203 shellac records · mostly British pressings, 1900s–1950s
203 records matching · page 3 of 5
John Thorne on Winner Records, a British label active from the 1910s-30s, with the spiritual 'O Lord send us the Sunshine' and 'River stay 'way from my Door'.AI summary
Winner 5270 Voice
JW Rickaby, credited to Winner Records, performing two folk or narrative ballads, likely from the 1930s.AI summary
Winner 4331 Voice
Kirkby and Hudson on Winner 3770, 'I'm Gonna Knock' and 'Oh Star of Eve'; a vocal side on an obscure budget label.AI summary
Winner 3770 Voice
L Trimble and A Wiederhold performing two sentimental Victorian ballads—'In the Gloaming' and 'Old Rustic Bridge by the Mill'—on Winner, a budget British label.AI summary
Winner 2515 Voice
Lake and Barrasford performing 'Amusing the baby' and 'On their Carolina Honeymoon' on Winner Records, a minor British label.AI summary
Winner 3543 Voice
Lee White performing popular songs on Winner, a budget British label; the titles suggest early 1920s popular material.AI summary
Winner 3181 Voice
Lee White on Winner, performing two sentimental popular songs of the 1920s era. Winner was a cheap British label active 1923–c.1930; the artist is unrecognised in standard discographies.AI summary
Winner 3232 Voice
Leslie Norman recorded 'You're My Happy Ending' and 'Persian Rosebud' for Winner 4763, a minor British vocal or dance label.AI summary
Winner 4763 Voice
Lewis performing 'Gigolette' and 'Chinese Nights' on Winner, a budget British label.AI summary
Winner 3978 Voice
Lington performing 'Goodnight Sweetheart' with symphonic jazz arrangement on Winner 5494, a small British label.AI summary
Winner 5494 Voice
Little Mary Hagan, a child vocalist, recorded novelty songs for Winner, a cheap British budget label of the 1920s–1930s.AI summary
Winner W27 Voice
Mackenzie Murdoch singing two Scottish traditional songs, 'Callum o' Glen' and 'Highland Boat Song', for Winner 2647. Winner was a cheap British label of the early 1920s.AI summary
Winner 2647 Voice
Markel was a singer on the Winner label, a budget British marque. The titles are standard popular songs from the 1920s or early 1930s.AI summary
Winner 4823 Voice
Marsh Little recorded two hymns or sacred vocal pieces—'God Be With You' and 'When the Mists Have Rolled Away'—for Winner, a cheap British pressing house of the early 20th century. Winner's output is poorly documented.AI summary
Winner 2130 Voice
Marsh Little recorded hymns—"What a Friend We Have in Jesus" and "Lead Kindly Light"—for the Winner label in the early 1920s.AI summary
Winner 2420 Voice
May Lloyd recorded these popular songs on Winner in the early 1920s-30s, during the early jazz and dance era.AI summary
Winner 2848 Voice
McDermott recorded 'Mona Lisa' and 'Hold my hand' for Winner, a British budget label of the 1950s.AI summary
Winner 5458 Voice
A performer credited as McDermott on Winner Records performing 'Don't Tell a Soul' and 'Carmelita' — artist unidentified, likely 1920s-30s popular song on a minor British label.AI summary
Winner 5491 Voice
Morny Cash, a female singer on the Winner label in the 1920s, recorded this comic song about marriage for a small British imprint; very little is documented about her recording career.AI summary
Winner 2920 Voice
N Smith and W Dixon recorded these two popular songs for Winner, a British budget label.AI summary
Winner 2353 Voice
Nelson Jackson performs 'The Cup' and 'The Net' on Winner 5236. Winner was the Woolworths budget label and Jackson is not a widely recognised recording name; this is a standard budget pressing of modest value.AI summary
Winner 5236 Voice
Olly Oakley performing 'Poppies and Wheat' and 'Sweet Jessamine' on Winner 2046, a small British label of the 1920s-1930s.AI summary
Winner 2046 Voice
Olly Oakley on Winner catalogue 3141, featuring two light vocal or orchestral numbers. Winner was a prolific British budget label active from the 1920s.AI summary
Winner 3141 Voice
Pauline Potter on Winner 3185. The titles suggest novelty or children's material; Potter does not appear prominently in standard discographies.AI summary
Winner 3185 Voice
Phillips on Winner 5296, a vocal recording on the British budget label Winner from the interwar period.AI summary
