4,839 shellac records · mostly British pressings, 1900s–1950s
4,839 records matching · page 14 of 101
Billy Williams performing Irish and Scottish novelty songs on Regal, a budget British label.AI summary
Regal 6011 Voice
Billy Williams performing 'Why do you think I look so gay?' and 'Playing the Game in the West' on Zonophone, a British subsidiary of the Gramophone Company.AI summary
Zonophone 258 Voice
Billy Williams recorded 'I'll Lend You My Best Girl' and 'I Don't Want a Girl for Sunday' for Zonophone (406), a British label subsidiary of the Gramophone Company. Williams was an early popular singer, and this record likely dates to the 1910s–20s.AI summary
Zonophone 406 Voice
Billy Williams was an American R&B and pop singer; this Cinch pressing offers two Scottish-themed novelty songs from a cheap British budget label.AI summary
Cinch 5156 Voice
Billy Williams, an American singer popular in the early 1950s, recorded 'Don't sing a Song about a Rose to me' and 'Don't let me get any better Nurse' for Zonophone, a British budget label. This is a UK pressing of his work.AI summary
Zonophone 832 Voice
Billy Williams on Winner 2354, performing two sentimental popular songs. Williams was a British singer active in the early 20th century; Winner was a cheap British marque.AI summary
Winner 2354 Voice
Bing Crosby performs two Christmas and New Year songs on Brunswick 03384 from the mid-1930s.AI summary
Brunswick 03384 Voice
Bing Crosby recorded "You're Getting to be a Habit With Me" and "You've Got Me Crying Again" for Columbia DB1901. Crosby was one of the most successful recording artists of the 20th century; these are from his early electrical recording period.AI summary
Columbia DB1901 Voice
Bing Crosby recorded 'Give Me a Heart to Sing To' and 'Once in a Blue Moon' for Columbia's 'DB' series in the late 1930s. Crosby was the dominant popular singer of the era.AI summary
Columbia DB2000 Voice
Bing Crosby recorded 'Long Ago (and Far Away)' with the Andrews Sisters and 'Is It You or Is It Me?'. No label, catalogue number or further detail is provided, making identification incomplete. The titles are from the 1940s repertoire.AI summary
Voice
Bing Crosby, recorded four popular songs on His Master's Voice B4424: 'Sweet L'il', 'Ain't She Sweet', 'Mississippi Mud', and 'I Left My Sugar Standing in the Rain'. Crosby's early 1930s HMV recordings are common and widely available.AI summary
His Master's Voice B4424 Voice
Bing Crosby, one of the most recorded artists of all time, performs 'Out of Nowhere' and 'If You Should Ever Need Me' on Brunswick 01166.AI summary
Brunswick 01166 Voice
Bing Crosby recorded "Lazy Day" and "Young and Healthy" (the latter a popular jazz standard) for Columbia during the early 1930s swing era. Crosby was already one of the biggest popular singers in America by this time.AI summary
Columbia DB2027 Voice
Bing Crosby, one of the most recorded singers of the 20th century, performing 'The Day After Forever' and 'It Could Happen to You' on Decca; Crosby's records are abundant and widely collected.AI summary
Decca M2017 Voice
Bing Crosby's recording of 'Wrap your Troubles in Dreams' and 'Just a Gigolo' on His Master's Voice, from the early 1930s. Crosby was among the most commercially successful singers of the era, and this pressing is British.AI summary
His Master's Voice BD470 Voice
Bing Crosby singing two popular standards for Brunswick, a major American label. This side captures Crosby's early crooner style in a mainstream commercial pressing.AI summary
Brunswick 02498 Voice
Bing Crosby on Columbia DB2085, with 'Black Moonlight' and 'Street of Dreams'. Crosby was the dominant popular singer of the 1930s–1950s, and among the most recorded artists in history.AI summary
Columbia DB2085 Voice
Bing Crosby, one of the most recorded artists of the 20th century, performed 'Down by the Old Mill Stream' and 'Home on the Range' for Brunswick, a major American label with extensive UK pressings.AI summary
Brunswick 02807 Voice
Bing Crosby on Brunswick, performing two evergreen American standards — Crosby was the world's most popular recording artist of the 1930s–50s.AI summary
Brunswick 01993 Voice
Bing Crosby recorded 'The Folks Who Live on the Hill' and 'Can I Forget You' for Brunswick, likely from the late 1930s or early 1940s.AI summary
Brunswick 02484 Voice
Bing Crosby with the Andrews Sisters on Brunswick, featuring two popular songs of the 1940s. Crosby was one of the best-selling recording artists of the era and his Brunswick sides are widely available.AI summary
Brunswick 03539 Voice
Bing Crosby on Columbia, performing jazz-inflected standards in the early 1930s. Crosby was one of the most popular and prolific recording artists of the era.AI summary
Columbia 4417M Voice
Bing Crosby's popular medley of jazz and novelty standards for HMV, pairing two of his most beloved early hits. This B4000-series pressing captures the emerging crooner at the beginning of his recording career.AI summary
His Master's Voice B4424 Voice
Bing Crosby, the dominant American popular singer of the 1930s–1950s, on Rex, a small British label.AI summary
Rex 8957 Voice
Bing Crosby recorded 'Wrap Your Troubles in Dreams' and 'Just a Gigolo' for His Master's Voice in the late 1920s or early 1930s; both were popular songs of the period and Crosby would go on to become one of the best-selling artists of all time.AI summary
