4,840 shellac records · mostly British pressings, 1900s–1950s
4,840 records matching · page 40 of 101
Guy Mitchell, an American popular singer of the 1950s, recorded 'A Beggar in Love' and 'Unless' for Columbia; Mitchell was best known for his chart hits and smooth vocal delivery.AI summary
Columbia DB2871 Voice
Guy Mitchell, the American pop vocalist, singing two novelty songs on Columbia during his peak popularity in the early 1950s.AI summary
Columbia DB2969 Voice
Guy Mitchell, the popular 1950s vocalist, recorded these two novelty-flavoured songs for Columbia. Both sides are light entertainment material typical of Mitchell's chart work.AI summary
Columbia DB3056 Voice
Guy Mitchell was an American popular singer of the 1950s, known for novelty and sentimental songs; this Columbia side is from the post-war era.AI summary
Columbia DB3151 Voice
Guy Mitchell was an American singer popular in the 1950s with a smooth baritone. 'She Wears Red Feathers' was one of his hit singles, recorded here for Columbia's British pressing.AI summary
Columbia DB3238 Voice
Guy Mitchell with In the Middle of a Dark Dark Night and Sweet Stuff on Philips PB712.AI summary
Philips PB712 Voice
Guy Mitchell with Sippin' Soda on Philips PB210.AI summary
Philips PB210 Voice
Gwen Farrar, a British actress and singer of the 1920s–30s, recorded 'Tell Me I'm Forgiven' and 'If I Had a Girl Like You' on Columbia DB393; Farrar was a noted stage and recording artist.AI summary
Columbia DB393 Voice
Gwendoline Brogden, a vocalist, with Nelson Keys on His Master's Voice. This B series catalogue number places it in the acoustic era, roughly mid-1920s.AI summary
His Master's Voice B519 Voice
Gwendoline Brogden, an early-to-mid 20th century vocalist, performing 'Sunlight & Shadow' and 'Rainbow Song' on His Master's Voice.AI summary
His Master's Voice C760 Voice
Gwilym Richards performing 'Because' and 'My Dreams' on Tri 404. Tri was a minor British label and Richards is not well-documented.AI summary
Triumph 404 Voice
Gwilym Richards recorded traditional ballads 'Come into the Garden Maud' and 'Killarney' on Pion label, catalogue 136; a British male vocalist from an obscure imprint.AI summary
Pioneer 136 Voice
G&T 3605 Voice
Gwynn Williams was a Welsh musician and composer; this Decca recording preserves Welsh-language song titles from the early 1930s and represents the label's investment in regional British repertoire.AI summary
Decca F1772 Voice
Gwynneth Evans performing two Welsh traditional songs on Decca, a major UK label, in the mid-20th century.AI summary
Decca F1773 Voice
H Allas with B Desmond on 'You were just a wild Rose' and 'Meet me at Twilight' for Aco (15971), sentimental ballads of the early 1930s.AI summary
Aco 15971 Voice
H. Banks singing two songs about birds—'Beautiful Bird Sing On' and 'In the Valley where the blue Birds sing'—on the Fort label, catalogue 1804.AI summary
Fortune 1804 Voice
H. Buxton sings two sentimental ballads on the Imperial label: 'Don't Leave Me Mammy' and 'I've Lost the Best Pal I Had' (composed by C. Boneur). Imperial was a budget British imprint.AI summary
Imperial 1107 Voice
H Buxton on Imperial 1136, singing 'Molly Kennedy' and 'Yes We Have No Bananas', likely 1920s.AI summary
Imperial 1136 Voice
H Cove recorded two Scottish-themed pieces, 'Hail Caledonia' and 'Anchored (Alan Turner)' for VF, an unidentified small British label. The catalogue number and repertoire suggest early-to-mid 20th century.AI summary
Velvet Face 1271 Voice
H Cove and J Charman recorded 'At the Mississippi Cabaret' and 'I Want to Go Back to Michigan' on Winner 2808. Winner was a British budget label of the early 1920s; both are popular song numbers of the period.AI summary
Winner 2808 Voice
H. Cove and W. Thompson with On the 5.15 and On My Way to Dublin Bay on Popular 594.AI summary
Popular 594 Voice
H. Cove and W. Thompson with Minstrel Parade and Simple Melody on Popular 605.AI summary
Popular 605 Voice
H Cove and W Thompson on Scala Records, a British label of the 1920s-30s, with American novelty numbers 'I want to go back to Michigan' and 'Bring me back my Loving Honey Boy'.AI summary
Scala 655 Voice
