4,839 shellac records · mostly British pressings, 1900s–1950s
4,839 records matching · page 18 of 101
Credited to Carle and Tiffany on Brunswick 13079, performing light vocal and operatic pieces—'Oh That We Two were Maying' and 'Alice Where Art Thou'. Brunswick was a major British and American label.AI summary
Brunswick 13079 Voice
Carlo Buti was an Italian popular singer; this Columbia side carries Italian vocal standards.AI summary
Columbia DCQ8 Voice
Carlos Ramirez was a Cuban baritone and singer popular in the US in the 1940s–50s; this MGM side of Spanish-language material represents his recording work during the Latin music boom.AI summary
MGM 8234 Voice
Carlos Ramirez was a popular baritone of the 1940s–50s, and this His Master's Voice pressing pairs two lyrical favourites: the Largo al factotum from Rossini's *The Barber of Seville* and the Spanish song *Granada*.AI summary
His Master's Voice 13594 Voice
The Carlyle Cousins recorded 'Hit Bits No 2 Medley' for Columbia DB977 in the 1930s, a medley of popular songs of that era.AI summary
Columbia DB977 Voice
Carmen Miranda, the Brazilian samba singer and dancer, on Brunswick — performing Brazilian material. Miranda was an international star of the 1930s–40s, especially in Hollywood.AI summary
Brunswick 03237 Voice
Carmen Miranda, the Portuguese-Brazilian performer famous for her elaborate headdresses and samba recordings, recorded these two novelty pieces for Brunswick. 'The man with the lollipop song' is a children's novelty; the first side is in Portuguese. Both are typical of Miranda's playful recording career in the 1940s.AI summary
Brunswick 03273 Voice
Carmen Miranda, the Brazilian samba singer and Hollywood star, recorded "Rebola a Bola" and "When I Love I Love" for Brunswick (03272). This late-1930s or early-1940s recording captures the samba and Latin numbers she popularised during her film career.AI summary
Brunswick 03272 Voice
A Brunswick coupling of Carmen Miranda and the Andrews Sisters in 'Cuanto la Gusta' and 'The Matador', featuring the exuberant Brazilian performer and the American vocal trio at the height of their wartime popularity.AI summary
Brunswick 03917 Voice
Carol Bruce sings the title song from Irving Berlin's 1940 Broadway musical 'Louisiana Purchase', in which she starred, and 'The Lord Done Fixed Up My Soul', on Schirmer.AI summary
Schirmer 507 Voice
Carolina White, likely a British or American vocalist, recorded 'The Sweetest Story Ever Told' and 'Spring Song' from Natoma for Columbia D9709, a pre-electrical or early electrical recording.AI summary
Columbia D9709 Voice
Caroline Hatchard performing 'Pipes of Pan' and 'Light is my Heart' on Pathé 78534, a British acoustic recording from the early 1920s.AI summary
Pathé 78534 Voice
Caroline Kendrick performing the classical vocal standard 'Ave Maria' on Columbia.AI summary
Columbia 1718 Voice
Carr & Herrick, a duet partnership, recorded 'Whispering' and 'Lisp of a Baby's Prayer' for Scala, catalogue 310, from the 1920s; Scala was a British budget label.AI summary
Scala 310 Voice
Carrie Herwin singing 'Hills of Donegal' and 'Guide Me to the Light' on Columbia 757, an early British Columbia pressing from the acoustic era. The catalogue number suggests a very early recording, possibly from the 1910s or early 1920s.AI summary
Columbia 757 Voice
Carrie Herwin singing 'Love's Old Sweet Song' and 'Ora pro nobis' on Columbia 794, a very early Columbia catalogue number from the acoustic era.AI summary
Columbia 794 Voice
Carrie Herwin on Columbia, performing 'Love's Old Sweet Song' and 'Ora Pro Nobis', likely from the 1900s–1920s.AI summary
Columbia 794 Voice
Frederic Cowen's sacred song 'The Better Land' and Elgar's 'Land of Hope and Glory', sung by Carrie Herwin on Pathé.AI summary
Pathé 5607 Voice
Carrie Lanceley with Lily of My Heart and, by Mme Sarmiento, La Villanelle on Marathon 283.AI summary
Marathon 283 Voice
Carrie Lanceley, credited on the Mara label (catalogue 124), performing 'Children's Home' and 'Sing Sweet Bird'. Limited information is available about this artist or the Mara label.AI summary
Marathon 124 Voice
Carrie Tubb, the English soprano, sings 'Hullo, Little Stranger' on a single-sided G&T.AI summary
G&T 3669 Voice
Carrie Tubb, a British soprano, recorded 'Pansy Pansy' for Zonophone 43128, a mid-range catalogue number suggesting a 1920s-1930s pressing.AI summary
Zonophone 43128 Voice
Carrie Tubb was a British mezzo-soprano and concert singer active from the 1900s to the 1930s. This Pathé recording preserves two of her performances of popular ballads.AI summary
Pathé 5426 Voice
Carrie Tubb was a British soprano; this Vocalion side preserves her voice in comic and light vocal numbers from the 1920s–30s.AI summary
Vocalion D02080 Voice
