4,839 shellac records · mostly British pressings, 1900s–1950s
4,839 records matching · page 16 of 101
Bobby Breen, an American child star of the 1930s–40s, on His Master's Voice BD480 with 'My Campfire Dreams' and 'Make a Wish'.AI summary
His Master's Voice BD480 Voice
Bobby Breen, a child prodigy singer of the 1930s, recorded "Flower Song" and "Rainbow on the River" for Decca F6301, likely from a film soundtrack of the era.AI summary
Decca F6301 Voice
Bobby Brown recorded these two popular songs for Winner, a British label: 'Mademoiselle' and 'Sweet Dreams Pretty Lady'. The titles suggest sentimental popular ballads from the 1930s-1950s. The artist is not well documented.AI summary
Winner W10 Voice
Bobby Howes and E. Brody recorded these songs for His Master's Voice, a major British label. 'Where the Honeymoon Alone Can See' and 'A Twelve O'Clock Girl in a Nine O'Clock Town' are light entertainment numbers from the 1920s-30s.AI summary
His Master's Voice C1243 Voice
Bobby Sanders, an unidentified artist, on Piccadilly with "Walking with Susie" and "That's You Baby".AI summary
Piccadilly 323 Voice
A disc on the Anchor label (catalogue 159) by Bohm van Endert — a name that does not appear in standard discographic references — containing Elizabeth's Prayer and Elsa's Song to the Winds, both from Wagner's Lohengrin. The Anchor label is an obscure British imprint; an unrecognised artist singing Wagner arias on a little-known label warrants investigation before sale.AI summary
Anchor 159 Voice
Boris Christoff, the renowned Bulgarian bass singer, recorded 'Siberian Prisoners' Song' and 'The Grave' for His Master's Voice, likely in the 1950s.AI summary
His Master's Voice 21383 Voice
The Boswell Sisters, a prominent American close-harmony vocal trio of the late 1920s–early 1930s, performing two standards on Brunswick. Their intricate arrangements and rhythmic innovation made them influential in popular music, and UK Brunswick pressings of their work remain collectible.AI summary
Brunswick 01893 Voice
The Boswell Sisters, the renowned American vocal-harmony trio of the late 1920s-30s, recorded 'Mood Indigo' and 'Sentimental Gentleman from Georgia' for Rex, catalogue 8910. Rex was a budget British label that licensed American recordings.AI summary
Rex 8910 Voice
Jack Bowlly on HMV BD5363, performing two popular ballads. Bowlly was one of Britain's finest crooners and recording artists of the 1930s-40s, with a very large catalogue of commercial recordings.AI summary
His Master's Voice BD5363 Voice
Boyd Bennett recorded 'Seventeen' and 'Little ole you all' for Parlophone in the early 1950s; Bennett was a popular American entertainer of the swing era who recorded widely in Britain.AI summary
Parlophone R4063 Voice
A recording credited to Bradley on Decca's MW series, a budget-conscious line of the mid-1940s.AI summary
Decca MW183 Voice
Bradley performs 'Wouldn't it be nice' and 'We'll gather Lilacs' on Decca MW323. The MW-series indicates a wartime or immediate post-war Decca pressing.AI summary
Decca MW323 Voice
Bransby Williams, a celebrated British monologue actor and reciter, performing dramatic character pieces on Pathé Records. Williams was famous for his theatrical recitations and appeared regularly on the wireless; this is a double-sided release capturing his distinctive performance style.AI summary
Pathé 92587/92588 Voice
Bransby Williams, a famous British reciter and dramatic performer, recorded his interpretation of Henry V on HMV's prestigious TP (Theatre) series.AI summary
His Master's Voice TP4824 Voice
Bransby Williams, a celebrated Victorian and Edwardian character actor and monologist, performing 'Not old' and 'Difference' on Columbia 3774 — dramatic monologues characteristic of his long stage and recording career.AI summary
Columbia 3774 Voice
Bransby Williams was a celebrated British dramatic monologist and actor-reciter of the Edwardian era, known for his vivid character pieces and theatrical readings; this Zonophone 78 contains two of his famous recitations, extracts from Dickens' 'David Copperfield' and his own dramatic monologue.AI summary
Zonophone A115 Voice
The Brazell Male Quartette sing The Crusaders in two parts on Guardsman N8251.AI summary
GuarN N8251 Voice
Brenda Lee, the American child star and later country and pop singer, recorded 'Fairyland' and 'One Step at a Time' on Decca 30198.AI summary
Decca 30198 Voice
Brennan performing 'Lay your Head on my Shoulder' and 'Goodnight little Girl of my Dreams' on Regal 1069, sentimental vocal numbers on a cheap British marque.AI summary
Regal 1069 Voice
Brett Barry singing 'Someday' and 'My Little Persian Rose' on Pathé 8864, from the late 1920s.AI summary
Pathé 8864 Voice
Brian Lawrance was a British vocalist; this Decca side of film songs from the 1940s represents light vocal and orchestral entertainment work.AI summary