Winner 5296 Voice
A vocal quartet performing hymns and religious material on Winner, a budget British label, in the early 1920s.AI summary
Winner 2592 Voice
An unidentified quartet sings 'Silver Threads Among the Gold' and 'Dear Little Shamrock' on Winner, a British label, two traditional sentimental songs of the Victorian and Edwardian eras.AI summary
Winner 2532 Voice
An uncredited male quartet on Winner Records performing two religious or spiritual songs — 'The King of Love' and 'Art Thou Weary' — typical of the popular-vocal repertoire of the 1920s and 1930s.AI summary
Winner 2604 Voice
A vocal quartet performing the Christmas carols 'Good King Wenceslas' and 'God Rest Ye Merry Gentlemen' on Winner, a budget British label — likely from the 1920s or 1930s.AI summary
Winner 2223 Voice
A vocal quartette on Winner 2224, performing "Hail Smiling Morn" and "Mistletoe Bough", popular sentimental and seasonal songs.AI summary
Winner 2224 Voice
R Evans on Winner 2435 with the traditional song 'Come where my Love lies dreaming' and 'Venetian Song'.AI summary
Winner 2435 Voice
R Evans, an obscure vocalist, on Winner performing 'Thora', a Victorian-era ballad, in the early 1920s.AI summary
Winner 2464 Voice
R. Squire performing 'I Wonder If Love Is a Dream' and 'April Morn' on Winner 2890, a British 1920s voice recording.AI summary
Winner 2890 Voice
Raymond Newell was a British actor, narrator and balladeer of the 1930s–1950s; this Winner label side pairs 'Beat of the Drum' and 'Somerset Farmer', likely sentimental or dialect songs in the British tradition.AI summary
Winner 4211 Voice
Raymond Newell on 'Somerset Farmer' and 'Beat o the Drum', from Winner 4211. Winner was a cheap British label of the 1930s; Newell is not a known major recording artist. These appear to be popular songs or folk-derived material.AI summary
Winner 4211 Voice
René Valma performing two ballads on Winner, a British budget label. Without wider knowledge of this artist, the record appears as routine inter-war popular material.AI summary
Winner 5115 Voice
Reverend Parkyn on Winner recording 'A Drumhead Service' and part 2, a religious ceremonial recording by a British clergyman.AI summary
Winner 2764 Voice
Rev Parkyn performing 'A Drumhead Service' Parts 1 and 2 on Winner. The title suggests a military-religious performance piece or chaplaincy ceremony recording.AI summary
Winner 2764 Voice
Robert Carr recorded "Ora pro nobis" and "Heart Bowed Down" (by W. Platt) for Winner 2062, a small British imprint of the 1920s–1930s.AI summary
Winner 2062 Voice
Robert Carr recorded "Come Back to Me" and "Until" for Winner 2129, a small British imprint active mainly in the 1920s and 1930s.AI summary
Winner 2129 Voice
Robert Carr on Winner 2421, a British ballad singer, with 'Where my Caravan has rested' and 'Only once more'.AI summary
Winner 2421 Voice
Robert Carr, a ballad singer, recorded for Winner in the early 1930s. This sentimental vocal arrangement of the Irish classic 'Mother Machree' reflects the period's taste for nostalgic and maternal themes.AI summary
Winner 2566 Voice
Robert Carr on Winner label, a cheap British marque, singing 'The Young Royalist' and 'Lighterman Tom', likely from the 1920s-30s.AI summary
Winner 2020 Voice
Robert Carr, a British tenor, on Winner, a budget label of the 1920s–1930s. Carr recorded numerous sides for small labels; this recording remains obscure.AI summary
Winner 2826 Voice
Robert Carr and Stanley Kirkby performing 'We Were Sweethearts' on Winner 2247, a British pressing from the mid-1920s. Both were prolific session singers.AI summary
Winner 2247 Voice
Robert Carr performing two sentimental popular songs on Winner, a budget British label.AI summary
Winner 2317 Voice
Robert Carr on Winner 2247, a British vocalist on a cheap marque, with 'We were Sweethearts' and the traditional 'When we went to School together'.AI summary
Winner 2247 Voice
Robert Carr, a British baritone vocalist active in the 1920s and early 1930s, recorded two sentimental ballads for Winner: 'The Rosary', a well-known religious standard, and 'Sincerity', credited to Frank Ranalow.AI summary
Winner 2267 Voice