4,839 shellac records · mostly British pressings, 1900s–1950s
4,839 records matching · page 10 of 101
Beth Tate sings 'You Made Me Love You' and, on the reverse, A Jones performs 'Somebody's Coming to My House' on Regal 6382. Regal was a Columbia subsidiary label sold through Woolworths in Britain; this is a budget pressing of popular songs, most likely from the early-to-mid 1920s.AI summary
Regal 6382 Voice
Beth Tate performs 'At Half Past' and 'What Happened in the Summertime' on Regal 7038. Regal was a Woolworths budget subsidiary of Columbia; standard budget pressing of light popular material, modest value.AI summary
Regal 7038 Voice
Beth Tate performs 'What Did Romeo Say to Juliet' and 'Providing' on Regal 7039. Regal was a Columbia subsidiary budget label sold through Woolworths; this is a standard budget pressing of light popular material.AI summary
Regal 7039 Voice
Beth Tate on Regal 7128 — 'Sorry Goodnight' and 'He'd Have to Answer the Bell.' Tate is not a widely traced name in standard references. Regal was a mass-market British label; the 7xxx series is a mid-period Regal issue. A minor vocal record of ordinary rarity.AI summary
Regal 7128 Voice
Betsy de la Porte recorded for Broadcast, a secondary British label, in the 1930s–40s. The material is typical sentimental ballad singing of the era.AI summary
Broadcast 5177 Voice
Betty Bolton recorded two popular songs for Rex (8156) in the early 1930s. The artist is otherwise unidentified from the label information.AI summary
Rex 8156 Voice
Betty Chester performing two songs—'Sea Fever' (Masefield's poem set to music) and 'Shopping'—on His Master's Voice, catalogue B1445, from the early 1920s.AI summary
His Master's Voice B1445 Voice
Betty Chester singing 'Here comes Tootsie' and 'Some Girl has got to darn his Socks' for Columbia 2799.AI summary
Columbia 2799 Voice
Betty Chester singing two novelty numbers, Some Day I'll make you love me and (Chorus) Round the Map, on Columbia 2800, a 1920s vocal recording.AI summary
Columbia 2800 Voice
Betty Chester on His Master's Voice B2191 with 'Land You've Never Heard Of' and 'Prairie Moon', popular-song material from the mid-1930s. Chester was a session vocalist; the records are common but undistinguished.AI summary
His Master's Voice B2191 Voice
Betty Chester on His Master's Voice B2191, a popular song recording from the early-mid 1930s. Betty Chester was a singer of the period, but little is known of her broader career.AI summary
His Master's Voice B2191 Voice
Betty Driver, an actress and singer, on Regal MR3674.AI summary
Regal MR3674 Voice
Betty Edwards on Qualiton, performing two songs in Welsh: 'Mae D'eisiau Di Bob Awr' and 'Arglwydd Dyma Fi'.AI summary
Qualiton 3154 Voice
Betty Green sings two popular ballads on Meriden, an obscure British label of unclear standing or date.AI summary
MeridenH H9 Voice
Betty Hickson on Coronation (no catalogue number) recorded 'Everyone Will Sing' and 'Liebestraume'; Coronation was a small British imprint.AI summary
Coronation Voice
Betty Hutton, the vivacious American film and recording star of the 1940s–1950s, performs Irving Berlin songs—'I've Got the Sun in the Morning' and 'They Say It's Wonderful'—on MGM Records.AI summary
MGM 301 Voice
Betty Jane Rhodes on Brunswick 03315, performing 'I said No' and 'I don't to walk without you'. Rhodes was an American singer and actress who appeared in Hollywood films.AI summary
Brunswick 03315 Voice
Betty Smith recorded these two blues-influenced songs for Decca F11031 in the 1950s.AI summary
Decca F11031 Voice
The Beverley Sisters singing 'Left Right Out of My Heart' and 'I Would' on Decca, light popular songs of the 1950s.AI summary
Decca F11042 Voice
The Beverley Sisters were a popular British vocal trio in the 1950s, recording for major labels including Decca. "Doodle Doo Do" and "Come Home to My Arms" (Decca F10813) are typical of their light-entertainment output from this period.AI summary
Decca F10813 Voice
The Beverley Sisters, the famous British vocal trio, perform two songs on Decca F10971: the novelty "Ebay Box" and "Without You," likely from the 1950s. The Beverley Sisters were major British recording stars of that era, with substantial chart and radio success.AI summary
Decca F10971 Voice
The Beverley Sisters, a popular British vocal trio of the 1950s, perform 'Riding Down from Bangor' and 'The Young Cavaliero' on Decca. The sisters were prolific recording artists during this period.AI summary
