4,840 shellac records · mostly British pressings, 1900s–1950s
4,840 records matching · page 45 of 101
Henry Newbolt, the English poet and patriotic writer, recited selections from his own work for Columbia: 'Vitai Lampada' and 'Drake's Drum', paired with 'Best School of all' and 'He fell among Thieves'—some of his most famous verses.AI summary
Columbia D40181 Voice
Henry Turnpenny performing 'Death of Nelson' and other sentimental songs on Zonophone, early catalogue number suggesting an acoustic recording from around 1910–1915. Turnpenny was an English ballad singer of the Edwardian era.AI summary
Zonophone 67 Voice
Henry Wendon, tenor, with pianist Gerald Moore on "Eleanore" and "Love Went a-Riding" for Columbia DB2083. Moore was one of the finest accompanists in the 20th century, known chiefly for art-song and orchestral repertoire.AI summary
Columbia DB2083 Voice
Herb Jeffries, the African-American baritone and swing vocalist, recorded 'Autumn in Rome' and 'Love me or leave me' for Oly Records, a minor American label, likely in the 1950s.AI summary
Oly 801 Voice
Herbert Langley, a British tenor of the 1920s–1930s, performs a comic monologue and an orchestral arrangement (conducted by Goosens) on Columbia catalogue L1370, suggesting a mid-1930s pressing of a relatively popular disc.AI summary
Columbia L1370 Voice
Herbert Payne (Ernest Pike) on GC 3-2156, with one side titled 'Three Makes Jolly Fine Company'. The label and catalogue suggest an early recording.AI summary
Gramophone Company 3-2156 Voice
Herbert Rule recorded two songs on J. Bull H37, a variant or subsidiary label of the J. Bull imprint.AI summary
John Bull H37 Voice
Herbert Rule recorded 'Everybody's tired of doing it' and 'Woolloomooloo' for Winner, a British label active in the 1920s–30s.AI summary
Winner 2269 Voice
Hermanas Aguila, a Latin vocal group, recorded 'Ven' and 'Nada Espero' for Peerless, a small American independent label of the 1920s–30s. UK copies of this label are uncommon.AI summary
Peerless 910 Voice
The Heyn Quartet with two German songs on Tempo 5003.AI summary
Tempo 5003 Voice
The Hi-Lo's with Shoeless Joe and This Is the Night on Starlight 1369.AI summary
Starling 1369 Voice
Hickman on Columbia Records with 'Sweet and Low' and 'Patches'. The catalogue number A2814 suggests an early Columbia pressing, likely from the mid-1920s.AI summary
Columbia A2814 Voice
Hildegarde on Decca 23428, performing two songs from the Rodgers & Hammerstein musical *State Fair* (1945): 'This Was a Real Nice Clambake' and 'June is Bustin' Out All Over'. Hildegarde (1906–2005) was an American cabaret singer and entertainer.AI summary
Decca 23428 Voice
Hildegarde, a sophisticated American cabaret singer and pianist popular in the 1930s and 1940s, recorded 'Jenny' for Brunswick; she was known for her urbane style and recording for major labels.AI summary
Brunswick 03512 Voice
Hildegarde, the cabaret singer and pianist, performing a retrospective or medley on Columbia; likely 1940s–1950s.AI summary
Columbia FB1541 Voice
Hildegarde (Hildegarde Loretta Sell), a sophisticated cabaret and theatrical performer, on Columbia FB1468 performing two popular standards. Hildegarde was known for her elegant, intimate style and her long career in nightclubs and theatre from the 1930s through the 1950s.AI summary
Columbia FB1468 Voice
Hildegarde (Hildegarde Loretta Sell) was an American cabaret singer and entertainer famous for sophisticated ballad interpretations. 'Lover' and 'Blue Room' are jazz standards. This Decca F7754 pressing is from the late 1930s–early 1940s.AI summary
Decca F7754 Voice
Hildegarde, the French-American singer and cabaret performer, on Columbia FB1758. Hildegarde was known for sophisticated popular and novelty songs; this pressing dates to the 1930s–40s era of her main recording activity.AI summary
Columbia FB1758 Voice
Hildegarde was a French-American supper-club singer and pianist, famous for her sophisticated torch-song style; this Columbia recording from the late 1930s or early 1940s shows her in her element.AI summary
Columbia FB1768 Voice
Hildegarde, the sophisticated American cabaret singer, recorded the Rodgers & Hart standards 'With a Song in My Heart' and 'Isn't It Romantic' for Decca.AI summary
Decca F7853 Voice
Hildegarde was a Belgian-American cabaret and torch singer popular in the 1930s and 1940s; 'Darling je vous aime beaucoup' is one of her signature pieces, a sophisticated French-language novelty that became her signature song.AI summary
Decca 68987 Voice
Hildegarde, an American cabaret singer popular in the 1930s and 1940s, recorded "I Believe in Miracles" and "Listen to the German Band" for Columbia DB1552.AI summary
