203 shellac records · mostly British pressings, 1900s–1950s
203 records matching · page 2 of 5
Gerald Adams performing the sacred song 'And a Little Child Shall Lead Them' and 'Where the River Shannon Flows' on Winner 2631, a British label from the 1920s.AI summary
Winner 2631 Voice
Gerald Morley recorded popular and sentimental vocal numbers for the Winner label in the early 1930s; this coupling of two ballads is characteristic of Winner's output for the mass market.AI summary
Winner 3557 Voice
Gott and Ballew recorded 'Waiting at the End of the Road' and 'Love is a Dreamer' for Winner 4999, a vocal or light popular record of the early 1920s.AI summary
Winner 4999 Voice
Gott, a British vocalist, on Winner Records 4899 with 'Glad Rag Doll' and 'Don't be like that'.AI summary
Winner 4899 Voice
Grace Ivell sings 'Angels Guard Thee' and 'Angels' Serenade' on the acoustic-era Winner label.AI summary
Winner 2104 Voice
Grace Ivell recorded traditional Irish songs for Winner in the 1920s–30s. This pairing of 'Kathleen Mavourneen' and 'The Last Rose of Summer' — both sentimental Irish classics — was typical of the vocal repertoire pressed by Winner.AI summary
Winner 2651 Voice
Gross-Bart recorded 'I found you' and 'Belle of Barcelona' for Winner, catalogue 5343, a cheap British marque of the 1920s–1930s.AI summary
Winner 5343 Voice
Gross-Bart performing 'Lady of Spain' and 'Under the Roofs of Paris' on Winner 5257, two popular continental-flavour songs on a cheap British label.AI summary
Winner 5257 Voice
Gross-Bart on Winner Records with 'Pardon me pretty Baby' and 'Poor Kid'.AI summary
Winner 5336 Voice
Credited to Gross-Bart, performs 'Close your Eyes' and 'Trees' on Winner, a British label active in the 1930s–1950s.AI summary
Winner 5454 Voice
H Cove and J Charman recorded 'At the Mississippi Cabaret' and 'I Want to Go Back to Michigan' on Winner 2808. Winner was a British budget label of the early 1920s; both are popular song numbers of the period.AI summary
Winner 2808 Voice
Haidee de Rance recorded 'Le Canari' and 'Kuyawiak' for Winner, a British budget label; minimal biographical information is available.AI summary
Winner 2931 Voice
Haidee de Rance, a vocalist of uncertain prominence, performing two songs on Winner: the French novelty 'Le Canari' and the Polish dance 'Kuyawiak'.AI summary
Winner 2931 Voice
Harold Walden recorded 'If things were to happen just so' and 'Every little Picture tells a Story' for Winner.AI summary
Winner 3501 Voice
Harry Claff recorded 'When You Come Home Again' and 'As the Boys Come Home Again' for Winner, catalogue 3279. Claff was likely a British or American singer of sentimental or patriotic ballads; artist details are sparse.AI summary
Winner 3279 Voice
Harry Cove on Winner, a small British label, with two sentimental vocal titles, marked as a test pressing.AI summary
Winner 3278 TEST Voice
Harry Fay recorded 'I don't want Love' and 'She told me to meet her at the Gate' for Winner Records in the 1920s.AI summary
Winner 3833 Voice
Harry Hudson recorded 'Susannah's squeaking Shoes' and 'Mary Ellen' for Winner, a low-cost British marque.AI summary
Winner 3882 Voice
Herbert Rule recorded 'Everybody's tired of doing it' and 'Woolloomooloo' for Winner, a British label active in the 1920s–30s.AI summary
Winner 2269 Voice
Howard (artist unidentified) on Winner 3741. The titles suggest popular ballad material; the artist and label context are unclear.AI summary
Winner 3741 Voice
Hudson on Winner 4748 with 'I Wonder How I Look When I'm Asleep' and 'So Blue'. Winner was a British label of the 1920s–1930s; Hudson is not identified.AI summary
Winner 4748 Voice
Hudson performing 'There's a rickety-rackety Shack' and 'Did you mean it' on Winner. Hudson is not otherwise identified and the artist may be a pseudonym.AI summary
Winner 4792 Voice
Hudson on Winner 4848, performing oriental-themed popular songs of the early 1920s. Winner was a British label active in that period, but neither the artist nor these specific titles are identifiable from standard sources.AI summary
Winner 4848 Voice