H. Donovan on Imperial Records performing two sentimental popular numbers of the 1920s–30s era. Donovan is not a documented recording artist and details on this pressing are scarce.AI summary
Imperial 1215 Voice
H. Eisdell recorded 'Parted' for HMV—a vocal ballad by an untraced singer on a major label, catalogue number suggesting 1900s–10s acoustic era.AI summary
His Master's Voice 02459 Voice
H. Fay and B. Desmond performing sentimental ballads 'Kentucky Lullaby' and 'At the End of an Irish Moonbeam' on Uni 157, an unidentified British imprint.AI summary
Unison 157 Voice
H Forman performing two sentimental popular songs, 'Have you got another Girl at Home like Mary' and 'My Girl's a Yorkshire girl', on Zonophone 91, a very early catalogue number from the label's first decade.AI summary
Zonophone 91 Voice
H Leoni and M Crawford perform 'Think of Me' and 'You May Take Me Round Paree' on HMV B908. Without further identification of these artists this is difficult to place precisely; the B-prefix HMV series is a standard acoustic-era 10-inch popular format.AI summary
His Master's Voice B908 Voice
H Long performing two popular songs on the Phoen (Phoenix) label, a minor British imprint. The artist is unidentified, and neither song appears to be a major standard.AI summary
Phoenix 189 Voice
H Lovell performing 'Ma' and 'Sally' (the latter arranged by Ray Carr) on Belt 102, a minor British label.AI summary
Beltona 102 Voice
H. Roy on Broadcast label, this pressing of 'Queen Was in the Parlour' and 'Song of Happiness' is from an unidentified artist.AI summary
Broadcast 774 Voice
H. Roy is an unidentified artist on the Ar label, performing 'Sky High Honeymoon' and 'Man of My Dreams', generic popular song titles from the 1920s–30s era.AI summary
Ariel 4953 Voice
dub 62365 Voice
H Smith performing 'Bad Girl' and 'Sonny Boy' (by Hepworth) on Dom A 58.AI summary
Dominion A58 Voice
H. Spencer Watts, a British vocalist, recorded popular ballads for Scala (Sc) Records.AI summary
Scala 622 Voice
H Stuart performing two patriotic British songs on the Tri label. Tri was a small British label of the 1910s–1920s. The artist H Stuart and the specific pressing have not been identified in standard discographies.AI summary
Triumph 460 Voice
H Winters recorded for Cham (Champion Records), a cheap American label of the late 1920s and early 1930s, rarely seen in British collections today.AI summary
Champion 15368 Voice
Hackel Berge on His Master's Voice B1392, performing 'A Baby in Love' and 'Last Waltz'. The catalogue number places this in HMV's early vocal series. Berge is not a widely recognised artist.AI summary
His Master's Voice B1392 Voice
Hackel-Berge recorded two sentimental and popular songs—one of their own, one the Paul Whiteman standard "Some Sunny Day"—for His Master's Voice B1384 in the 1920s.AI summary
His Master's Voice B1384 Voice
Haidee de Rance recorded 'Le Canari' and 'Kuyawiak' for Winner, a British budget label; minimal biographical information is available.AI summary
Winner 2931 Voice
Haidee de Rance, a vocalist of uncertain prominence, performing two songs on Winner: the French novelty 'Le Canari' and the Polish dance 'Kuyawiak'.AI summary
Winner 2931 Voice
Hal Ford performs two patriotic or topical songs for Zonophone, one of Britain's earliest record labels — Zonophone issued from the 1900s-1920s and the very low catalogue number suggests an extremely early recording.AI summary
Zonophone 144 Voice
Credited to Hall on Columbia FB1013, performing 'My Heart was Sleeping' and the classic music-hall number 'The Man on the Flying Trapeze'.AI summary
Columbia FB1013 Voice
Hall performing 'Hummin' to myself' and 'Little Romany' on Columbia CB466, a popular song record from the early 1930s.AI summary
Columbia CB466 Voice
Hall, a vocalist on Columbia's FB series, a budget line, performing sentimental or popular songs from the 1930s-40s.AI summary
Columbia FB1013 Voice
Hall on Columbia FB1028, a British popular song from the mid-1930s.AI summary
Columbia FB1028 Voice
A pianist credited as Hall on Columbia, recording a Kern standard and a popular song of the 1930s.AI summary
Columbia FB1056 Voice