4,840 shellac records · mostly British pressings, 1900s–1950s
4,840 records matching · page 29 of 101
Erna Sack, the German coloratura soprano, with La Folletta and Canzonetta on Telefunken A2035.AI summary
Telefunken A2035 Voice
Erna Sack, the German coloratura soprano, sings Blue Danube and Roses from the South on Polydor 566.289.AI summary
Polydor 566.289 Voice
Erna Sack, the German coloratura soprano, with Estrellita and Villanelle on Polydor 561119.AI summary
Polydor 561119 Voice
Erna Sack, the German coloratura soprano, with Ciribiribin and Funiculi Funicula on Polydor 561163.AI summary
Polydor 561163 Voice
Erna Sack sings Estrellita on a Decca sample copy.AI summary
Decca Sample Voice
Erna Sack, the German coloratura soprano known for her very high register, with Eine kleine Frühlingsweise and Heimatlied on Telefunken E1198.AI summary
Telefunken E1198 Voice
Ernest Butcher, a British tenor, recorded these sentimental songs for His Master's Voice in the early electrical era; the E200 catalogue suggests a 1930s pressing.AI summary
His Master's Voice E200 Voice
His Master's Voice 4-2440 Voice
Ernest Crampton sings two sentimental Edwardian-era ballads on His Master's Voice C460: "Flicker of the Firelight" and T. Bates's "White Sentinels," a very early pressing from around 1908–1912. HMV C-prefix records are among the earliest British mainstream pressings.AI summary
His Master's Voice C460 Voice
Ernest Gray performing patriotic songs on Curry's, a small and obscure British label of the early 1900s, now rarely seen.AI summary
Curry's 97 Voice
Ernest Hare and Henry Burr, celebrated American vaudeville singers and recording artists, recorded 'Yankee Doodle' and 'Hail Columbia' for Little Pal Records. Hare and Burr were prolific and popular in the 1910s–1920s, and this appears to be a British issue of American material.AI summary
Little Pal 1056 Voice
Ernest Hastings performing sentimental ballads 'Emigrant's Letter' and 'Molly Magee' on Columbia 2518, from the early acoustic era.AI summary
Columbia 2518 Voice
Ernest Hastings performing two English patriotic or novelty songs—'Roast Beef of Old England' and 'There's Nothing Over Sixpence in the Store'—on His Master's Voice. The second title suggests material from the Second World War period.AI summary
His Master's Voice B2481 Voice
Ernest Hastings recorded '& yet I don't know' and 'Matilda' for HMV C1052, a UK pressing from the early 1930s. Hastings was a minor British vocalist.AI summary
His Master's Voice C1052 Voice
Ernest Hastings was a British vocalist; this His Master's Voice pressing pairs two sentimental popular songs from the 1920s.AI summary
His Master's Voice C1138 Voice
Ernest Hastings recorded 'Oh dear What can the matter be' for HMV, a traditional English song. Hastings is not well documented; the catalogue number suggests early acoustic era.AI summary
His Master's Voice C1138 Voice
Ernest Jones performing "Pompadour" and "Swanee Echoes" on Columbia 5491, an early acoustic issue. The artist is otherwise unidentified.AI summary
Columbia 5491 Voice
Ernest Lough, a legendary boy treble, recorded two sacred vocal pieces—"Vesper Hymn" and "Ave Maria"—for His Master's Voice. Lough was the most famous choir boy of his era and a popular recording artist.AI summary
His Master's Voice B8697 Voice
Ernest Lough was an English boy soprano celebrated for his ethereal rendition of 'The Holy City'; this His Master's Voice recording from the late 1920s became one of the best-selling records of the era and remains iconic.AI summary
His Master's Voice B8712 Voice
Ernest Pike singing 'Killarney' on Zonophone 42356. Zonophone was a budget label with large pressings; Pike was a minor vocalist of the interwar years.AI summary
Zonophone 42356 Voice
Ernest Pike performing 'Alice, Where Art Thou?' on Zonophone, a British subsidiary of the Zon-o-phone company. The catalogue number and label suggest an Edwardian or early 1900s acoustic recording.AI summary
Zonophone 42357 Voice
Ernest Pike singing 'Eileen Alannah' and 'Kathleen Mavourneen' on Zonophone 494, a British label of the 1900s–1910s. Both are traditional Irish ballads.AI summary
Zonophone 494 Voice
Ernest Pike performing 'Sing Me to Sleep' on GC, an obscure British label with an early catalogue number.AI summary
Gramophone Company 3-2279 Voice
Ernest Pike performing two songs on Zonophone A12, a very early issue catalogue. Zonophone was a British label of the 1900s–1920s.AI summary
Zonophone A12 Voice
