4,840 shellac records · mostly British pressings, 1900s–1950s
4,840 records matching · page 42 of 101
Harry Cove performing 'You're my baby' and 'When the Henry Clay comes steaming into Mobile Bay' on Pilgrim, a small British label.AI summary
Pilgrim 5677 Voice
Harry Cove with You Made Me Love You and The Way the Wind Blows We'll Go on Pilgrim 5708.AI summary
Pilgrim 5708 Voice
Harry Cove, credited on the Fam label, recorded two vocal numbers.AI summary
Famous 282 Voice
Harry Cove on Winner, a small British label, with two sentimental vocal titles, marked as a test pressing.AI summary
Winner 3278 TEST Voice
Titled as Harry Cove on Polyphon, a German-owned label with British pressings.AI summary
Polyphon 5561 Voice
Harry Cove performing 'The same as his Father did before him' and 'Mother's Baby Boy' on Olympia Records, a small British label.AI summary
Oly JA354 Voice
Harry Dearth performing two hymns — 'Nearer My God to Thee' and 'Abide With Me' — on Odeon. Dearth was a British baritone soloist of the 1920s–early 1930s, recording for various British labels.AI summary
Odeon 66210 Voice
Harry Dearth was a British vocalist; this Odeon pressing pairs two hymns, 'Nearer My God to Thee' and 'Abide with Me', from the acoustic era.AI summary
Odeon 66210 Voice
Harry Dearth singing 'Speed The Plough' on the Gramophone Company (GCo) label, catalogue 02762.AI summary
GCo 02762 Voice
Harry Dearth, a British singer, recorded 'My Old Shako' on His Master's Voice, catalogue D211, an early acoustic recording.AI summary
His Master's Voice D211 Voice
Harry Dearth on His Master's Voice, recording what appear to be folk or sentimental songs. The artist and titles are not recognised; HMV E series suggests an early acoustic or acoustic-electric recording.AI summary
His Master's Voice E288 Voice
Harry Durrant with Give Me the Moonlight and Many Happy Returns of the Day on Guardsman 899.AI summary
Guardsman 899 Voice
Harry Fay performing two songs, 'Little Miss Lancashire' and a piece credited to D Garrick and H Payne, 'Canoeing', on Zonophone. Fay was a British vocalist of the 1920s–30s; Zonophone was a subsidiary label of the Gramophone Company.AI summary
Zonophone 1563 Voice
Harry Fay performs 'Songs & Opera in Ragtime' and 'Play something Irish in Ragtime' on Zonophone 1122, a survivor from the early 1920s acoustic era.AI summary
Zonophone 1122 Voice
Harry Fay recorded 'Oh how he can sing an Irish Song' and 'The Rest of the Day is your own' for Zonophone, catalogue 1537, likely from the early 1920s.AI summary
Zonophone 1537 Voice
Harry Fay recorded 'Get that Girl' and 'When Sandy McKie comes back to Inverary' for Zonophone, catalogue 1552, likely from the early 1920s.AI summary
Zonophone 1552 Voice
Harry Fay recorded 'I Want to Go to Idaho' and 'Ladies Beware' for Columbia D197, a very low catalogue number in the early Columbia numerical series.AI summary
Columbia D197 Voice
Harry Fay recorded 'It's a Long Way to Tipperary' and another title (catalogued as PC49) for Zonophone (1070), representing popular sentimental song from the First World War era.AI summary
Zonophone 1070 Voice
Harry Fay on Ar 9253, performing sentimental popular numbers from the 1920s or early 1930s.AI summary
Ariel 9253 Voice
Harry Fay singing on the Ar label, a short-lived British imprint of the 1920s, with repertoire including a piece titled in period-offensive language typical of that era.AI summary
Ariel 4475 Voice
Harry Fay was an obscure singer on the British Columbia label in the early 1920s; little is known of his career beyond these recordings.AI summary
Columbia 1146 Voice
Harry Fay singing two popular songs on Broadcast, a cheap British marque of the early 1930s.AI summary
Broadcast 464 Voice
Harry Fay performing popular sentimental songs on Broadcast 465. Fay is unrecognised; Broadcast was a budget British label.AI summary
Broadcast 465 Voice
Harry Fay recorded 'Constantinople' and 'I'll think of you' for Uni Records, catalogue 227—a small British label.AI summary
Unison 227 Voice
Harry Fay performs 'I don't care if there's a Girl there' on Zonophone 42876, a survivor from the early acoustic era.AI summary
