4,839 shellac records · mostly British pressings, 1900s–1950s
4,839 records matching · page 27 of 101
Edward Lloyd, a celebrated Victorian tenor (1845–1927), recorded 'Star of Bethlehem' for Gramophone & Typewriter Co., one of the earliest recording labels. Lloyd's voice was recorded in the very early years of the gramophone, when recording technology was primitive.AI summary
GCo 02139 Voice
Edward Lloyd, a British tenor of the Victorian era, performing 'The Holy City' (by Stephen Adams) on GCo (Gramophone Company); Lloyd was one of the most celebrated concert singers of the late 19th century.AI summary
GCo 02157 Voice
Edward Lloyd, a British concert baritone. G&T 3-2801 ('If with All Your Hearts') is an acoustic recording of a major vocal soloist.AI summary
G&T 3-2801 Voice
Edward Lloyd was one of the most prolific and popular English concert tenors of the Edwardian era; this G&T disc presents his famous rendition of 'I'll Sing Thee Songs of Araby'.AI summary
G&T 3-2024 Voice
Edward Lloyd, the leading English concert tenor of the Victorian era, sings 'I'll Sing Thee Songs of Araby' on a single-sided G&T, recorded after he had retired from the platform.AI summary
G&T 02095 Voice
Edward Lloyd, the celebrated Victorian tenor and oratorio singer, recorded 'Come Into the Garden Maud' and 'Lend Me Your Aid' on His Master's Voice D821. Lloyd was one of the most famous English vocalists of the late 19th century, and this is a later electrical or late acoustic recording under his name.AI summary
His Master's Voice D821 Voice
Edwards on 'Cryin for the Moon' and 'I'll fly to Hawaii', from HMV B5172. The identity of Edwards and the date are unverified; the Hawaiian-themed side suggests the 1920s-1930s. This is a minor vocal or light novelty recording.AI summary
His Master's Voice B5172 Voice
Edythe Baker singing 'When we're alone' and 'Hotch' for Decca M416, a vocal record from the mid-1930s. Baker was a recording vocalist of the early swing era.AI summary
Decca M416 Voice
Eileen Barton, an American recording artist, recorded 'If I knew you were comin' (a novelty hit of the late 1940s) for Trutone; this is a budget British pressing of American material.AI summary
Trutone 445 Voice
Eileen Wilson and Dick Thomas recorded "Broken Down Merry-Go-Round" and related novelty material for Zonophone. Both were American vocalists active in the 1950s with modest commercial appeal.AI summary
Zonophone 2317 Voice
Eleanor Jones recorded vocal or soprano material for Odeon, a major British label. The titles are classical vocal pieces: 'Il Bacio' (The Kiss) is a famous Italian song by Luigi Arditi, and 'Scenes that are brightest' is from Verdi's 'I Lombardi'. Odeon catalogue 44424 dates to the 1920s-1930s. Neither the artist nor specific pressings are well-known.AI summary
Odeon 44424 Voice
Elena Gerhardt was a celebrated German mezzo-soprano, specialist in Lieder and art song. 'Auf dem grünen Balkon' and 'Verborgenheit' (Hermann) are German Lieder; this HMV DA715 acoustic pressing captures Gerhardt's artistry. HMV acoustics of major European art singers command collector interest.AI summary
His Master's Voice DA715 Voice
His Master's Voice GS39 Voice
Eliot Everett on Royale Records performing two popular standards of the 1950s. Eliot Everett is not a documented recording artist; Royale was a small American label of the post-war era.AI summary
Royale 332 Voice
Elisabeth van Endert, a soprano, performs two pieces for His Master's Voice: the German song 'Heimweh' (Homesickness) and 'Ave Maria'.AI summary
His Master's Voice 2-43450 Voice
Elizabeth Lennox and J Young, with choir, performing two religious and sentimental ballads on Brunswick: 'One sweetly solemn Thought' and 'Beautiful Isle of Somewhere'.AI summary
Brunswick 5006 Voice
Elizabeth Ohlhoff performing two German-language songs on GC 2-43387. Ohlhoff was likely a German or German-speaking vocalist of the 1920s–30s.AI summary
Gramophone Company 2-43387 Voice
Elizabeth Pollock performing 'A Theatrical Bazaar', a novelty piece in two parts, on Columbia's DB-series from the 1930s.AI summary
Columbia DB795 Voice
Elisabeth Rethberg, a renowned German soprano, recorded 'Murmuring Zephyrs' and 'Thou'rt like a Flower' for Brunswick, catalogue 10260.AI summary
Brunswick 10260 Voice
Elizabeth Welch was a celebrated Black British-American singer and performer of the 1920s–1930s. This His Master's Voice side (catalogue B8144) records her singing popular and theatrical songs. Welch is now remembered as a significant figure in twentieth-century musical theatre.AI summary
His Master's Voice B8144 Voice
Elizabeth Welch, the British-American singer and entertainer active in London musical theatre, recorded 'Soft Lights and Sweet Music' for His Master's Voice, B8144; Welch was a sophisticated cabaret and theatre performer.AI summary
His Master's Voice B8144 Voice
Elizabeth Wheeler on Victor 16361, with 'When You and I Were Young, Maggie' and 'The Vacant Chair' (performed by the Haydon Quartet). Victor 16361 suggests a 1910s–1920s American pressing.AI summary
