4,840 shellac records · mostly British pressings, 1900s–1950s
4,840 records matching · page 44 of 101
Harry Trevor with Angel of My Dreams and Land Where the Angels Are on Pick of All 35-4200.AI summary
Pickofall 35-4200 Voice
Harry Trevor on Op Records, catalogue 38, performing sentimental vocal songs 'Pansies mean Thoughts and Thoughts mean you' and 'Two Eyes of brown'. Op is an obscure British label from the early 1930s.AI summary
Opera 38 Voice
Harry Trevor recorded 'It's a grand old world' and 'Picture no artist can paint' for Invicta Records, a small British label.AI summary
Invicta 53 Voice
Harry Welchman, a light operatic tenor of the 1920s and 1930s, recorded theatrical reminiscences for Columbia as part of a longer series; this is part 3 and 4.AI summary
Columbia FB1240 Voice
Harry Welchman, a tenor and musical-theatre performer, recorded 'Theatre Memories' for Columbia. Welchman was active in light opera and musical theatre in the 1920s and 1930s.AI summary
Columbia DB754 Voice
Harry Weldon in 'Pastoral Song' on His Master's Voice C777, a two-part release. Weldon was a British stage and recording artist of the early acoustic era.AI summary
His Master's Voice C777 Voice
The Hauser Boys on Decca M4, performing 'Today's a sunny Day for me' and 'Glad Rag Doll', vocal recordings from the 1930s.AI summary
Decca M4 Voice
C. Hayden Coffin, the baritone and matinee idol of Edwardian musical comedy, sings 'Our Glorious Empire Day', backed by a band selection of British airs, on Favorite.AI summary
Favorite 65168/3033 Voice
C. Hayden Coffin, the baritone and matinee idol of Edwardian musical comedy, sings 'Our Glorious Empire Day', with a band selection of British airs on the reverse, on Favorite.AI summary
Favorite 1-165168 Voice
The Haydn Quartette, one of the most popular American vocal groups of the early recording era, sings 'Carry Me Back to Old Virginny' on a single-sided G&T.AI summary
G&T 4184 Voice
Hayes and Croft recorded for Columbia, with catalogue number IS1020, likely from the early 1930s. The material is sentimental vocal material typical of the era.AI summary
Columbia is1020 Voice
Hector Grant, credited to the Twin label, performing two sentimental ballads; Twin was a minor British marque active in the early 1930s.AI summary
Twin 50 Voice
Heddle Nash, a celebrated British tenor, recorded 'Two Eyes of Grey' and 'To a Wild Rose' on Columbia, catalogue DB1365.AI summary
Columbia DB1365 Voice
Hedges Bros and Jacobson recorded 'If I had the lamp of Aladdin' and 'I want a boy' for Zonophone, catalogue 2088.AI summary
Zonophone 2088 Voice
Heinrich Schlusnus, a celebrated German baritone of the early 20th century, singing Strauss lieder on Grammophon 90167. Schlusnus was one of the most important Lieder singers of the interwar period.AI summary
Grammophon 90167 Voice
Heinrich Schlusnus, a celebrated German baritone, performing lieder on Brunswick 80033, likely from the acoustic or early electric era of the late 1920s.AI summary
Brunswick 80033 Voice
Heinrich Schlusnus was a leading German baritone of the 1920s–30s, and this Brunswick recording of 'Lovers' Pledge' and 'Longing for Home' represents his popular vocal repertoire in an English-market pressing.AI summary
Brunswick 7004 Voice
Heinrich Schlusnuss, a German tenor, recorded 'O Come into thy window' and 'Let the wine flow' for Decca. Schlusnuss was known for sentimental ballad singing in the German tradition.AI summary
Decca DE7008 Voice
Helen Clark, a singer of the 1920s–30s, recorded 'Smiling Irish Eyes' and 'A Wee Bit o' Love' for His Master's Voice, catalogue B3165. A minor vocalist on a major label.AI summary
His Master's Voice B3165 Voice
Helen Forrest, the American swing vocalist, recorded 'In a Moment of Madness' for Brunswick in the late 1930s or early 1940s.AI summary
Brunswick 03559 Voice
Helen Forrest performing 'Ain't doin bad doin nothin' and 'I don't see me in your eyes any more' on MGM 190. Forrest was a popular American vocalist and big-band singer of the 1930s–40s.AI summary
MGM 190 Voice
Helen Forrest, American jazz and popular singer, recorded 'Anywhere' and 'Every Day of My Life' for Brunswick (03605) in the 1940s. Forrest was known for her work with swing orchestras and as a popular wartime vocalist.AI summary
Brunswick 03605 Voice
Helen Forrest was an American big-band singer best known for her work with Harry James; this MGM recording pairs her with pianist Harold Mooney on the standards 'All of Me' and 'I Wish I didn't Love You So'.AI summary
MGM 110 Voice
Helen Gilliland singing 'If you're a Friend of mine' and 'Calling me Home', recorded for Columbia in the early acoustic era.AI summary
Columbia 9420 Voice
Helen Gilliland recorded 'My first Love my last Love' and 'Gaucho March' for Decca, catalogue F2468 indicating a pressing from the late 1930s.AI summary
Decca F2468 Voice
Helen Hope, an obscure vocalist, singing two sentimental ballads on Columbia DB784, likely mid-1930s.AI summary
Columbia DB784 Voice
