4,839 shellac records · mostly British pressings, 1900s–1950s
4,839 records matching · page 12 of 101
Billy Royston on Broadcast 259, with 'Tavern Song' and 'You Along o' Me' — a vocalist on a small British label, early 1930s.AI summary
Broadcast 259 Voice
Billy Scott Coomber was a British vocalist and entertainer, active in the 1930s–40s. This Rex label pressing of "Love in Bloom" and "My Song for You" documents his popular ballad style.AI summary
Rex 8292 Voice
Billy Seymour and the Boys on Stinson 727, performing 'I'm Happy When I'm Hiking' and 'We Won't Go Home'. Stinson was a small American independent label founded in the 1940s–50s. Seymour's recording history is not well documented.AI summary
Sterno 727 Voice
Billy Thorburn performing two sentimental ballads on Decca F2223. Nothing is known of the artist.AI summary
Decca F2223 Voice
Billy Ward, an American gospel and R&B vocalist and bandleader, recorded these two sides for Brunswick. 'St Therese' is a gospel-inflected number; 'Home Is Where You Hang Your Heart' is R&B-oriented.AI summary
Brunswick 05599 Voice
Billy Whitlock on VF 1102, performing what appear to be light or sentimental vocal material. Whitlock was a 1920s American recording artist, and this VF pressing represents his recorded output, though the specific titles are obscure. VF was a small or short-lived British label.AI summary
Velvet Face 1102 Voice
Billy Whitlock performing 'Big Ben' and 'Bonnie Scotland' on Winner, a budget British label, during the early twentieth century.AI summary
Winner 2022 Voice
Billy Whitlock on Winner, a British budget label, performing light vocal material from the early decades of the twentieth century.AI summary
Winner 2045 Voice
Billy Whitlock, a performer recorded on Act, a small or obscure label, performing popular sentimental material.AI summary
Actuelle 10824 Voice
Billy Whitlock performing 'Prettiest Song of all' and 'Sweet Chiming Bells' on Bull Records catalogue 626. Bull was a British budget label of the 1920s–30s; Whitlock is not established in standard reference.AI summary
Bulldog 626 Voice
Billy Whitlock on the J Bull label 12394, a small or unidentified British imprint, performing sentimental vocal material.AI summary
John Bull 12394 Voice
Billy Whitlock singing 'Purple Heather' and 'King Charles Gavotte' on DuoUB, a minor British imprint.AI summary
Duophone UB2025 Voice
Billy Whitlock singing 'Over the Top march' and 'My Irish Lass Jig' on Winner, a cheap British imprint of the 1920s-30s.AI summary
Winner 3153 Voice
Billy Whitlock, a British singer, performing 'Scotch Hot' and 'Two of Irish' on Decca, a major British label. These appear to be novelty or comic pieces of the late 1930s or early 1940s.AI summary
Decca F9233 Voice
Billy Whitlock with Laughing All the Day and Always Jolly on Pick of All 36-4022.AI summary
Pickofall 36-4022 Voice
Billy Whitlock recorded two sentimental songs for Neptune (Nep), a very minor British label of the 1910s-20s. Whitlock is not documented in standard discographies.AI summary
Neptune 149 Voice
Billy Whitlock performing 'Back to Tipperary' and 'A Wee Drop o' Scotch' on Silv 474. Silv was a minor British label. Whitlock is not well-documented.AI summary
Silvertone 474 Voice
Billy Williams on Columbia is1297, singing 'My Lass frae Glasgae Toon' and 'Oh Mr McPherson'. A Scottish vocalist; the Columbia Scottish series (is) issued recordings from Scottish and English artists for the home market. Billy Williams (fl. 1920s–1930s) is now obscure.AI summary
Columbia is1297 Voice
Billy Williams performing 'Put me amongst the Girls' and 'I like little People' on Columbia, early in the label's catalogue (is1302)—likely from the 1910s-20s.AI summary
Columbia is1302 Voice
Billy Williams, a popular British singer of the early twentieth century, recorded 'Here we are Again' and 'Come into the Garden John' for Columbia. The catalogue code 'is1328' suggests this is from Columbia's early British series of the 1900s–1910s.AI summary
Columbia is1328 Voice
Billy Williams on Zonophone 2178, a light vocal record 'She's coming home tonight' and the comic number 'Why do you think I look so gay?' from the early 1900s–10s.AI summary
Zonophone 2178 Voice
Billy Williams with 'She's Coming Home Tonight' and 'The Old Grey Coat' on Scala 1325 — popular vocal material from a minor British label.AI summary
Scala 1325 Voice
'Old Grey Coat' and 'I'll Meet You One Dark Night' recorded by Billy Williams for the Scala label, catalogue 269. Billy Williams was a popular singer and stage performer of the early 1900s; Scala was a small British imprint.AI summary
