4,839 shellac records · mostly British pressings, 1900s–1950s
4,839 records matching · page 17 of 101
Burl Ives recorded two songs, 'Widdecombe Fair' and 'Noah found Grace in the Eyes of the Lord', for Columbia in the 1940s. Ives was an American folk and popular singer.AI summary
Columbia DC614 Voice
Burl Ives, the American folk singer and actor, on Columbia 90089. 'Two Little Owls' and 'Little White Duck' are folk or novelty items from Ives' early recording career, before he became known for film and stage roles.AI summary
Columbia 90089 Voice
Burl Ives, the American folksinger and actor, performing two songs on Brunswick: 'The Parting Song' and 'Diesel Smoke Dangerous Curves'—from his prolific recording career.AI summary
Brunswick 04957 Voice
Burl Ives, the American folk singer and actor, recorded 'Big Rock Candy Mountain' and 'On the Grand Canyon Line' for Brunswick, likely from the late 1940s or early 1950s.AI summary
Brunswick 04363 Voice
Burt Shepard is credited on a GC label 78, a small budget imprint; the song is a sentimental ballad.AI summary
Gramophone Company 3-2378 Voice
Burt Shepard recorded two popular or comic songs for Columbia's early numbered series (circa 1910–1915).AI summary
Columbia 1835 Voice
Burt Shepard, 'Walking Home with Angeline', on the G&T label.AI summary
G&T 3-2269 Voice
Burt Shepard on Zonophone 42536, performing 'Hello old girl'.AI summary
Zonophone 42536 Voice
Burt Shepard recorded 'Waling Home with Angeline' on the GC label, a very early British imprint.AI summary
Gramophone Company 3-2269 Voice
Burt Shepard recorded for Zonophone in the early 1920s; this pressing of 'No Wedding Bells for me' and 'Oh oh Antonio' is a comic or sentimental popular vocal.AI summary
Zonophone 38 Voice
Burtnett was a British vocalist; this Brunswick recording pairs two popular songs, likely from the early 1930s.AI summary
Brunswick 4104 Voice
Burtnett on Brunswick 01006, performing 'Little White Lies' and 'I Wonder How It Feels'. Brunswick was a major label; the catalogue format (01006) suggests an early or special pressing.AI summary
Brunswick 01006 Voice
Byron Harlan, popular American recording artist of the early 1900s, on Lead 311. Harlan was one of the first prolific recording voices in the acoustic era.AI summary
Lead 311 Voice
Byron Harlan, a prolific American singer of the 1900s-1910s, recorded 'On the banks of the Wabash' (a classic American song by Paul Dresser) and a sacred choir number for Lead, a short-lived British label. Harlan was known for sentimental and comic numbers.AI summary
Lead 340 Voice
Byron Harlan sings In the Evening by the Moonlight, Dear Louise and Farewell, Nellie Mine on Britannic 2307.AI summary
Britannic it2307 Voice
Byron Harlan on Pathé 1107, performing "How Ya Gonna Keep 'Em Down on the Farm?" and a wartime novelty from the First World War era. Harlan was a prolific acoustic-era tenor vocalist.AI summary
Pathé 1107 Voice
C Bonheur performing 'That old Gang of Mine' and 'Don't build a Wall round the girl you love' on Imperial; an obscure 1920s light-vocal coupling.AI summary
Imperial 1257 Voice
C Bonheur, accompanied by Bertram, recorded 'Home in Pasadena' and 'Carolina Lullaby' for Imperial, a small British label of the 1920s; an obscure performer on a minor imprint.AI summary
Imperial 1296 Voice
C Bonheur performing 'Hum a Little Tune' and 'All Alone' on Imperial, a British budget label of the 1920s-30s.AI summary
Imperial 1372 Voice
C. Bonheur performing 'Where is That Girl Who Was Stolen from Me' and 'Sally's Come Back' on Imperial 1485, a British 1920s voice recording.AI summary
Imperial 1485 Voice
C. Bonheur, an unidentified singer, on Imperial with early 1930s vocal numbers.AI summary
Imperial 1515 Voice
C Bonheur performing two sentimental songs on Imperial, a small British label. No readily available information about this artist or pressing.AI summary
Imperial 1208 Voice
C Clifton performing 'My Dreams' and 'Nirvana' on Citizen 763, a ballad recording on a minor British label.AI summary
Citizen 763 Voice
C Compton on Winner 2835, performing 'Sympathy' and 'Absent'. The artist is not identified in standard references; Winner was a small British label of the 1920s–30s.AI summary
Winner 2835 Voice
C Conway recorded two popular songs for Phony, a British label of the 1920s-30s. Conway and the label are not well documented.AI summary