Helen Kane, the 'Boop-Boop-a-Doop' girl, was a 1920s singing sensation famous for her baby-talk vocals and flapper appeal; this HMV pressing captures two of her comedy-song specialities from the height of her fame.AI summary
His Master's Voice B2977 Voice
Helen Manning singing 'Blacksmith blues', a popular jazz-inflected number of the 1920s, on the American Remington label.AI summary
Remington 25029 Voice
Helen Morgan performing 'Mean to me' and 'Who cares what you have been' on His Master's Voice B3058. Morgan was an American torch singer and actress, famous for her recordings and Broadway performances in the 1920s–1930s.AI summary
His Master's Voice B3058 Voice
Helen Morgan, the celebrated American torch singer and stage actress, performs two classic 1920s popular songs for Brunswick; Morgan's distinctive vocal style and theatrical star power made her a major recording artist of her era.AI summary
Brunswick 129 Voice
Helen Morgan, the American torch singer and actress of the 1920s-30s, performing two sentimental ballads on Brunswick. Morgan was famous for her languid, intimate vocal style and her performances in 'Show Boat'.AI summary
Brunswick 111 Voice
Helen Morgan, the American torch singer of the 1920s–30s, on His Master's Voice B3058 performing 'Mean to Me'.AI summary
His Master's Voice B3058 Voice
Helen Richards recorded the blues standards 'Mean to me' and 'Am I blue' for Imperial, catalogue 2123, a 1930s pressing.AI summary
Imperial 2123 Voice
Helen Yorke recorded two art songs, 'O Little Songs' and 'Lass with the Delicate Air', for Pathé in the early 1920s. Yorke was a concert mezzo-soprano of the acoustic era.AI summary
Pathé 1356 Voice
Helene Baudry recorded 'A Nous les Amours et les Roses' and 'Arrivee de Manon' for Imperial, a French-language label. The titles suggest French popular song; nothing further is known of this artist or label.AI summary
Imperial F10011 Voice
Henri Leoni recorded 'When the Angelus is Ringing' and 'The Red White and Blue' for Columbia, probably in the early 1920s. Leoni was a minor vocal artist of the acoustic era.AI summary
Columbia 2485 Voice
Henri Leoni on Columbia 3935, performing 'Valencia' and 'Have you forgotten Yvonne?', popular sentimental songs from the 1920s.AI summary
Columbia 3935 Voice
Henri Leoni, a vocalist, sings 'Hindustan' and 'I Love You Ma Cherie' on Vocalion (VocX catalogue). The titles suggest popular songs from the 1920s-1930s.AI summary
Vocalion X9023 Voice
Henri Leoni recorded 'When the Angelus is Ringing' and 'The Red White and Blue' for Columbia. Leoni was a tenor vocalist active in the early 1900s–1920s.AI summary
Columbia 2485 Voice
Henri Scott recorded 'Heart bowed down' and 'In happy Moments' for Columbia, catalogue L1093. Scott was a tenor vocalist of the 1920s–30s, and these are drawing-room ballads typical of the era.AI summary
Columbia L1093 Voice
Henry Ainley was a celebrated British stage actor who recorded Shakespeare recitations for His Master's Voice in the 1920s. These are sides from 'Hamlet', showing the theatrical repertoire that occupied much of Ainley's recording career. Ainley recordings have modest collector interest.AI summary
His Master's Voice B3493 Voice
Henry Ainley was a distinguished British actor and Shakespearean voice of the early twentieth century; this HMV recording captures him performing 'To Be or Not to Be' and the soliloquy 'O That This Too Solid Flesh', likely from the acoustic era.AI summary
His Master's Voice B3492 Voice
Henry Burr was one of the most prolific American recording tenors of the acoustic era, recording thousands of sides for virtually every label. This Odeon disc, catalogue 31173, contains 'The Holy City' and 'I'll Sing Thee Songs of Araby'. Burr's recordings are extremely common; this is a standard Odeon pressing of popular American vocal material.AI summary
Odeon 31173 Voice
Henry Burr, a prolific American ballad singer, performing 'Won't You Come Over to My House' on Columbia 3603 — an early catalogue number suggesting c. 1910s pressing.AI summary
Columbia 3603 Voice
Henry Burr was a prolific American tenor and one of the most-recorded voices of the 1900s–1920s, appearing on thousands of sides for most major labels under his own name and countless pseudonyms; 'Will the Angels Let Me Play' is a sentimental hymn-like piece typical of his repertoire.AI summary
Imperial 45179 Voice
Henry Burr, a prolific American recording artist and tenor, recorded 'Goodnight Little Girl Goodnight' and a spoken announcement advertising Columbia records on Columbia. The latter is a non-musical item of advertising interest; Burr was active from the 1900s through the 1920s and recorded prolifically.AI summary
Columbia Advert Voice
Henry Burr was a prolific American ballad tenor of the 1910s–1920s who recorded extensively. This Operaphone pressing captures two sentimental numbers with Irish themes, typical of his repertoire and the era's popular taste.AI summary
Operaphone 21179 Voice
Henry Hearty on the Rad label, a minor British marque, with titles suggesting 1920s–30s popular songs.AI summary
Radio (Edison Bell) 1370 Voice