Hudson recorded 'All by Yourself in the Moonlight' and 'For Old Time's Sake' for Winner, a British budget label of the 1920s and 1930s.AI summary
Winner 4876 Voice
Credited to Hudson on Winner catalogue 4887, a ballad recording. Winner was a British budget label active from the 1920s through the 1950s.AI summary
Winner 4887 Voice
Hudson, credited to Winner Records (a cheap British marque of the 1920s–30s), performing two sentimental popular songs.AI summary
Winner 5114 Voice
Hudson performing 'Blue is the Night' and 'Cheer up and smile' on Winner, catalogue 5161. An unidentified performer on a small British label.AI summary
Winner 5161 Voice
Hudson (artist unidentified) on Winner 5176, a small British label. The titles are popular ballad material; neither artist nor label can be placed with confidence.AI summary
Winner 5176 Voice
Hudson on Winner, a cheap British marque of the 1920s–30s.AI summary
Winner 5196 Voice
Hudson recorded 'There's Always Tomorrow' and 'When Your Hair Has Turned to Silver' for Winner, a minor British label.AI summary
Winner 5253 Voice
Hudson on Winner Records with 'Walking my Baby back Home' and 'City Lights'.AI summary
Winner 5313 Voice
Hugo Thompson recorded for Winner, a cheap British marque of the 1920s and early 1930s, performing 'Ould Orange Flute' and 'No Surrender'—both popular traditional Orange Order and Ulster songs.AI summary
Winner 4838 Voice
Ivor Foster performing two musical pieces on Winner, a budget British label.AI summary
Winner 2015 Voice
Ivor Foster performing sentimental ballads on Winner, catalogue 2869. Winner was a budget British label of the 1920s-30s; Foster is unrecognised.AI summary
Winner 2869 Voice
Ivor Foster performing sentimental ballads on Winner, a budget British label of the early 1930s.AI summary
Winner 2978 Voice
Jack Charman performing sentimental popular songs on Winner, a British budget label.AI summary
Winner 2002 Voice
Jack Charman recorded two sentimental ballads for Winner, a small British label, in the 1920s or 1930s.AI summary
Winner 2212 Voice
Jack Charman recorded 'Playing Home Sweet Home' and 'Here we are Again' for Winner, a low-cost British label.AI summary
Winner 2735 Voice
Jack Charman recorded 'I'll Show You Where They Are' and 'Wait Till We Have Another War' on Winner 3653. Charman was an active recording artist on British budget labels of the 1920s; Winner was a cheap imprint.AI summary
Winner 3653 Voice
Jack Pleasants, a British singer and entertainer of the early 1900s, performing two songs on the Winner label.AI summary
Winner 2089 Voice
Jay Laurier recorded 'I like kissing' and 'Let's have a jolly good Cry' for Winner, catalogue 3597. Winner was a cheap British label of the 1920s–30s. Nothing is known of this artist.AI summary
Winner 3597 Voice
Jay Laurier on Winner with 'I like kissing' and 'Let's have a jolly good cry', typical light entertainment numbers of the interwar period.AI summary
Winner 3597 Voice
Jay Laurier, a British vocal entertainer, recorded for Winner; popular ballads 'I Shall be in Bed Early Tonight' and 'I Love the Ground that She Walks On'.AI summary
Winner 3455 Voice
Jay Laurier singing two sentimental songs, Our Heroic Family and In the Valley of Daisies & Buttercups, on the British budget label Winner 3492.AI summary
Winner 3492 Voice
Jenny Howard, a singer for Winner records in the early 1930s, recorded these light novelty numbers on the budget British imprint.AI summary
Winner 5520 Voice
Jenny Howard on 'Looking on the Bright Side', recorded for Winner 5515. Winner was a cheap British marque of the 1930s–40s; Howard's identity and recording career are unclear.AI summary
Winner 5515 TEST Voice
J. H. Squire recorded 'Down Where the Swanee River Flows' and 'You'd Never Know That Old Home Town of Mine' for Winner 3187. Winner was a British budget label; these are traditional American songs.AI summary
Winner 3187 Voice
John Lawson recorded 'Humanity' parts 1 and 2 for Winner 2638, a cheap British marque of the 1920s–30s. 'Humanity' suggests a sentimental or possibly descriptive narrative piece.AI summary
Winner 2638 Voice