Phonycord 98 Voice
C. Day Lewis and Michéal O'Farrell performing Irish poetry and verse on Columbia DX1637. Day Lewis was a major 20th-century poet and later poet laureate; this is a historical poetry recording.AI summary
Columbia DX1637 Voice
C. Day Lewis, the Irish poet and one of the important figures in 1930s British poetry, recites his own poems on Columbia. This is a spoken-word recording of literary significance, featuring Day Lewis reading alongside M. O'Farrell.AI summary
Columbia DX1638 Voice
C Franklin on Lyric Records, a minor British label, with 'Rip that Melody' and 'Take me in your Arms & say you love me'.AI summary
Lyceum 0170 Voice
Charles Mott performing 'Blue Eyes Fairy' with orchestra conducted by Elgar himself, on HMV catalogue 02640 — an early single-sided pressing. As with the companion Mott/Elgar D456 disc in this collection, an Elgar self-conducted vocal recording is a primary document and of significant collector interest.AI summary
His Master's Voice 02640 Voice
C. Norman with A Precious Little Thing Called Love and Marie on World Echo 1003.AI summary
World Echo 1003 Voice
C Norman on WEcho 1005, a small British acoustic label from the 1920s; the artist and these ballad titles are not identified in standard discographies.AI summary
World Echo 1005 Voice
C Norman performing 'S'posing' and 'Through' on Wireless Echo 1009, a vocal recording on a minor British label of the 1920s–30s.AI summary
World Echo 1009 Voice
C Norman performing 'I've got a Feeling I'm falling' and 'I'm in seventh Heaven' on WEcho, an obscure British label.AI summary
World Echo 1010 Voice
C Norman on World-Echo, a small British label of the late 1920s.AI summary
World Echo 1011 Voice
C Norton on Broadcast 1022, performing 'Rosary' (a popular ballad) and G Powell's 'Volunteer Organist'. Broadcast was a small British label active in the 1920s–30s; the artist is not identified in standard references.AI summary
Broadcast 1022 Voice
C Penrose and L Hope on Regal (8284) with 'The Prodigal's Return' and 'An Irish Courtship', popular sentimental songs of the acoustic era.AI summary
Regal 8284 Voice
C Penrose and S Coltham performing two sentimental or novelty pieces on His Master's Voice: 'Way to the Well I Never Land' and 'Dream Pedlar'.AI summary
His Master's Voice B2365 Voice
C Thomas on Gam Records, catalogue 95, performing sentimental vocal songs 'When you come Home' and 'In an old fashioned Town', from the late 1920s or early 1930s.AI summary
Gamage 95 Voice
Cabaret Four on Piccadilly 671, performing 'Adeline' and 'Little White Lies'. Piccadilly was a cheap British budget label active from the 1930s to 1950s.AI summary
Piccadilly 671 Voice
Capiton Zaporojetz — a Russian vocalist — performs 'Drinking' and 'Song of the Flea' on Columbia, the latter a famous Russian character piece, likely a 1920s-30s pressing aimed at émigré communities.AI summary
Columbia L1991 Voice
Carl Brisson on His Master's Voice B3295, with 'Camille' and 'There's Something About You That's Different'. Brisson was a Danish-American tenor, actor and entertainer popular in the 1920s–1930s, known for romantic and novelty songs.AI summary
His Master's Voice B3295 Voice
Carl Brisson, the Danish tenor and film actor, on Decca F5014 with 'Cocktails for Two' and 'Live and Love Tonight'. Brisson was a popular balladeer and musical-theatre performer of the 1930s–40s.AI summary
Decca F5014 Voice
Carl Brisson, a Danish-American tenor and musical-theatre star, performs 'Let Me Hold Your Hand Dear' and 'When the Love Bird Leaves...' on Zonophone 2901.AI summary
Zonophone 2901 Voice
Carl Brisson, the Danish-American baritone and actor, singing two light romantic songs on Decca in the 1930s.AI summary
Decca F2127 Voice
G&T 2-42063 Voice
Carl Nebe performing two German songs — 'Der Mutter Lied' and 'Mein Weib und Kind' — on the Hom label, likely Homophon, catalogue 1950. Nebe does not appear prominently in standard discographic references; Homophon pressings of lesser-known German vocalists are moderately uncommon.AI summary
Hom 1950 Voice
Carl Rost performing 'Archibald Douglas' across two parts on the obscure Gram label.AI summary
Gram 15600 Voice
Carla Spletter recorded two German-language vocal numbers for Polyphon in the 1930s.AI summary
Polyphon 47729 Voice