4,839 shellac records · mostly British pressings, 1900s–1950s
4,839 records matching · page 13 of 101
Billy Williams, the prolific Edwardian tenor, recorded 'Father Papered the Parlour' and 'Here we are Again' for Columbia, catalogue is423. These are typical of his early-twentieth-century ballad and comic-song repertoire.AI summary
Columbia is423 Voice
Billy Williams performing 'I Don't Know How You Do It' and 'I Shall Have to Ask My Mother' on Columbia IS 661, a British pressing from the 1920s–1930s; Williams was a prolific British popular singer.AI summary
Columbia is661 Voice
Billy Williams, a prolific early recording artist, performing 'The Ragtime Wedding' and 'Oh for Another Day at Margate' on Jumbo 1064, novelty and character songs from approximately 1905–1910.AI summary
Jumbo 1064 Voice
Billy Williams, a Scottish singer, recorded 'My Girl from Glasgie Toon' and 'I wish I were a Ladies Man' for Jumbo, a British label of the 1920s–30s.AI summary
Jumbo 657 Voice
Billy Williams, an English singer and recording artist, recorded popular songs for Homophone, a small British label; light vocal material of the era.AI summary
Hom 6656 Voice
Billy Williams recorded 'I don't care' and 'Why can't we have the Sea in London' for Natione, a small British label, probably in the early 1920s. Williams was a minor vocal artist of the acoustic era.AI summary
Natione Voice
Billy Williams, a British music-hall singer and comedian, recorded sentimental songs on Winner, an economy British label. These ballads were typical of his inter-war variety entertainment.AI summary
Winner 2354 Voice
Billy Williams on Cinch 5047, with vaudeville or novelty material from the 1920s. Williams is not a major-label recording artist; Cinch was a minor American label.AI summary
Cinch 5047 Voice
Billy Williams recorded two sentimental or comic songs for Columbia in what appears to be the 1920s–1930s. The material suggests popular ballad or comic song output.AI summary
Columbia 1980 Voice
Billy Williams recorded two vocal numbers for the Ar label.AI summary
Ariel 712 Voice
Billy Williams, a Scottish singer, recorded topical and novelty songs for the obscure Tow label. Both sides carry Scottish themes typical of regional recording in the early 20th century.AI summary
Tower 188 Voice
Billy Williams, an American R&B and popular singer, on Homophone — a small British label. Williams had a recording career in the 1950s.AI summary
Hom 6863 Voice
Billy Williams, an American entertainer, performing two popular songs on Dacap, an obscure or regional label.AI summary
Dacapo 452 Voice
Billy Williams was a prolific British recording artist of the 1910s-20s active on many labels. J. Bullard (JBullB) was a minor British pressing company, and catalogue 7 suggests very early production.AI summary
John Bull B7 Voice
Billy Williams on Argo 1883, performing 'Tickle Me Timothy' and another untitled side. Williams was an American R&B and novelty singer of the 1950s. Argo was an American independent label.AI summary
Ariel 1883 Voice
Billy Williams on Scala 1298, a British dance or vocal side from the early 1930s.AI summary
Scala 1298 Voice
Billy Williams performing 'Take me back to USA' and 'Let's all go mad' on Homophone 1021. An early entertainment recording on a British budget label.AI summary
Hom 1021 Voice
Billy Williams performing 'I Wish I Were a Ladies' Man' and 'I Don't Care' on Hom (Home), a British label.AI summary
Hom 1022 Voice
Billy Williams, the prolific early British tenor, recorded 'Mrs B' and 'I'll lend you my best Girl' for Hom, an unidentified label, catalogue 928.AI summary
Hom 928 Voice
Billy Williams performing 'Don't Go Out with Him Tonight' and 'You're the One' on Hom 931, a small British label.AI summary
Hom 931 Voice
Billy Williams on Scala 1261, performing 'Silvery Moon' and 'We're all waiting for a girl'. Billy Williams was a long-lived British music-hall entertainer and recording artist. Scala was a minor British label of the 1920s-1930s.AI summary
Scala 1261 Voice
Billy Williams, recorded 'Molly McIntyre' and 'Don't Go out with Him Tonight' for Columbia A1910 in the early 1920s acoustic period.AI summary
Columbia A1910 Voice
Billy Williams recorded two vocal numbers for Columbia in the early 1920s.AI summary
Columbia is1270 Voice
Billy Williams recorded for Phoenix, a minor British label of the early 1930s, singing 'Mrs B' and 'Here We Are Again', light popular material.AI summary
Phoenix 040 Voice
Billy Williams recorded for Phoenix, a minor British label of the early 1930s; 'Let's All Go Mad' and 'Take Me Where There Are No Yes About' are novelty or comic titles from this period.AI summary