Ernest Pike was one of the most prolific British tenors of the acoustic recording era, appearing on dozens of labels between the 1900s and 1920s; his records survive in fair numbers today.AI summary
G&T 3-2316 Voice
Ernest Pike performing two sentimental songs on Regal G7891 from the early era.AI summary
Regal G7891 Voice
Ernest Pike sings O Sole Mio and Schubert's Serenade on Duophone UB2018.AI summary
Duophone UB2018 Voice
Ernest Strong recorded two sentimental ballads for Phoenix, a small British budget label of the early 1930s. 'Where the Blue Danube Flows' is a Strauss-inspired waltz; very little is known of the artist.AI summary
Phoenix 0174 Voice
Ernie Andrews sings two rhythm-and-blues or novelty numbers on the G&C label: 'Soothe Me' and 'Wrap It Up Put It Away'. The label is obscure and otherwise unidentified.AI summary
G&T 1 Voice
Ernie Mayne on Winner 3420, a cheap British marque of the 1930s–1940s. Titles suggest a sentimental novelty number.AI summary
Winner 3420 Voice
Ernst Svedélius, a Swedish baritone, recorded a Swedish song — 'Per Svinaherde' (The Swineherd) — for Gramophone, probably in the 1920s.AI summary
Gram 282361 Voice
Ernst Woolf recorded German vocal music for Columbia. 'Aus Meinen Grossen Schmerzen' and 'Auf Den Moore' are German romantic songs. Woolf's identity and recording history are unclear from the available information, and Columbia DX-series pressings of this artist are not widely known.AI summary
Columbia DX749 Voice
The Esquire Boys performing popular ballads on Rainbow, a small British label of the early 1950s.AI summary
Rainbow 188 Voice
Esther Walker on Brunswick 3008, performing 'Five Foot Two Eyes of Blue' and 'What Did I Tell Ya'. Brunswick was a major label; the catalogue number is mid-period.AI summary
Brunswick 3008 Voice
Esther Walker on Brunswick, likely a 1930s American jazz or blues-influenced vocal side; titles suggest a lively novelty number.AI summary
Brunswick 3215 Voice
Esther Walker on Brunswick 3226, a vocal blues or popular song from the 1930s–40s era. Walker is not a major-label recording artist.AI summary
Brunswick 3226 Voice
Esther Walker, recorded for Brunswick singing 'Whisper' and 'I Left My Sugar Standing in the Rain'.AI summary
Brunswick 3662 Voice
Esther Walker and Ed Smalle in two sentimental duets on Brunswick: "I'm Lonely Without You" and "Long as I have you and You have me", from the late 1930s.AI summary
Brunswick 3113 Voice
Esther Yunson recorded two Scottish vocal numbers, 'Banks of Allan Water' and 'Will Ye No Come Back Again', for Homophone in the early 1920s. These are Scottish sentimental songs in the parlour-song tradition.AI summary
Homophon 1238 Voice
Ethel Hook sings Something Sweet to Tell You and I Heard You Go By on Vocalion X9142.AI summary
Vocalion X9142 Voice
Ethel Hook, an obscure artist, performing two novelty or folk-inflected songs on Vocalion's X-series. Very little information is available about this performer outside of disc credits.AI summary
Vocalion X9390 Voice
Ethel Hook on Vocal X 9538, performing 'In the chimney corner' and 'Longin' for you'. No reliable information available about this artist or the Vocal X label.AI summary
Vocalion X9538 Voice
Ethel Merman, the American musical-theatre star, on Decca performing two Cole Porter songs from the mid-to-late 1930s.AI summary
Decca 27316 Voice
Ethel Merman, the Broadway and film star, recorded 'You're the Top' and 'I Get a Kick Out of You'—two of Cole Porter's greatest standards from the musical *Anything Goes*—for Brunswick in 1935.AI summary
Brunswick 02028 Voice
Ethel Merman, the American musical-theatre star, on Brunswick 03270, duetting with J Carroll on a song from the 1940 Cole Porter musical Let's Face It.AI summary
Brunswick 03270 Voice
Ethel Merman, one of Broadway's greatest stars, recorded extensively for Brunswick in the 1940s; this pressing pairs her solo 'Something to dance about' with a duet with Danny Haymes, 'You're just in love'.AI summary
Brunswick 04877 Voice
Ethel Pierce singing two novelty or popular songs on Fest (Festival), a British label of the early 1930s. Pierce is not a known major recording artist.AI summary
Festival 7017 Voice
Ethel Toms on Ludlow label (Lud), a minor British imprint. 'The Children's Home' and 'The Better Land' are religious or sentimental songs typical of early twentieth-century vocal recording. Neither artist nor label is established in standard reference.AI summary
Ludgate 1140 Voice