Zonophone 42876 Voice
Harry Fay performing 'Won't There Be Any Wedding Bells for Me?' and 'When You're Married Girls' on Columbia 1359.AI summary
Columbia 1359 Voice
Harry Fay recorded two sentimental ballads for J Bull, a small British label: 'I'm Going Back to Gay Bohemia' and 'Somewhere', probably in the 1920s.AI summary
John Bull 40708 Voice
Harry Fay on Parlophone E5336, performing 'Oh How I Love My Darling' and 'Cross Words', likely from the 1930s.AI summary
Parlophone E5336 Voice
Harry Fay, a British vocalist, recorded nostalgic songs 'Old Top Hat that Father Wore' and 'Mary O'Brien' on Parlophone E5385. The E series on Parlophone typically dates to the early 1930s.AI summary
Parlophone E5385 Voice
Harry Fay recorded 'I've Got Rings on My Fingers' for the GC label, catalogue 4-2082. This is a popular song of the early 20th century, but the artist and label cannot be confidently identified.AI summary
Gramophone Company 4-2082 Voice
Harry Fay on Polyphon 8673, 'There's a little black Cupid in the moon' and 'Top o' the Morning', light popular vocal material from the 1920s–30s.AI summary
Polyphon 8673 Voice
Harry Fay recorded 'I don't want Love' and 'She told me to meet her at the Gate' for Winner Records in the 1920s.AI summary
Winner 3833 Voice
Harry Fay on Zonophone 327, 'I Wonder If You Miss Me Sometimes' and 'Your Eyes Have Told Me So', likely from the 1920s or early 1930s.AI summary
Zonophone 327 Voice
Harry Fay, a British vocalist, recorded novelty and comic songs 'Mother Put a Card in the Window' and 'Wallah Wallah Wallaperoo' on Zonophone 368, likely from the 1920s.AI summary
Zonophone 368 Voice
Harry Fay singing 'Any little Girl that's a nice little Girl' and 'That mesmerising Mendelssohn Tune' for Zonophone 607, a light vocal record from the early 1910s.AI summary
Zonophone 607 Voice
Harry Fay performing two popular sentimental songs, 'I don't care what becomes of me' and 'I'm a happy married Man', on Zonophone 669.AI summary
Zonophone 669 Voice
Harry Fay recorded 'Come with Me to the Races' and 'Let's Make a Night of It Tonight' for Zonophone, catalogue 868; Zonophone was a British label owned by the Gramophone Company, active from the 1900s through the 1950s.AI summary
Zonophone 868 Voice
Harry Fay on Zonophone 902, performing popular songs of the 1920s or early 1930s.AI summary
Zonophone 902 Voice
Harry Fay on early Zonophone, performing sentimental vocal songs of the 1910s.AI summary
Zonophone 230 Voice
Harry Fay with 'Pack up your troubles in your old kit bag' and 'I gotter get a gell' on Zonophone (1608), First World War and popular-era songs.AI summary
Zonophone 1608 Voice
Harry Fay, a British vocalist of the 1920s–30s, performing two light novelty songs on Imperial—'Girl Shy' and 'Eat More Fruit'. Imperial was a minor British label of this period.AI summary
Imperial 1405 Voice
Harry Fay performing 'I've got a little job to go to' and 'Fall in and follow me' on Zonophone, catalogue 344.AI summary
Zonophone 344 Voice
Harry Fay recorded 'K-K-K-Katy' and 'Oh! Oh! Oh! I Want to Go Home' for Zonophone—novelty and patriotic songs from the 1914–18 or interwar period by an untraced vocalist.AI summary
Zonophone 1923 Voice
Harry Fay performing sentimental pop songs 'Why should I weep about one Sweetie' and 'Oh gee oh gosh oh golly I'm in love' on the obscure British label Pigmy, catalogue 10.AI summary
Pigmy 10 Voice
Harry Fay recorded 'When It's Nighttime in Italy' and 'Last Night on the Back Porch' for Pigmy, catalogue 9. Pigmy was an obscure British budget label; Fay is unidentified beyond these titles.AI summary
Pigmy 9 Voice
Harry Fay recorded 'Sailors Don't Care' and 'N'Everything' for Zonophone, a British budget imprint owned by the Gramophone Company, in the 1920s–30s.AI summary
Zonophone 1936 Voice
Harry Fay, credited as a vocalist on Zonophone, a budget British label of the 1920s-30s, performing light comic or novelty material.AI summary
Zonophone 2163 Voice
Harry Ford recorded 'Poor, Proud, and Particular' for Berliner, a German-based label with London connections in the acoustic era around 1900–1910.AI summary
Berliner 2-2107 Voice