Decca F10943 Voice
The Beverley Sisters, a post-war vocal trio, on Decca, with two Christmas and seasonal songs from the 1950s.AI summary
Decca F11107 Voice
Bidgood recorded two popular songs for Columbia (IS1960) in what appears to be the early 1930s. The artist is otherwise unidentified from the label.AI summary
Columbia is1960 Voice
Bidgood on Broadcast 2596. Broadcast was a British label of the 1920s-1930s. Bidgood is unidentified in standard sources, and the titles suggest light popular or novelty material typical of the period's routine dance or vocal sides.AI summary
Broadcast 2596 Voice
Bidgood performing 'Downhearted' and 'For you just you my Baby' on Broadcast, a British budget label, catalogue 3237.AI summary
Broadcast 3237 Voice
Bidgood recorded 'Troubles are like Bubbles' and 'Little Spanish Villa by the Sea' for Broadcast 3238. Broadcast was a budget British label; Bidgood is not established as a major artist.AI summary
Broadcast 3238 Voice
Bidgood recorded 'Moonbeam, I Kiss Her for Me' and 'In a Little Spanish Town' for Broadcast, a small British label of the 1920s–30s.AI summary
Broadcast 136 Voice
Bidgood, an unrecognised singer, performing popular songs on Broadcast, a minor British label of the 1920s-30s.AI summary
Broadcast 159 Voice
Bidgood on Broadcast 194 with 'Gonna get a Girl' and 'Persian Rosebud'.AI summary
Broadcast 194 Voice
Bidgood on Broadcast, a minor British label, with light vocal material from an unidentified era.AI summary
Broadcast 196 Voice
Bidgood on Broadcast label 209, performing 'Following You Around' and 'Are You Happy'; Broadcast was a short-lived British marque.AI summary
Broadcast 209 Voice
Credited to Bidgood on Broadcast 215, a cheap British marque of the early 1930s. 'Sugar' and 'There's a Cradle in Caroline' are light popular songs of the period.AI summary
Broadcast 215 Voice
Bidgood on Broadcast 241, with 'What'll you do' and 'Let a Smile be your Umbrella'.AI summary
Broadcast 241 Voice
Another vocal duet by Bidgood on Broadcast, from the early 1930s.AI summary
Broadcast 255 Voice
Bidgood on Broadcast 330 with 'I can't give you anything but love' and 'Minnetonka'.AI summary
Broadcast 330 Voice
Credited to Bidgood on Broadcast (344), with 'Sonny Boy' and 'Just an Hour of Love'; Broadcast was a cheap British marque of the 1920s–1930s.AI summary
Broadcast 344 Voice
Bidgood, an unidentified artist, recorded popular songs for Broadcast in the early 1930s.AI summary
Broadcast 355 Voice
Bidgood on Broadcast 388, a short-lived British budget label of the late 1920s and early 1930s; 'My little Fella and me' and 'She's funny that Way'.AI summary
Broadcast 388 Voice
Bidgood was a singer recorded for Broadcast, a small British budget label of the early 1930s. 'Hello Sunshine Hello' is a novelty song typical of the period. Very little biographical information survives about the artist.AI summary
Broadcast 389 Voice
Bidgood, a vocalist, recorded for Broadcast, a British label of the early 1930s. This is a standard dance-band vocal on a scarcer and shorter-lived label than Columbia or Decca.AI summary
Broadcast 407 Voice
Bidgood performing popular love songs on Broadcast, a short-lived British label of the early 1930s.AI summary
Broadcast 409 Voice
Bidgood, an unrecognised singer, performing popular songs on Broadcast, a British label of the 1920s-30s.AI summary
Broadcast 412 Voice
Bidgood on Broadcast 420, performing 'Sing a Little Love Song' and 'Hittin' the Ceiling'. Broadcast was a small British label of the early 1930s.AI summary
Broadcast 420 Voice
Bidgood, an unidentified artist, recorded popular sentimental songs for Broadcast in the early 1930s.AI summary
Broadcast 435 Voice
Bidgood performing 'Mean to Me' and 'Louise' on Broadcast, a British budget label — likely a 1920s or 1930s vocal novelty or sentimental side.AI summary
Broadcast 436 Voice
Bidgood recorded novelty or character songs 'Down Among the Sugar Canes' and 'Building a Nest for Mary' for Broadcast 449, a short-lived British label of the late 1920s.AI summary
Broadcast 449 Voice
Bidgood recorded this novelty or sentimental song for Broadcast, a small British budget label of the early 1930s. Very little is known of the artist or this particular recording.AI summary
Broadcast 460 Voice