Voice
Frances Day recorded 'Show me the Way to Romance' and 'What is this Thing' for His Master's Voice catalogue BD267, from the early 1930s.AI summary
His Master's Voice BD267 Voice
Frances Day, a British actress and cabaret singer of the 1930s–1940s, recorded 'I Don't Want You To' with Marius Kirby for HMV (B4223) in the early 1930s. Day was well known on stage and in film; this is a standard popular duet of the period.AI summary
His Master's Voice B4223 Voice
Frank Crumit, an American singer and ukulele player popular in the 1920s, recorded 'I'm in love with Susan' and 'The grandson of Abdul ...' for His Master's Voice. Crumit was known for novelty and comic vocal sides.AI summary
His Master's Voice B4331 Voice
Frank Crumit (1894–1943) was an American singer and ukulele player, a recording star of the 1920s–early 1930s. This His Master's Voice B-series pressing of novelty material captures his light, comedic style.AI summary
His Master's Voice B4102 Voice
Frank Crumit, an American popular singer and guitarist of the 1920s-30s, recording "Little Brown Jug" and "Granny's Old Armchair" for His Master's Voice.AI summary
His Master's Voice B10327 Voice
Frank Crumit on His Master's Voice B8032. Crumit was an American singer and ukulele performer known for novelty and humorous songs; both titles reflect his speciality material from the 1920s–30s.AI summary
His Master's Voice B8032 Voice
Frank Crumit was a popular American singer-songwriter of the 1920s and early 1930s, known for novelty and sentimental vocal numbers. This His Master's Voice pressing, from catalogue B4102, dates from the late 1920s.AI summary
His Master's Voice B4102 Voice
Frank Crumit, an American vocalist of the 1920s, on His Master's Voice: 'They're always together' and 'Vegetable blues', light entertainment material from the early acoustic era.AI summary
His Master's Voice B4356 Voice
Frank Crumit was a popular American singer and ukulele player of the 1920s–1930s, best known for comic novelty songs. This HMV pressing (B10327) of 'Little Brown Jug' and 'Granny's Old Armchair' dates from the early 1930s and shows his repertoire of sentimental and humorous material.AI summary
His Master's Voice B10327 Voice
Frank Crumit, the American singer and ukulele player, with J. Sanderson on His Master's Voice B3833. Crumit was a popular recording artist of the 1920s–30s, known for novelty songs and vocal duets.AI summary
His Master's Voice B3833 Voice
Frank Crumit was an American singer and ukulele player popular in the 1920s and 1930s. 'Little Brown Jug' was a traditional song frequently recorded; this His Master's Voice pressing represents his version.AI summary
His Master's Voice B10327 Voice