Columbia DB1552 Voice
Hildegarde, a Belgian-born American cabaret and popular singer, recorded 'Darling Je Vous Aime Beaucoup' for Columbia; the title song became one of her signature pieces in the 1950s.AI summary
Columbia DB1556 Voice
Hildegarde, the Belgian-American supper-club vocalist, singing two standard ballads on Columbia during her 1940s recording period.AI summary
Columbia FB1992 Voice
The Hilltoppers on Dot Records performing two popular ballads. The Hilltoppers were an American vocal quartet of the early 1950s who scored chart hits with sentimental pop numbers; Dot was a major independent label.AI summary
Dot 15018 Voice
The Hilltoppers, an American R&B vocal quartet, recorded 'Wrapped Up in a Dream' for Dot Records in the early 1950s; a minor doo-wop outfit of the era.AI summary
Dot 15156 Voice
Hirsch Grever on Brunswick 8129, singing two popular songs. Grever was a Mexican composer and recording artist; his recordings are less common in British collections.AI summary
Brunswick 8129 Voice
Hoagy Carmichael was an American composer and singer; this Brunswick side pairs two novelty and jazz-age standards he was known for.AI summary
Brunswick 04698 Voice
Hoagy Carmichael with Lazy River and I'm Just Wild About Mary on Vogue Q72095.AI summary
Vogue Q72095 Voice
Hoagy Carmichael, the composer and pianist, as performer on Brunswick 03709 in the late 1930s. 'Ole Buttermilk Sky' was his own composition from 1946, so this coupling is unusual and warrants checking.AI summary
Brunswick 03709 Voice
Hoey on Piccadilly catalogue 757, featuring the popular novelty standard 'Lady of Spain'. Piccadilly was a mass-production British budget label of the 1920s-40s, known for cheap, widely-distributed pressings.AI summary
Piccadilly 757 Voice
Hoey performing 'Lady of Spain', the novelty hit of the 1930s, on Piccadilly, a cheap British marque.AI summary
Piccadilly 757 Voice
Hoey performing 'Guilty' and 'Life is just a Bowl of Cherries' on Piccadilly, 883. Hoey is unidentified; both titles are popular standards. Piccadilly was a budget British label with limited output.AI summary
Piccadilly 883 Voice
An artist credited as Hoey recorded two songs on Piccadilly 738, likely mid-1930s. The artist is not identifiable in standard discographies.AI summary
Piccadilly 738 Voice
A popular song recorded by Hoey on Piccadilly, a cheap British marque of the early 1930s.AI summary
Piccadilly 739 Voice
Hoey on Piccadilly 754, with 'Alone and Afraid' and 'Walking Lovers Lane Alone' — sentimental vocal ballads on a cheap British marque of the early 1930s.AI summary
Piccadilly 754 Voice
Holloway and Davies, artists active in light opera and musical theatre, recorded 'True Eyes' and 'Somewhere' on Columbia, catalogue 5085. This is a duet or dramatic vocal from the early 1920s.AI summary
Columbia 5085 Voice
The Holme Valley Male Voice Choir, a northern English amateur ensemble, recorded folk songs and traditional numbers for Columbia.AI summary
Columbia 3484 Voice
Holt performing sentimental or romantic songs on Gamophone (Gam), an obscure British label.AI summary
Gamage G638 Voice
Two songs by Horace on Scala, a British dance and popular music label of the 1920s and 1930s.AI summary
Scala 1428 Voice
Howard (artist unidentified) on Winner 3741. The titles suggest popular ballad material; the artist and label context are unclear.AI summary
Winner 3741 Voice
Howard and Hardy with We Two and When Your Hair Has Turned to Silver on Radio (Edison Bell) 1472.AI summary
Radio (Edison Bell) 1472 Voice
Howard Keel, the American musical-theatre star and later Hollywood actor, performing 'Parisienne' and 'Love wonderful Love' on Columbia. Keel was famous for his roles in MGM musicals of the 1950s.AI summary
Columbia DB3969 Voice
Hubert Eisdell, a British baritone singer and teacher, recorded two songs for Columbia's L-series light catalogue in the 1920s.AI summary
Columbia L1728 Voice
Hudson on Winner 4748 with 'I Wonder How I Look When I'm Asleep' and 'So Blue'. Winner was a British label of the 1920s–1930s; Hudson is not identified.AI summary
Winner 4748 Voice
Hudson performing 'There's a rickety-rackety Shack' and 'Did you mean it' on Winner. Hudson is not otherwise identified and the artist may be a pseudonym.AI summary
Winner 4792 Voice
Hudson on Winner 4848, performing oriental-themed popular songs of the early 1920s. Winner was a British label active in that period, but neither the artist nor these specific titles are identifiable from standard sources.AI summary
Winner 4848 Voice
Hudson recorded 'All by Yourself in the Moonlight' and 'For Old Time's Sake' for Winner, a British budget label of the 1920s and 1930s.AI summary
Winner 4876 Voice