4,839 shellac records · mostly British pressings, 1900s–1950s
4,839 records matching · page 20 of 101
His Master's Voice 03178 Voice
Clara Butt (1872–1936) was one of the most celebrated British contralto singers of her generation, famous for her patriotic and sentimental ballads; this His Master's Voice pressing of 'Kathleen Mavourneen' is from her extensive catalogue, recorded during the acoustic era.AI summary
His Master's Voice 03178 Voice
Clara Butt, the celebrated British contralto of the Edwardian era, recorded two sacred hymn arrangements for Columbia; Butt was one of the best-known British singers of her time.AI summary
Columbia 7032 Voice
Clara Butt was a celebrated British contralto of the late 19th and early 20th century, known for oratorio and art song; this Columbia disc features two vocal pieces, "Friendship" and "Key of Heaven".AI summary
Columbia 7300 Voice
Clara Butt, a legendary British contralto of the Edwardian era, performing 'Ye Banks and Braes' on Columbia's X series.AI summary
Columbia X236 Voice
Clara Butt, the great British contralto of the Edwardian era, performs 'Annie Laurie' on Columbia X303.AI summary
Columbia X303 Voice
Clara Butterworth on Vocalion X9472, performing lyrical ballads 'Among the Willows' and 'Fairy Laundry/Dance on the Lawn'; an obscure early Vocalion X-series recording.AI summary
Vocalion X9472 Voice
Clara Butterworth performing two vocal numbers, the second a duet with Jack Dodds and Viola Sullivan, on Columbia L1239. Little is known of Butterworth, and this appears to be an obscure label entry.AI summary
Columbia L1239 Voice
Clara Hultgren, a Swedish singer, recorded 'Synnove's Song' for Zonophone; the recording is from the 1920s or 1930s, and UK copies are scarce.AI summary
Zonophone 73040 Voice
Clarence Whitehill, a distinguished American baritone, recorded the sentimental ballad 'Love's Old Sweet Song' for Victor Records. Whitehill was a major concert and operatic baritone of the early twentieth century.AI summary
Victor 74321 Voice
Zonophone T1043 Voice
Claudio Villa, a popular Italian singer, with Luna Rossa and Martellacore on Vistula 4215.AI summary
Vistula 4215 Voice
Claudio Villa, an Italian tenor and popular singer, recorded 'Martellacore' and 'Lua Rossa' for Vis, a minor Italian or European label. Villa was a significant figure in Italian popular song.AI summary
Vistula 4215 Voice
Clelia Grisoni performing two Italian novelty songs ('Two Little Kittens' and 'Poppies and Poppies') on Parlophone.AI summary
Parlophone DPQ53 Voice
Cliff Edwards, known as Ukulele Ike, with Red Hot Mama and Who's the Meanest Gal in Town on Perfect 12119.AI summary
Perfect 12119 Voice
Cliff Edwards and Andy Iona recorded two popular sentimental numbers—'If I Had You' and 'Night Is Young and You're So Beautiful'—for Decca. Edwards was a popular American vocalist and ukulele player of the 1920s-30s era.AI summary
Decca 1106 Voice
Credited to Clifford on Piccadilly 196, singing 'That's My Virginia' and 'Ah Sweet Mystery of Life', from a cheap British imprint active in the early 1930s.AI summary
Piccadilly 196 Voice
Clifford on Piccadilly 312 recorded 'Mary' and 'Sarita'; Piccadilly was a cheap British budget label of the 1920s–30s.AI summary
Piccadilly 312 Voice
Coakley on His Master's Voice B6558 from the mid-1930s, a popular song recording. The artist Coakley is unidentified.AI summary
His Master's Voice B6558 Voice
Cobbett and Walker on His Master's Voice B621, early vocal duets from the 1910s–20s.AI summary
His Master's Voice B621 Voice
Cole Porter's own recording of two of his early songs for His Master's Voice. Porter was a major American songwriter and composer. This HMV B8284 is a pre-war 12-inch classical/vocal series pressing. Cole Porter vocal recordings are less common than his standards recorded by other artists.AI summary
His Master's Voice B8284 Voice
Cole Porter's two most famous standards, 'Anything Goes' and 'You're the Top', recorded for His Master's Voice. The catalogue number B8332 dates to the mid-1930s, when these songs were new.AI summary
His Master's Voice B8332 Voice
Coleman performing 'Patches' and 'Dardanella' on His Master's Voice 216074, an early acoustic recording, circa 1908–1912.AI summary
His Master's Voice 216074 Voice
Colin and Mollison, recorded 'High and Low' and 'I'll Always Remember' for Columbia DB70, a mid-1930s duet side.AI summary
Columbia DB70 Voice
Collins recorded a medley side for Decca, combining 'Dance with a Dolly' and 'Trolley Song' with 'Swinging on a Star' and 'Chocolate Soldier from the USA', likely from the 1940s.AI summary
Decca MW302 Voice