Carrie Tubb and Hector Grant recorded 'Jealous Annie' and 'Their First Parting' for Zonophone 59, a very early catalogue number suggesting an acoustic or early electric recording, probably early 1920s.AI summary
Zonophone 59 Voice
Carrie Tubb, a noted British soprano, duets with H Grant on Twin 59, performing 'Jealous Annie' and 'Their first parting' — vocal repertoire from a small British label.AI summary
Twin 59 Voice
Enrico Caruso sings 'E Lucevan le Stelle' from Puccini's 'Tosca' (and a second aria) on Pathé 84004. Pathé issued Caruso recordings by licence or from separate sessions, and their Caruso pressings are considered secondary to his Victor and HMV sides by most collectors. However, any Caruso disc retains significant collector interest; Pathé's hill-and-dale cutting means a standard stylus will not play it correctly.AI summary
Pathé 84004 Voice
Catcheside Warrington performing 'Neighbours Down Below' and 'I Hope Ye'll Be Kind to My Daughter' on Winner 5394. Warrington is not a major recording artist of known prominence.AI summary
Winner 5394 Voice
Caterina Valent was an Italian jazz and popular singer active from the 1930s to the 1950s. This Polyphon recording is untraced; the title and catalogue suggest a mid-1930s pressing on a German-owned British label.AI summary
Polyphon 6002 Voice
Cavan O'Connor, the Irish tenor known as the Vagabond Lover, sings Down Among the Dead Men and Simon the Cellarer on World Echo 1044.AI summary
World Echo 1044 Voice
Cecil Cunningham was a performer on the Metropolitan label, a cheap British marque; this pressing pairs two popular songs, likely from the late 1920s or early 1930s.AI summary
Metropole 1085 Voice
Cecile Vicars recorded "Ma Curly Headed Baby" for Beka, a small British label of the early 1900s.AI summary
Beka 8294 Voice
Celia Lipton was a British singer and actress of the 1930s–1950s; this Columbia pressing of two light operetta numbers reflects her musical-theatre repertoire.AI summary
Columbia DB2146 Voice
Celia Lipton, a British entertainer, recorded these two medley sides of popular film music for Columbia in the 1950s; they celebrate the songs of Deanna Durbin and Judy Garland.AI summary
Columbia FB2507 Voice
Chandler recorded for Piccadilly; 'Darling I'm longing to greet you' and 'Good Friends' are sentimental ballad titles of the 1920s–30s, consistent with Piccadilly's cheap popular repertoire.AI summary
Piccadilly 769 Voice
Chandler recorded 'I Surrender Dear' and 'When the Guards are on Parade' for Piccadilly Records, a cheap British label of the late 1920s.AI summary
Piccadilly 779 Voice
Charles Alexander (1867-1920), the American gospel singer who led the song in the Torrey-Alexander revival missions, sings The Glory Song on G&T 4812.AI summary
G&T 4812 Voice
Charles Austin on Regal, credited with 'Parker at Wembley', a two-part recording. Austin was a British vocalist active in the 1920s–30s; the subject appears to be a topical or novelty piece about the famous cricket venue.AI summary
Regal 8367 Voice
Charles Baum on Decca 24026 with medley titles 'Swingin' Down the Lane + 2 More' and 'Beside a Babbling Brook + 1 More', a 1930s Decca release.AI summary
Decca 24026 Voice
Charles Bryan on Piccadilly 5046, performing popular vocal material. Piccadilly was a cheap British marque of the early 1930s onwards; catalogue 5046 suggests a mid-period pressing.AI summary
Piccadilly 5046 Voice
Charles Clark on Columbia A1470, performing 'An Irish Love Song' and 'Thy Beaming Eyes'. The A-series prefix indicates an early Columbia catalogue.AI summary
Columbia A1470 Voice
Charles E Sherwin singing two Irish nationalist songs — 'A Nation once again' and 'Who fears to speak of '98' — on Winner, a cheap British imprint of the 1920s-30s.AI summary
Winner 2649 Voice
Charles E. Sherwin with West's Awake and The Boys of Wexford on Winner 2650.AI summary
Winner 2650 Voice
Charles Hackett was a celebrated American lyric tenor of the 1920s and 1930s, known for his recordings of popular song and operetta. 'I'd build a World in the Heart of a Rose' is a sentimental ballad typical of his repertoire, recorded on Columbia 78929.AI summary
Columbia 78929 Voice
Charles Harrison, an American tenor popular in the 1910s and 1920s, recorded these two sentimental songs for Regal, likely in the late 1920s or early 1930s.AI summary
Regal 6040 Voice
Charles Mott, a baritone, performing 'My Old Tunes' and 'Curfew Song' with orchestra conducted by Elgar himself, on HMV D456. An Elgar self-conducted HMV recording with a named soloist is a primary document of the composer's own conducting; this disc is of significant collector interest.AI summary
His Master's Voice D456 Voice
Charles Penrose, a British vocalist and entertainer of the early 1920s, recorded "Land of Nod" with S. Coltham and "Pirate's Island" for His Master's Voice. Penrose was a popular recording artist of the acoustic era.AI summary
His Master's Voice B2366 Voice
Columbia 360 Voice