Decca F5304 Voice
Brian Lawrence performing 'Let's Put out the Lights' on His Master's Voice CTP3588, a popular vocal recording on a major British label.AI summary
His Master's Voice CTP3588 Voice
Brian Lawrence on Rex Records with two sentimental ballads, 'Penny Serenade' and 'Cinderella', from a small British marque.AI summary
Rex 9445 Voice
Bing Crosby recorded 'Hello Mom' and 'Poinciana (Song of the Tree)' for Brunswick, a major American label. This is a mass-market pop release from one of the biggest recording stars of the era.AI summary
Brunswick 03510 Voice
Broc Peters recorded 'Wonder of wonderful you' and 'You made me love you' for Columbia C2343, popular sentimental vocal songs from the 1930s–40s.AI summary
Columbia C2343 Voice
Brooke Johns on His Master's Voice B1886; a male vocalist recording popular sentimental material, likely from the 1920s.AI summary
His Master's Voice B1886 Voice
Brooke Johns recorded two early popular songs on His Master's Voice B1929, likely early 1920s. Johns is a minor recording artist of the period.AI summary
His Master's Voice B1929 Voice
The Brothers Walsh performing two sentimental songs on Piccadilly, a cheap British budget label: 'On Her Doorstep Last Night' and 'Sun Will Shine Some Day'.AI summary
Piccadilly 450 Voice
Brown, a performer on Imperial, a small British label, in two sentimental songs: "In my Gondola" and "Lonesome and sorry", from the late 1920s.AI summary
Imperial 1614 Voice
Brown, performing 'I never see Maggie alone' and 'Moonlight on the Ganges' on Imperial Records.AI summary
Imperial 1615 Voice
Two popular ballroom titles credited to Brown on Imperial, a minor British or American label of the 1920s or early 1930s.AI summary
Imperial 1642 Voice
Brown recorded 'Song of Happiness' and 'Match Parade' for Imperial Records, catalogue 2571. Imperial was a cheap British label.AI summary
Imperial 2571 Voice
Bruce Trent recorded two sentimental ballads—"Forever Amber" and "The Bells of St. Mary's"—for Decca in the 1940s. Trent was a British popular singer of the period.AI summary
Decca F8637 Voice
Bruz Fletcher, the Hollywood cabaret singer and songwriter, with Lei from Hawaii and Spring in Manhattan on Liberty L-159.AI summary
Liberty L-159 Voice
Bruz Fletcher, the Hollywood cabaret singer and songwriter, with Hilly Brown and Keep an Eye on His Business on Liberty L-160.AI summary
Liberty L-160 Voice
Bryer and Dolman on Columbia DB 71, recorded in the late 1920s; a dance or novelty vocal side.AI summary
Columbia DB71 Voice
Jack Buchanan and Randolph Sutton were British entertainers who recorded together for Columbia in the mid-1930s; 'There's Always Tomorrow' and 'It's Not You' are light popular duets from this period.AI summary
Columbia DB485 Voice
Bud Billings recorded gospel and religious material for Zonophone in the early 1920s; 'The Wanderer's Warning' and 'Will the Angels Play Their Harps for Me?' are hymnal and devotional pieces.AI summary
Zonophone 5422 Voice
Buddy Clark, an American popular singer, recorded 'It's a big wide wonderful world' and 'If you will marry me' for Columbia. Clark was known for his smooth baritone and recordings of popular standards in the 1940s and 1950s.AI summary
Columbia DB450 Voice
Buddy Prince sings 'Deep Night' and 'Carolina Moon' on Piccadilly, a budget British imprint of the 1930s–1940s.AI summary
Piccadilly 322 Voice
Buddy Prince recorded this pop ballad for Piccadilly, a cheap British dance and vocal label of the early 1930s. Piccadilly records survive in modest quantities but the artist is not well documented.AI summary
Piccadilly 382 Voice
Buddy Williams on Regal Records, performing two Australian novelty songs — 'Beneath the Queensland Moon' and 'Dear Old Aussie Blues' — charming regional material suggesting an Australian artist or the Australian export market.AI summary
Regal G25284 Voice
Buddy Williams singing 'Overlander Trail' and 'Oer Hilltop and Hollow' on Regal G25052, a British budget label of the 1930s–40s. The titles suggest country or Western repertoire.AI summary
Regal G25052 Voice
Buddy Williams on Regal Zonophone, singing 'Gambling Polka Dot Blues' and 'I Can't Stand Still in a Cell', recorded in the 1930s or early 1940s.AI summary
Regal G25342 Voice
Buddy Williams recorded 'Always Call Me Darling' and 'Riding Down the Wallaby Trail' for Regal; the Australian title suggests Australian repertoire, likely from the 1940s–1950s.AI summary
Regal G25286 Voice
Buddy Young recorded 'My Wishing Song' and 'Shuffle Off to Buffalo' for Mayfair (328). Mayfair was a small British label; Buddy Young does not appear in standard discographies.AI summary
Mayfair G328 Voice
Bullock recorded 'I'll never say Never Again again' and 'Fare thee well Annabelle' for Rex Records, a small British budget label of the early 1930s.AI summary
Rex 9564 Voice