9 shellac records · mostly British pressings, 1900s–1950s
9 records matching
Ada Jones, a prolific American singer of the 1900s–1920s, recorded 'I'll Be There with Bells On' and 'My Little Kangaroo' on Phoenix label 259, a small British imprint. Phoenix pressings are scarce; Jones was one of the first women to record extensively.AI summary
Phoenix 259 Voice
Beth Tate with I Wish I Belonged to You and Call Me Up Some Rainy Afternoon on Phoenix 35.AI summary
Phoenix 35 Voice
Billy Williams recorded for Phoenix, a minor British label of the early 1930s, singing 'Mrs B' and 'Here We Are Again', light popular material.AI summary
Phoenix 040 Voice
Billy Williams recorded for Phoenix, a minor British label of the early 1930s; 'Let's All Go Mad' and 'Take Me Where There Are No Yes About' are novelty or comic titles from this period.AI summary
Phoenix 090 Voice
Billy Williams was a British popular singer of the 1920s-1940s. 'Take me back to USA' and 'Why can't we have the Sea in London' are novelty and topical songs. This Phoen (Phoenix) pressing represents a small British imprint.AI summary
Phoenix 091 Voice
Chas Andrews on Phoenix (Phoe) 0104, a tiny British label, performing 'Low Back'd Car' and 'Eileen Allanah'.AI summary
Phoenix 0104 Voice
Ernest Strong recorded two sentimental ballads for Phoenix, a small British budget label of the early 1930s. 'Where the Blue Danube Flows' is a Strauss-inspired waltz; very little is known of the artist.AI summary
Phoenix 0174 Voice
H Long performing two popular songs on the Phoen (Phoenix) label, a minor British imprint. The artist is unidentified, and neither song appears to be a major standard.AI summary
Phoenix 189 Voice
Harry Long recorded 'You Made Me Love You' and 'When the Midnight Choo Choo Leaves for Alabam' for Phoen Records 141, a small or short-lived British label.AI summary
Phoenix 141 Voice