4,836 shellac records · mostly British pressings, 1900s–1950s
4,836 records matching · page 2 of 101
Aileen d'Orme singing two romantic songs on Columbia (catalogue L1114), from the early acoustic era.AI summary
Columbia L1114 Voice
Aileen Stanley, an American jazz and popular singer of the 1920s, recorded for His Master's Voice. Stanley was a major recording artist in the early electrical recording era, known for her jazz interpretations and vocal charm.AI summary
His Master's Voice B1976 Voice
Aileen Stanley, an American popular singer, on HMV B-series with 'Here Am I Broken Hearted' and 'Who Are You Fooling Tonight'.AI summary
His Master's Voice B2590 Voice
Aileen Stanley recorded 'When I Was the Dandy' (duet with B Murray) and 'Put Away a Little Ray of Golden Sunshine' for Victor (19443), an American label of the 1910s–20s. Stanley was an early American popular singer and recording artist of the acoustic era.AI summary
Victor 19443 Voice
Aileen Stanley, the vaudeville singer, with 'Weep No More' and 'Write and Tell Your Mammy' on American OKeh.AI summary
Okeh 4513 Voice
Aileen Stanley and J Marvin on His Master's Voice with two 1920s popular songs, 'Red Lips Kiss My Blues Away' and 'Side by Side'.AI summary
His Master's Voice B2519 Voice
Aimee Semple McPherson, the famous American evangelist and radio preacher, recorded religious songs for Columbia 5041. McPherson was a major media figure and entertainer of the 1920s-30s.AI summary
Columbia 5041 Voice
Airlie Dix was a British singer active in the early twentieth century; this Polyphon disc, catalogue 8714, couples a Minuet by Dix with a piece by Robinson on the reverse. Polyphon was a major continental pressing firm with British distribution; the artist is not widely documented in general references.AI summary
Polyphon 8714 Voice
Al Bowlly, the Anglo-Indian vocalist who became one of the most prolific singers on British dance-band records, performing 'So ashamed' and 'Rosa mia' on Decca F3275 from the 1930s.AI summary
Decca F3275 Voice
Al Bowlly, one of the finest British light tenors of the 1930s, recorded these novelty numbers for the Winner label. Bowlly was one of the most prolific recording artists of the era, with hundreds of sides to his name, though this particular title pairing is uncommon.AI summary
Winner 5440 Voice
Al Bowlly, one of Britain's most prolific recording artists of the 1930s, on Decca F3695, performing 'Love Locked Out' and Cole Porter's 'Night and Day'. Bowlly was a leading vocalist for dance bands and popular singers of the decade.AI summary
Decca F3695 Voice
Al Bowlly was one of Britain's leading commercial vocalists of the 1930s and 1940s, known for his crooning style on dance-band and novelty records; this Decca side captures him at the height of his popularity.AI summary
Decca F3275 Voice
Al Bowlly, the British-born crooner and one of the most recorded voices of the 1920s-30s, performed on the Winner label.AI summary
Winner 5440 Voice
Al Bowlly, the British light vocalist and prolific recording artist, on His Master's Voice with 'In a Blue and Pensive Mood' and 'A Little White Gardenia'; Bowlly was one of the most commercially successful singers of the 1930s-40s.AI summary
His Master's Voice BD230 Voice
Al Bowlly, a prolific British light vocalist and one of the best-selling recording artists of the 1930s, recorded 'You're a Sweetheart' and 'Pretty Little Patchwork Quilt' on His Master's Voice BD503. Bowlly was enormously popular and recorded thousands of titles.AI summary
His Master's Voice BD503 Voice
Al Bowlly, the British-South African vocalist and one of the most prolific singers of the dance-band era, on 'Romany' and 'Lonely', His Master's Voice BD666. Bowlly recorded extensively for HMV in the late 1920s-30s and remains highly collectable.AI summary
His Master's Voice BD666 Voice
Al Bowlly, the prolific British-South African vocalist, on 'South of the Border' and 'What do you know about love', His Master's Voice BD706. Bowlly was one of the most recorded singers of the dance-band era and remains highly collectable.AI summary
His Master's Voice BD706 Voice
Al Bowlly, a prolific British dance-band vocalist of the 1930s, recorded two ballads for His Master's Voice.AI summary
His Master's Voice B8302 Voice
Al Bowlly on Decca F3218, performing 'Keep your last Goodnight for me' and 'My Romance'. Al Bowlly was a hugely successful British ballad and dance-band vocalist of the 1920s-30s, among the most recorded singers of his era.AI summary
Decca F3218 Voice
Al Bowlly was one of the most prolific and commercially successful British popular singers of the 1930s and 1940s, known for his smooth, sophisticated crooning. This His Master's Voice side captures him at his height.AI summary
His Master's Voice BD230 Voice
Al Bowlly, a prolific British-Indian vocalist and one of the most recorded artists of the 1920s–30s, performing 'Memories' on Decca F6916 — a late 1930s ballad recording.AI summary