Victor 16361 Voice
Elkins performing popular songs on Regal 7978, likely 1930s. Regal was a budget British label of the period.AI summary
Regal 7978 Voice
Elkins performing 'May I' and 'Love thy Neighbour' on Rex 8207, a budget British label.AI summary
Rex 8207 Voice
Ella Fitzgerald, one of the greatest jazz singers of all time, recorded 'That old feeling' and 'A guy is a guy' for Decca in the early 1950s.AI summary
Decca BM04929 Voice
Ella Fitzgerald on Brunswick 03934, performing 'Don't You Think I Ought to Know' and 'My Happiness' in the early years of her recording career.AI summary
Brunswick 03934 Voice
Ella Fitzgerald recorded 'Don't You Think I Ought to Know' and 'My Happiness' for Brunswick, likely from the late 1940s. A major jazz and popular vocalist on a major label.AI summary
Brunswick 03934 Voice
Ella Fitzgerald performing 'Lonesome Gal' and 'Two Little Men in a Flying Saucer' on Brunswick. Fitzgerald was already a major star; this later-era Brunswick pressing captures her mature recording work.AI summary
Brunswick 04717 Voice
Ella Logan, a Scottish-American mezzo-soprano and musical-theatre star, on Brunswick performing two traditional Scottish songs. Logan was known for her rich contralto and her stage work on Broadway and in London's West End during the 1930s–40s.AI summary
Brunswick 8196 Voice
Ella Logan, the Scottish-American singer, performing the Hawaiian ballads 'Waikiki' and 'Goodnight My Beautiful' on Columbia 35243, a pre-war vocal recording.AI summary
Columbia 35243 Voice
Ella Logan, a Scottish-born singer who became a minor Hollywood star, recorded these two ballads for Columbia; Logan had a bright, theatrical style and was known for stage and film work in the 1930s and 1940s.AI summary
Columbia 35251 Voice
Ella Logan, a Scottish-American singer, recorded 'Hut sut song' and 'Bill' for Columbia 36173; Logan was known for her work in musical theatre and recordings from the 1940s.AI summary
Columbia 36173 Voice
Ella Logan with Oh Dear, What Can the Matter Be and Jingle Bingle Bells on Vocalion 578.AI summary
Vocalion 578 Voice
Ella Logan performing 'Bluebells of Scotland' and 'My Bonnie lies over the Ocean' on Brunswick, a Scottish folk and traditional song recording from the 1930s-1940s.AI summary
Brunswick 8196 Voice
Ella Retford on the Scala label, a minor British pressing house of the 1920s and 1930s, singing popular ballads of the period.AI summary
Scala 815 Voice
Elliot Shaw sings Love's Rosary and, with A. Burns, Honor and Love on Vocalion 14056.AI summary
Vocalion 14056 Voice
Elrick, credited on Columbia FB1954, recorded "I Love to Whistle" and "Tis Better to Have Loved and Lost", popular ballad material of the mid-catalogue era.AI summary
Columbia FB1954 Voice
Elsie Butler recorded 'I'm Ka-Razy for You' and 'Lover Come Back to Me' for Imperial Records, a small British label of the early 1900s.AI summary
Imperial 2090 Voice
Elsie Carlisle was a British vocalist of the 1920s–30s who recorded extensively. This Decca F5877 is from the late 1930s, representing the later phase of her recording career.AI summary
Decca F5877 Voice
Elsie Carlisle, the British dance-band vocalist, with So Is Your Old Lady and, by C. Rose, While the Rich Man Rides By in His Carriage and Pair on Ariel 940.AI summary
Ariel 940 Voice
Elsie Carlisle, a British torch singer and vaudeville performer of the late 1920s and 1930s, recorded two sentimental ballads for His Master's Voice B2579.AI summary
His Master's Voice B2579 Voice
Elsie Carlisle, one of the leading British dance-band vocalists, sings 'I Can't Give You Anything But Love' and 'Dada' on Dominion, a short-lived British label of the late 1920s.AI summary
Dominion A43 Voice
Elsie Carlisle, the British dance-band vocalist, with I Must Be Dreaming and If I Had You on Dominion A57.AI summary
Dominion A57 Voice
Elsie Carlisle, a popular British light-soprano and comedic vocalist of the 1920s–1930s, recorded this medley for His Master's Voice. Carlisle was a prolific recording artist and stage performer known for her vivacity and musical versatility.AI summary
His Master's Voice BD476 Voice
Elsie Carlisle, a British vocalist and recording artist active in the 1920s-30s, performing 'Rustic Rhapsody' and 'Rose O'Day' on Rex Records.AI summary
Rex 10106 Voice
Elsie Carlisle, a major British vocal artist of the 1920s–1940s, performs 'Nursie Nursie' and 'Till the Lights of London Shine Again' on Rex, a secondary British label.AI summary
Rex 9693 Voice
Elsie Carlisle, a major British female vocalist and recording artist of the 1920s–1940s, performs 'Up the Wooden Hill to Bedfordshire' and 'My Shadow's where my Sweetheart used to be' on Decca.AI summary
Decca F5877 Voice
Elsie Carlisle was a British vocalist of the 1920s–1930s, often paired in duets with other singers; this Rex disc shows her in a light solo arrangement.AI summary
Rex 10106 Voice