4,840 shellac records · mostly British pressings, 1900s–1950s
4,840 records matching · page 33 of 101
Frances Langford, an American singer and actress popular in the 1930s–40s, on Brunswick with two sentimental ballads, 'My Cabin of Dreams' and 'Stardust on the Moon'.AI summary
Brunswick 02479 Voice
Frances Langford and Rudy Vallee, two major American recording stars of the 1930s-1940s, duetting on Brunswick. This is a mass-market commercial release from the height of their popularity.AI summary
Brunswick 02883 Voice
The Francis Craig Band with vocalist Bob Lamm on Bullet Records 1001, singing 'Near You', a novelty popular song from the late 1940s.AI summary
Bullet 1001 Voice
Francis Luther on Edis 0159 with 'What Does It Matter?' and 'Charmaine', popular sentimental songs on an obscure independent label.AI summary
Edison 0159 Voice
Francis Luther, an American popular singer, recorded the Depression-era novelty songs 'Hallelujah, I'm a Bum' and 'The Bum Song' for Brunswick.AI summary
Brunswick 3858 Voice
Frank Arthur on Odeon 66261, credited with 'It Was High Time' and 'O God Have Mercy'. The titles suggest sacred or semi-sacred material.AI summary
Odeon 66261 Voice
Frank C Stanley, a baritone vocalist active in the early 20th century, recorded two sentimental ballads, "The Salt of the Sea for Me" and "Deep Down Within the Cellar", for Victor Records, likely from the 1900s–1910s era.AI summary
Victor 16063 Voice
Frank Cochrane on Columbia D1379, performing sentimental or novelty popular numbers, likely from the 1920s–1930s.AI summary
Columbia D1379 Voice
Frank Crumit, an American singer and ukulele player popular in the 1920s, recorded 'I'm in love with Susan' and 'The grandson of Abdul ...' for His Master's Voice. Crumit was known for novelty and comic vocal sides.AI summary
His Master's Voice B4331 Voice
Frank Crumit (1894–1943) was an American singer and ukulele player, a recording star of the 1920s–early 1930s. This His Master's Voice B-series pressing of novelty material captures his light, comedic style.AI summary
His Master's Voice B4102 Voice
Frank Crumit, an American popular singer and guitarist of the 1920s-30s, recording "Little Brown Jug" and "Granny's Old Armchair" for His Master's Voice.AI summary
His Master's Voice B10327 Voice
Frank Crumit on His Master's Voice B8032. Crumit was an American singer and ukulele performer known for novelty and humorous songs; both titles reflect his speciality material from the 1920s–30s.AI summary
His Master's Voice B8032 Voice
Frank Crumit was a popular American singer-songwriter of the 1920s and early 1930s, known for novelty and sentimental vocal numbers. This His Master's Voice pressing, from catalogue B4102, dates from the late 1920s.AI summary
His Master's Voice B4102 Voice
Frank Crumit, an American vocalist of the 1920s, on His Master's Voice: 'They're always together' and 'Vegetable blues', light entertainment material from the early acoustic era.AI summary
His Master's Voice B4356 Voice
Frank Crumit was a popular American singer and ukulele player of the 1920s–1930s, best known for comic novelty songs. This HMV pressing (B10327) of 'Little Brown Jug' and 'Granny's Old Armchair' dates from the early 1930s and shows his repertoire of sentimental and humorous material.AI summary
His Master's Voice B10327 Voice
Frank Crumit, the American singer and ukulele player, with J. Sanderson on His Master's Voice B3833. Crumit was a popular recording artist of the 1920s–30s, known for novelty songs and vocal duets.AI summary
His Master's Voice B3833 Voice
Frank Crumit performing 'Jinga Bula Jing jing' and 'Nobody to love' on Columbia A3303. Crumit was an American singer and ukulele player, popular in the 1920s–1930s.AI summary
Columbia A3303 Voice
Frank Crumit was an American singer and ukulele player popular in the 1920s and 1930s. 'Little Brown Jug' was a traditional song frequently recorded; this His Master's Voice pressing represents his version.AI summary
His Master's Voice B10327 Voice
Frank Crumit was an American singer and ukulele player popular in the 1920s–1930s; this His Master's Voice side pairs two folk-song standards.AI summary
His Master's Voice B4059 Voice
Frank Hale on Fine Arts, a small obscure British label, performing light popular material; the catalogue number suggests an early 1920s pressing.AI summary
FineArts 115/6 Voice
Frank Howard performs 'Down Where the Swanee River Flows' on Zonophone 190 — a catalogue number this low places this among the very earliest British Zonophone pressings, probably around 1900–1902. Howard is not a widely recognised recording name, but a Zonophone pressing with a three-digit number below 200 is a historically significant early acoustic document.AI summary
Zonophone 190 Voice
Frank Lucker, credited on Piccadilly, a British budget label of the 1920s–30s, performing popular sentimental songs.AI summary
Piccadilly 552 Voice
Frank Lucker, an obscure artist, recorded these two traditional American religious songs for Piccadilly, a cheap British marque of the 1920s–1930s, known for budget releases.AI summary