Decca F6916 Voice
Al Bowlly, one of the most prolific and popular British recording artists of the 1930s-1950s, performs two romantic ballads 'Keep Your Last Goodnight for Me' and 'My Romance' on Decca F3218. Bowlly recorded for nearly every British label and his smooth tenor voice defined the 'crooner' style in the UK.AI summary
Decca F3218 Voice
Al Bowlly, the Anglo-Indian vocalist who became one of the most prolific singers on British dance-band records, performing 'So ashamed' and 'Rosa mia' on Decca F3275 from the 1930s.AI summary
Decca F3275 Voice
Al Bowlly, one of Britain's most prolific recording artists and a favourite vocalist of the 1930s, performing two sentimental ballads on Decca: 'Million Dreams' and 'I'll follow you'.AI summary
Decca F3304 Voice
Al Bowlly, the prolific British-Indian vocalist of the 1920s–1940s, performing 'You Must Believe Me' and 'Goodnight but Not Goodbye' on Decca F3547, a mid-1930s pressing; Bowlly was one of the most recorded voices of the era.AI summary
Decca F3547 Voice
Al Bowlly, the prolific British vocalist, on Decca F3627, performing 'Moonstruck' and 'Learn to Croon' — popular dance and vocal recordings of the mid-1930s.AI summary
Decca F3627 Voice
Al Bowlly was one of the most prolific and popular British vocalists of the 1930s. This Decca recording of two romantic standards represents his well-collected catalogue.AI summary
Decca F3695 Voice
Al Bowlly was one of the most prolific and popular British dance-band vocalists of the 1930s and early 1940s, recorded extensively for major labels. 'Lover come back to me' and 'Fancy our Meeting' are dance-band ballads on Decca, typical of his output.AI summary
Decca F3742 Voice
Al Bowlly, a prolific British recording vocalist of the 1930s, on Decca F3853 performing popular ballads.AI summary
Decca F3853 Voice
Al Bowlly, Elsie Carlisle and Olive Groves on Decca K645, a medley of songs from contemporary stage shows. All three were prolific 1930s recording artists.AI summary
Decca K645 Voice
Al Herman recorded 'I Thought I'd Die' for Columbia, a popular song likely from the 1920s–30s.AI summary
Columbia 1230D Voice
Al Martino with In All This World and I've Never Seen on Capitol CL13899.AI summary
Capitol CL13899 Voice
Al Morgan with Jealous Heart and Turnabout Is Fair Play on London L500.AI summary
London L500 Voice
Al Starita in two novelty numbers on Columbia: "Nothing could be sweeter" and "Join the Navy", from the early 1930s.AI summary
Columbia 4613 Voice
Al Starita recorded 'Why Do I Love You' and 'Make Believe' for Columbia, catalogue 4900. These are popular songs from the late 1920s; Starita is likely an American or dance-band vocalist.AI summary
Columbia 4900 Voice
Al Starita recorded two popular songs from early sound films—"Painting the Clouds with Sunshine" and "Smiling Irish Eyes"—for Columbia 5654.AI summary
Columbia 5654 Voice
Al Starita recorded two popular ballads for Columbia 5658 in the early sound era.AI summary
Columbia 5658 Voice
Al Tiers with She Was Poor but She Was Honest and A Convict's Dream on Dominion C306.AI summary
Dominion C306 Voice
Alan Dale, credited on the Twin label T2006/5, 'Volunteer Organist' (Sharpley) and 'Killarney', are likely sentimental or novelty songs from the 1930s or 1940s; the artist and label are unidentified.AI summary
Twin T2006/5 Voice
Alan Turner on Winner 2382, singing operatic arias from the early 20th century. Winner was a budget British label, and operatic ballads of this type were recorded frequently.AI summary
Winner 2382 Voice
Alan Turner, a male vocalist, performing two ballad standards—'Heart Bowed Down' and 'Love's Old Sweet Song'—for Columbia, catalogue 1130, from the early 1920s.AI summary
Columbia 1130 Voice
Alan Turner on Nassauphone (NasD), this pressing of 'Heart Bowed Down' and '(A Campbell) No One Knows' is an unidentified artist's sentimental vocal.AI summary
Nassau D159 Voice
Alan Turner performs 'Until' and 'Your Eyes Have Told Me So' on Pelican (Pel), catalogue 43, a minor British label.AI summary
Pelican 43 Voice
Alan Turner and F Wilson recorded 'Life's Dream is o'er' and 'Excelsior' for Hom, an obscure British imprint, likely in the 1920s.AI summary
Hom 425 Voice
Albert Chapman with The Trumpeter and My Old Shako on Pick of All 35-4733.AI summary
Pickofall 35-4733 Voice
Albert Collins on Beka (636) with 'It's a long way to Tipperary' and 'Have you seen our John'; Beka was an early British label active around 1900–1920s, and survivors from this marque are scarce.AI summary
Beka 636 Voice
Albert Muller performing two vocal pieces, 'Lily of the Valley' and 'To Alexis I send thee', on Dacap, a small or short-lived British label.AI summary
Dacapo 4019 Voice
Albert Pearce, a British tenor soloist and ballad singer, recorded two sentimental songs—'Love Me and the World Is Mine' and 'I Hear You Calling Me'—for Winner, catalogue 2021, from the early 1920s.AI summary
Winner 2021 Voice