His Master's Voice BD470 Voice
Bing Crosby, one of the greatest singers of the 20th century, recorded 'Road to Morocco' and 'Moonlight Becomes You' for Decca in 1942, both now-standard popular songs from the Road to Morocco film.AI summary
Decca BM03410 Voice
Bing Crosby, the American crooner, performing 'Home on the Range' and 'Where the Blue of the Night' on Decca SPECIAL1778. Crosby was one of the most popular singers in the world; the SPECIAL catalogue designation suggests a limited or premium release.AI summary
Decca SPECIAL1778 Voice
Bing Crosby on Columbia DB50219, performing 'The Sweetest Story Ever Told' and 'Mighty Like a Rose'. Crosby was the most recorded vocalist of the 20th century; both are sentimental standards from the early vocal tradition.AI summary
Columbia DB50219 Voice
Bing Crosby, the American crooning legend, singing two hit songs on Columbia: "Dear Hearts and Gentle People" and "Mule Train", recorded in the late 1940s.AI summary
Columbia DB50306 Voice
Bing Crosby on Rex, catalogue 8957: 'Blue Prelude' and 'Home on the Range', two of Crosby's signature songs, though pressed on a minor budget label.AI summary
Rex 8957 Voice
Bing Crosby, one of the most recorded popular singers of the 20th century, performing 'I Apologise' and 'Sweet and Lovely' on Brunswick 1219, a UK pressing from the early 1930s.AI summary
Brunswick 1219 Voice
Bing Crosby, the American crooner who dominated popular recording from the 1930s through the 1950s, singing 'Small Fry' and 'Mr. Gallagher and Mr. Sheen' on Brunswick 02653, a standard pressing of the era.AI summary
Brunswick 02653 Voice
Bing Crosby was the dominant popular singer of the 1930s–50s, and 'Can't We Talk It Over' and 'Dinah' are early sides from his recording career with Brunswick, capturing his warm crooning style in the late 1920s–early 1930s period.AI summary
Brunswick 01271 Voice
Bing Crosby with Red Nichols on 'It Had to Be You', a popular standard recorded for Brunswick in the early 1930s. Crosby was already a major star by this period, and the pairing with the hot-jazz cornetist Nichols marks a notable collaboration between popular song and jazz idiom.AI summary
Brunswick 05150 Voice
Bing Crosby recorded two popular songs for Brunswick in the late 1920s or early 1930s, capturing his early crooning style before his dominance of American popular music.AI summary
Brunswick 05451 Voice
Bing Crosby performing 'Moonburn' and 'Dinah' on Brunswick 02313, a British pressing from the early 1950s.AI summary
Brunswick 02313 Voice
Bing Crosby recorded 'Blue Prelude' and 'Home on the Range' for Rex, the budget British label, a likely reissue or licence of US material from the 1930s.AI summary
Rex 8957 Voice
Bing Crosby recorded 'Sleepy time gal' and 'No other love' for Brunswick Records. Both are popular standards from the early 1950s, from one of the best-selling artists of the 78rpm era.AI summary
Brunswick 05558 Voice
Bing Crosby again, this time on Decca BM-series, performing two ballads; a late pressing of the sort Crosby recorded prolifically for most of his career.AI summary
Decca BM035 Voice
Bing Crosby and Jack Teagarden recorded 'Birth of the Blues' and a duet with Mary Martin on 'The Waiter and the Porter and the Upstairs Maid' for Brunswick—popular songs from the early swing era featuring two of America's best singers.AI summary
Brunswick 03269 Voice
Bing Crosby and the Andrews Sisters recorded "Have I Told You Lately That I Love You" and "Quicksilver" for Brunswick (04454), two of the most popular entertainers of the 1940s in a light duet arrangement.AI summary
Brunswick 04454 Voice
Bing Crosby and Connie Boswell performing 'Basin Street Blues' and 'Bob White' on Brunswick 62492. Both were major American popular singers and this pairing represents a notable 1930s recording session.AI summary
Brunswick 62492 Voice
Bing Crosby and Jane Wyman on Brunswick 04760, singing two novelty numbers from the 1950s. The Oscar-winning 'In the Cool Cool Cool of the Evening' was from the 1951 film *Here Comes the Groom*.AI summary
Brunswick 04760 Voice
A novelty duet from the 1946 film 'Welcome Stranger', sung by Bing Crosby and actor Bill Bendix, with character vocals by Sir Cedric Hardwicke. Recorded for Brunswick, this was a minor hit from a B-picture comedy. The second side features Murvyn Vye in a different number.AI summary
Brunswick 04071 Voice
Bing Crosby was the most popular male vocalist of the twentieth century; this Brunswick duet with Judy Garland on 'You've Got Me Where You Want Me' and 'Ya-ta-ta Ya-ta-ta' pairs two of Hollywood's greatest stars and singers.AI summary
Brunswick 03597 Voice
Bing Crosby and Judy Garland duet on Brunswick, a major American label. Both were stars of the 1940s film and radio era, and duet recordings of popular songs were standard repertoire.AI summary
Brunswick 03597 Voice
Bing Crosby and Trudy Erwin performing two songs from the musical *Oklahoma!*—'Oh What a Beautiful Morning' and 'People Will Say We're in Love'—on Decca M2007. An important duet from a classic Broadway musical.AI summary
Decca M2007 Voice
Binnie Hale, a British stage and film actress and singer, performed these two popular songs for Columbia's DB-series, a prestige electrical 10-inch format of the early 1930s.AI summary
Columbia DB1686 Voice