Collins and Harlan, an American vocal duo popular in the early 1900s, recorded 'Under the Anheuser Bush' for Columbia, catalogue 1742; this is one of the oldest recordings in the collection, dating to around 1905-1910.AI summary
Columbia 1742 Voice
Collins & Natus recorded 'Whoa Bill' on Columbia 790, an early issue from the 1910s, credited to what appear to be two vaudeville performers.AI summary
Columbia 790 Voice
Collins & Upton performing hymn-styled vocal numbers 'I've Found a Friend' and 'Tis Jesus' on Elim 19. Elim was likely a small British evangelical or specialist label; nothing is known of this vocal partnership.AI summary
Elim 19 Voice
Collins and Harlan were a celebrated American acoustic-era duo popular in the 1910s; this Columbia 2222 pressing, from an early catalogue series, captures their coon-song repertoire ('Melinda's Wedding Day', 'At the Levee on Revival Day') typical of their era.AI summary
Columbia 2222 Voice
Collins and Harlan, a popular vocal duo of the acoustic era, performing 'Put your Arms around me Honey' on Victor 16708, from around 1910–1912.AI summary
Victor 16708 Voice
Collins and Harlan were early recording artists; this Zonophone side (catalogue 44128) dates to the acoustic era, likely 1900s–1910s. Zonophone was an early British and international label.AI summary
Zonophone 44128 Voice
Collins and Harlan, a vocal duo popular in the early 1900s, recorded 'On the 5.15' and 'He'd Keep On Saying Goodnight' (with Ada Jones and Robbins) for Regal; these are late-era recordings from this historically important ensemble.AI summary
Regal G6915 Voice
Columbia Players performing a Victorian sentimental ballad on Columbia in the early 1920s, part of the label's extensive catalogue of popular songs and musical theatre.AI summary
Columbia DB947 Voice
Compton Mackenzie, the Scottish novelist and man of letters, performs or presents 'Rogues & Vagabonds' (both sides) on the Dominion B (DomB) label.AI summary
Dominion B5 Voice
Parlophone RO20117 Voice
Connie Boswell, the American jazz and popular vocalist, performing 'I've Got a Feelin' You're Foolin'' and 'You Are My Lucky Star' on Brunswick — a vocal novelty or pop side from the early 1930s.AI summary
Brunswick 02068 Voice
Connie Boswell was an American popular singer and member of the Boswell Sisters trio; this Brunswick side from the early 1930s captures her sophisticated vocal style in the popular song register.AI summary
Brunswick 02677 Voice
Connie Boswell was an American jazz and popular vocalist, sister of the famous Boswell Sisters; this Brunswick recording captures her singing two sentimental ballads from her solo career in the 1930s.AI summary
Brunswick 1382 Voice
Connie Foley, an Irish traditional singer, recorded 'Galway Shawl' and 'Eileen McMahon' for Copley, a small British label of the early 1930s. Irish traditional music on minor labels is often scarce.AI summary
Copley 9-124 Voice
Connie Francis for MGM, performing 'I Never Had a Sweetheart' and 'Little Blue Wren'. Francis was an American pop singer of the 1950s–60s, though this particular MGM recording and its pairing with a folk song are unusual for her later chart style and warrant checking.AI summary
MGM 945 Voice
Connie Francis recorded 'Who's sorry now?' and 'You were only fooling' for MGM 975; Francis was a major American pop star of the 1950s, and 'Who's sorry now?' became one of her signature songs.AI summary
MGM 975 Voice
Corinne Morgan recorded 'So Long, Mary' on GC (Gramophone Company), an early British label, catalogue number -3818. Morgan is not well documented in standard discographies.AI summary
Gramophone Company GC-3818 Voice
Cotton performing 'Lazybones' and 'Hold me' on Regal, the budget Columbia subsidiary, catalogue MR1021 — likely a mid-to-late 1930s release.AI summary
Regal MR1021 Voice
A Regal recording by Cotton with two cheerful vocal numbers from the early sound era, 'You Ought to See Sally on Sunday' and 'We All Go Riding on a Rainbow'.AI summary
Regal MR1140 Voice
Cotton recorded two popular songs—'The Show Is Over' and 'Little Man You've Had a Busy Day'—for Regal, catalogue MR1313; Regal was a budget British label owned by Decca.AI summary
Regal MR1313 Voice
Cotton performing two popular songs on Regal, a British budget label.AI summary
Regal MR1588 Voice
Cotton performing 'Supposing' and 'I'll bet you tell that to all the Girls' on Regal MR2170, a British budget label.AI summary
Regal MR2170 Voice
Cotton performing two songs on Regal, 'Free' and 'Fleet's in Port Again'. The artist is not identified, and the MR catalogue series dates this to the 1930s–40s.AI summary
Regal MR2190 Voice