Phoenix 090 Voice
Billy Williams was a British popular singer of the 1920s-1940s. 'Take me back to USA' and 'Why can't we have the Sea in London' are novelty and topical songs. This Phoen (Phoenix) pressing represents a small British imprint.AI summary
Phoenix 091 Voice
Billy Williams on Regal 6011, a vocal recording from the interwar period on the Regal label, a British subsidiary of Decca.AI summary
Regal 6011 Voice
Billy Williams recorded for Regal, the budget British label of the early 1930s, singing 'Molly McIntyre' and 'It's Mine When You've Done with It', with the latter suggesting comic or novelty content.AI summary
Regal 6644 Voice
Billy Williams, recorded 'Chanticleer' and 'You're the One' for Zonophone 584, likely in the late 1920s or early 1930s.AI summary
Zonophone 584 Voice
Scottish popular songs by Billy Williams on Zonophone (catalogue 831), a British and international label active from the 1890s onward. Williams was a prolific recording artist.AI summary
Zonophone 831 Voice
Billy Williams performing 'Molly McIntyre' and 'It's a Grand Old Song is Home Sweet Home' on Zonophone 910, early 1900s-1910s era.AI summary
Zonophone 910 Voice
Billy Williams on Zonophone 135 with 'Postcards' and 'A Lover Up in Scotland', a British vocal recording from the 1920s–1930s.AI summary
Zonophone 135 Voice
Billy Williams performing 'Little People' and 'Girls of Today' on Zonophone 143, likely an early recording.AI summary
Zonophone 143 Voice
Billy Williams, credited here on Zonophone X42869, sang "The Collier", a British ballad repertoire piece. Zonophone was a budget subsidiary of The Gramophone Company active in the early 1900s through the 1920s.AI summary
Zonophone X42869 Voice
Billy Williams performing two songs on Pathé Records, a major British electrical recording label of the late 1920s and early 1930s. Billy Williams was a light vocalist, and his recordings on Pathé are not widely documented as major collectibles.AI summary
Pathé 93015 Voice
Billy Williams recorded popular songs and novelty material for Pathé in the late 1920s-1930s. The titles are sentimental and entertainment-focused, typical of his stage work. Pathé was a major British label, and Williams recordings exist in quantity, though individual titles vary in availability.AI summary
Pathé 79148 Voice
Billy Williams singing 'We're all waiting for a Girl' on Zonophone 042010, a pre-1920s popular vocal recording.AI summary
Zonophone 042010 Voice
Billy Williams, a popular early recording artist, performing 'Old Armchair' and 'Only Bit of English We Have Got' on Zonophone A18, an early acoustic side from approximately 1903–1905.AI summary
Zonophone A18 Voice
Billy Williams on Lyc 049, performing novelty or comedy titles: 'Why can't we have the Sea in London' and 'Mrs B'. Lyc was a minor British label.AI summary
Lyceum 049 Voice
Billy Williams, an American entertainer, performing two novelty songs on Coils, an obscure or regional label.AI summary
Coliseum 1336 Voice
Billy Williams recorded 'Come & have a Look at what I've got' and 'Don't go out with him tonight' for Columbia, catalogue is466. Williams was an American jazz-influenced vocalist of the 1920s–30s.AI summary
Columbia is466 Voice
Billy Williams on Zonophone performing 'She is My Best Girl Now' and 'I'm Out for the Day Today' — popular ballads from an unidentified vocalist, early 20th century.AI summary
Zonophone 1337 Voice
Billy Williams performing 'The Daylight Bill' and 'I'll Meet You One Dark Night' on Zonophone 559, a very early catalogue number in Zonophone's series. Williams is likely a minor vocalist or character artist.AI summary
Zonophone 559 Voice
Billy Williams performing 'Matrimonial Chimes' and 'Too-ral-oor-al-laddie' on Zonophone 560, part of Zonophone's very early catalogue series. Williams is likely a minor or pseudonymous performer.AI summary
Zonophone 560 Voice
Billy Williams singing 'Take me back to USA' and the Scottish number 'My Lass frae Glasgae Toon' on Zonophone, a British label active through the 1920s and 1930s.AI summary
Zonophone 676 Voice
Billy Williams on Pelic 56, credited with 'Old Grey Coat' and 'I Must Go Home Tonight'. Pelic was a small or short-lived British label; the artist and recordings are otherwise unidentified.AI summary
Pelican 56 Voice
Billy Williams recorded two comic or sentimental songs for Zonophone: 'Don't sing a Song about a Rose to me' and 'Don't let me get any better Nurse'.AI summary
Zonophone 832 Voice
Billy Williams singing two popular novelty numbers, Save a little one for me and Meet you one dark Night, on Columbia IS301.AI summary
Columbia is301 Voice