Scala 269 Voice
Billy Williams vocal on Columbia is1331, a sentimental British song from the early 1930s.AI summary
Columbia is1325 Voice
Billy Williams recorded 'Boys and Girls (07)' and 'Tickle me Timothy (07)' for Columbia, catalogue is1326. The suffix '(07)' and catalogue notation suggest acoustic or very early electric recording, possibly from the 1920s.AI summary
Columbia is1326 Voice
Billy Williams vocal on Columbia is1331, a sentimental British song from the early 1930s.AI summary
Columbia is1331 Voice
Billy Williams vocal on Columbia is1339, a British sentimental song from the early 1930s.AI summary
Columbia is1339 Voice
Billy Williams, a British music-hall entertainer and singer, performing sentimental popular songs on Columbia's early International series. These ballads represent inter-war popular entertainment.AI summary
Columbia is1340 Voice
Billy Williams performing 'Let's all Go Mad' and 'I don't Care' on Columbia's early international catalogue (is1341)—likely from the 1910s-20s.AI summary
Columbia is1341 Voice
Billy Williams, the British singer and comedian, recorded 'Don't Go Out with Him Tonight' and 'Oh Molly McIntyre (take 12)' for Columbia is1344. The early Columbia issue series (is prefix) dates this to the 1920s.AI summary
Columbia is1344 Voice
Billy Williams for Cinch, a cheap British label, performing 'In the Land Where There Are No Girls' and 'Soap & Water'. The artist is unrecognised.AI summary
Cinch 5036 Voice
Billy Williams was a singer active in the early 1920s. This Cinch pressing is one of several Williams discs in the collection; Cinch was a cheap British marque of the period.AI summary
Cinch 5046 Voice
Billy Williams on Cinch, early 1920s, with repertoire including a piece in period-offensive language typical of that era.AI summary
Cinch 5048 Voice
Billy Williams was a singer active in the early 1920s. This Cinch pressing is one of several Williams discs in the collection; Cinch was a cheap British marque of the period.AI summary
Cinch 5049 Voice
Billy Williams, credited to Cinch Records 5052, a marginal British label of the 1920s–30s, performing 'I don't care' and 'Let's all go mad.' Cinch was a cheap marque with limited output.AI summary
Cinch 5052 Voice
Billy Williams performing 'My Lass from Glasgow Toon' and 'Take Me Back to USA' on Cinch, a British budget label — a Scottish novelty or emigrant-themed side, likely from the 1920s or 1930s.AI summary
Cinch 5053 Voice
Billy Williams was a singer active in the early 1920s. This Cinch pressing is one of several Williams discs in the collection; Cinch was a cheap British marque of the period.AI summary
Cinch 5132 Voice
Billy Williams singing on Cinch, a small British label of the early 1920s.AI summary
Cinch 5134 Voice
Billy Williams was a singer active in the early 1920s. This Cinch pressing is one of several Williams discs in the collection; Cinch was a cheap British marque of the period.AI summary
Cinch 5155 Voice
Billy Williams was an American singer of the 1920s–1930s; this Beka side pairs two novelty numbers typical of the era.AI summary
Beka 41406 Voice
Billy Williams on Dacap Records with 'Meet You One Dark Night' and 'Save a Little One for Me'—likely a vocalist or novelty recording on a small British label.AI summary
Dacapo 452 Voice
Billy Williams, a ballad singer of the early electric era, recorded two songs for Pelic, an obscure British label.AI summary
Pelican 56 Voice
Billy Williams on Regal performing 'Molly McIntyre' and 'It's Mine When You've Done with It', popular and novelty songs.AI summary
Regal 6644 Voice
Billy Williams recorded 'A Lover Up in Scotland' and 'Post Cards' for Twin Records—popular ballads by an untraced vocalist on a minor British label.AI summary
Twin 2131 Voice
Billy Williams, a performer on Pathé, recorded 'Save a little one for me' and 'Serves you right'.AI summary
Pathé 78049 Voice
Billy Williams recorded these two light comedic or novelty songs for Columbia's IS series, a budget British label series. 'When Mother Backed the...', '[part of title cut off]' and 'Our Little Kiddie Sings the Best Song of All' suggest sentimental or family-themed novelty material from the 1920s-1930s.AI summary
Columbia is682 Voice
Billy Williams performing 'Sally O'Mally' and 'Mrs.B' on the Alb label, likely from the 1920s-30s.AI summary
Albion 1024 Voice
Billy Williams recorded 'You're the One' and 'Let's all Go Mad' for the Bek label, an unidentified British imprint. The catalogue numbering suggests late 1920s.AI summary
Beka 41410/2 Voice