Piccadilly 552 Voice
Frank Luther, a minor American recording artist, performing 'Unwanted children' and '7 years with the wrong man' on the Melot label, a very small British or independent imprint.AI summary
Meloto 12633 Voice
Frank Luther was an American singer and guitarist popular in the 1920s–1930s, active in both popular song and Western repertoire; this Brunswick pressing features typical material of the period.AI summary
Brunswick 3927 Voice
Frank Luther recorded Christopher Robin stories (sides 1-4) for Rex 9134/5; Luther was an American singer and actor known for recording folk, novelty and children's material in the 1930s and 1940s.AI summary
Rex 9134/5 Voice
Frank Marvin performing two popular songs on Brunswick — 'My Baby Just Cares for Me' and 'You're Simply Delish' — likely from the 1930s.AI summary
Brunswick 01052 Voice
Frank Moulding singing 'Babylon' and 'When I Survey the Wondrous Cross' on Belt 1375, an obscure British label of the 1920s–30s. The second title is a well-known hymn.AI summary
Beltona 1375 Voice
Frank Mullins recorded 'Oh Vision Entrancing' and 'Elanore' for Columbia in the early electrical era. Mullins was a tenor singer in the light-music and operetta tradition of the 1920s–30s.AI summary
Columbia 627 Voice
Frank Munn on Brunswick 3682. Munn was an American tenor and recording artist active in the 1940s-1950s, and Brunswick was a major international label. This pressing captures him performing popular ballads, and his recordings are moderately available to collectors of mid-century American popular song.AI summary
Brunswick 3682 Voice
Frank Munn, a tenor vocalist, recorded 'Adeste Fidelis' and 'Joy to the World' (choir) for Perfection Records 12845. Munn was a popular radio and recording vocalist of the 1920s–30s; both sides are Christmas hymns.AI summary
Perf 12845 Voice
Frank Sinatra on Columbia, performing 'You'll Never Know' and 'Sunday, Monday, or Always' — the American popular singer at the start of his recording career.AI summary
Columbia DB2149 Voice
Frank Sinatra recorded 'Goodnight Irene' (the Huddie Ledbetter folk standard) and Orson Welles' 'The Harry Lime Theme' (from *The Third Man*). The label reads 'dub', suggesting this may be a private dubbing or test pressing rather than an issued commercial disc.AI summary
dub Voice
Frank Sinatra, recorded for Columbia during his early solo career (1943–1952), singing "Nancy" (a sentimental ballad dedicated to his daughter) and "A Friend of Yours". Columbia DB-series pressings of Sinatra's early material are widely available.AI summary
Columbia DB2202 Voice
Frank Sinatra performing 'Cradle Song' and 'There's No You' on Columbia DB2190 — a popular-song recording from Sinatra's early major-label period.AI summary
Columbia DB2190 Voice
Frank Sinatra on Columbia, performing two standards from his extensive catalogue — Sinatra was the world's most popular male vocalist of the 1940s–50s.AI summary
Columbia DB2224 Voice
Frank Sinatra performing two numbers from the 1949 Rodgers and Hammerstein musical 'South Pacific' on Columbia DB2313, a British pressing. 'Oh What a Beautiful Mornin' and 'The Girl That I Marry' are core standards from the show.AI summary
Columbia DB2313 Voice
Frank Sinatra performing "My Blue Heaven" and "Goodnight Irene" on Columbia, from his early solo career in the mid-1940s, before his mid-1950s peak at Capitol Records.AI summary
Columbia DB2737 Voice
Frank Sinatra recorded 'When your lover has gone' and 'I should care' for Columbia Records catalogue 36791. These are early Sinatra recordings of popular ballads.AI summary
Columbia 36791 Voice
Frank Sinatra recorded 'When Your Lover Has Gone' and 'She's Funny That Way' for Columbia's 'DB' series in the late 1940s. These sophisticated ballads showcase Sinatra's interpretive gifts during his peak years.AI summary
Columbia DB2186 Voice
Frank Sinatra recorded 'I Don't Know Why' and 'I Only Have Eyes for You' on Columbia DB-series; these are early Sinatra sides from the 1930s, released during his years with Tommy Dorsey and Columbia Records.AI summary
Columbia DB2226 Voice
Frank Sinatra recorded these ballads for Columbia's DB-series, a standard British release of the post-war era.AI summary
Columbia DB2283 Voice
Frank Sinatra with Witchcraft and Tell Her You Love Her on Capitol CL14819.AI summary
Capitol CL14819 Voice
Frank Sinatra with Johnny Concho Theme and Hey Jealous Lover on Capitol CL14607.AI summary
Capitol CL14607 Voice
Frank Sinatra with How Little We Know and Five Hundred Guys on Capitol CL14584.AI summary
Capitol CL14584 Voice
Frank Sinatra, in his early Columbia years, sings 'Two Hearts Are Better Than One' and 'All Through the Day' on the Columbia label.AI summary
Columbia 36962 Voice
Frank Sinatra with Flowers Mean Forgiveness and You'll Get Yours on Capitol 14564.AI summary
Capitol 14564 Voice
Frank Sinatra with Your Love for Me and Can I Steal a Little Love? on Capitol CL14696.AI summary
Capitol CL14696 Voice