4,839 shellac records · mostly British pressings, 1900s–1950s
4,839 records matching · page 46 of 101
Hudson, credited to Winner Records (a cheap British marque of the 1920s–30s), performing two sentimental popular songs.AI summary
Winner 5114 Voice
Hudson performing 'Blue is the Night' and 'Cheer up and smile' on Winner, catalogue 5161. An unidentified performer on a small British label.AI summary
Winner 5161 Voice
Hudson (artist unidentified) on Winner 5176, a small British label. The titles are popular ballad material; neither artist nor label can be placed with confidence.AI summary
Winner 5176 Voice
Hudson on Winner, a cheap British marque of the 1920s–30s.AI summary
Winner 5196 Voice
Hudson recorded 'There's Always Tomorrow' and 'When Your Hair Has Turned to Silver' for Winner, a minor British label.AI summary
Winner 5253 Voice
Hudson on Winner Records with 'Walking my Baby back Home' and 'City Lights'.AI summary
Winner 5313 Voice
Hue Lee performing two popular songs on Columbia DB2837 from the mid-20th-century.AI summary
Columbia DB2837 Voice
Hue Lee recorded 'Rose, Rose, I Love You' and 'An Autumn Melody' for Columbia; 'Rose, Rose, I Love You' was a major hit by Frankie Lymon and the Teenagers in 1955, but this recording predates or is contemporary with the rock and roll era.AI summary
Columbia DB2837 Voice
Hue Lee recorded 'Rosie, Rosie, I Love You' and 'An Autumn Melody' for Columbia in the early 1950s. Lee was a minor vocalist in the popular register of the early-to-mid 1950s.AI summary
Columbia DB2837 Voice
Hughes Macklin, credited on Belt 581, performing vocal selections 'There is a Flower' and 'Yes let me like a Soldier fall'; Belt was an obscure British label.AI summary
Beltona 581 Voice
Hughes Macklin performing two Welsh-language songs on Decca F5142. The Welsh-language repertoire suggests specialised material for the Welsh market, making UK copies potentially less common than English-language equivalents.AI summary
Decca F5142 Voice
Hughes Macklin performing 'Arafa Don' and 'Telyn Fud'—Welsh-language titles—on Decca F5155.AI summary
Decca F5155 Voice
Hughes Macklin performs 'Bonnie Wells o' Wearie' and 'Danny Boy' on Bel 663. Both are Scottish/Irish traditional songs. The artist and label are unidentified; Bel may be a British or European small imprint.AI summary
Beltona 663 Voice
Hugo Thompson recorded for Winner, a cheap British marque of the 1920s and early 1930s, performing 'Ould Orange Flute' and 'No Surrender'—both popular traditional Orange Order and Ulster songs.AI summary
Winner 4838 Voice
Hulda Lashanska performing sentimental ballad standards 'Annie Laurie' and 'Home Sweet Home' on Columbia 7341, from the early acoustic era.AI summary
Columbia 7341 Voice
Humphrey Bishop performing 'The Admiral's Broom' and 'Anchored' on ScDL 1602, a scarce British label of unknown date.AI summary
Scala De Luxe DL1602 Voice
Humphrey Bishop sings Rocked in the Cradle of the Deep and The Village Blacksmith on John Bull 40630.AI summary
John Bull 40630 Voice
Huntley performing 'Lonely' and 'Gee But I'd Like to Make You Happy' for Brunswick, 01035. Huntley is unidentified; the catalogue number format suggests an early Brunswick pressing.AI summary
Brunswick 01035 Voice
Huntley Wright, a British tenor and musical-theatre performer, recorded songs from his stage repertoire for Columbia. Wright was associated with Edwardian and later musical comedy and operetta.AI summary
Columbia F1080 Voice
Hutch (Leslie A. Hutton) was a British-born ballad singer and entertainer popular in the 1930s–40s, known for his urbane vocals and light romantic material. This Parlophone F-series pressing of "Moon Love" and "Begone" is from his peak years.AI summary
Parlophone F1555 Voice
Hutch, the British cabaret singer and entertainer popular in the 1930s, recorded a Maurice Chevalier medley (parts 1 and 2) for Parlophone E11080.AI summary
Parlophone E11080 Voice
Hutch, a British crooner and entertainer of the 1930s, performing a selection from Gershwin's Rhapsody in Blue on His Master's Voice BD series. The BD series was HMV's standard popular catalogue.AI summary
His Master's Voice BD1116 Voice
Hutch (Leslie A. Hutch) was a celebrated Black British pianist and singer of the 1930s and 1940s, known for sophisticated interpretations of popular ballads and jazz standards on His Master's Voice.AI summary
His Master's Voice BD1143 Voice
Hutch (Leslie A. Hutchinson) was a sophisticated Black British-American pianist, singer and entertainer of the 1930s–40s, recorded here for His Master's Voice singing two sentimental ballads: "Over the Hill" and "The London I Love".AI summary
His Master's Voice BD918 Voice
Hutch, a British pianist and singer of the 1930s, recorded 'I Kiss Your Hand Madame' for Parlophone WE2341, marked as a test pressing. Test pressings are typically rare or unique items.AI summary
Parlophone WE2341 TEST Voice
Hutch, the British-born cabaret baritone, performing 'I've got my eyes on you' and 'Begin the beguine' on His Master's Voice BD847, likely 1930s–40s. Hutch was a sophisticated vocalist and entertainer.AI summary
His Master's Voice BD847 Voice
Hutch (Leslie Julian Hutton, 1906–1973) was a British cabaret singer and pianist, known for his sophisticated torch songs and ballads; this His Master's Voice side pairs 'I Can't Love You Any More' and 'I'll Be Waiting for You', typical of his intimate vocal style.AI summary
His Master's Voice BD856 Voice
I Andresen and E Habich on Parlophone E10670, performing 'Gott Grüsst Euch' and 'Mein Herr & Gott', German-language religious or folk songs. The performers are unidentified; E-series Parlophone records were European issues.AI summary
Parlophone E10670 Voice
I Curwood singing two hymns on Curry's, a small British label, in the early acoustic period.AI summary
Curry's 23 Voice
Isabel Jay, the Savoy soprano who became a musical-comedy star, sings 'A Marriage Has Been Arranged' with Louis Bradfield on a single-sided G&T.AI summary
G&T 4372 Voice
Isabel Jay, the Savoy soprano who became a musical-comedy star, sings the duet 'You and I' with Louis Bradfield on a single-sided G&T.AI summary
G&T 4373 Voice
I. Jones recorded 'Dreamy Paradise' and 'Sweet Woman' for Brunswick, catalogue 5028. The artist is identified by initials only and is not known from major recording careers.AI summary
Brunswick 5028 Voice
I Jones, credited on His Master's Voice B6300, performing 'One Little Word Led to Another' and an arrangement of Bestor's 'My Darling'. Limited information available about this artist.AI summary
His Master's Voice B6300 Voice
I. Jones recorded 'Virginia Blues' and 'You're Only a Baby' for Brunswick, catalogue 2195, in the late 1920s.AI summary
Brunswick 2195 Voice
I Jones recorded for Brunswick in what appears to be the 1920s or early 1930s; 'Those longing for you blues' and 'After the Rain' suggest light popular ballad or blues-inflected material.AI summary
Brunswick 2243 Voice
I Jones performing 'Don't Bring Me Posies' and 'Some Sunny Day' on Brunswick 2274 — a mid-period Brunswick pressing.AI summary
Brunswick 2274 Voice
I Jones performing 'My Honey's Loving Arms' and 'Nobody Lied' on Brunswick 2301.AI summary
Brunswick 2301 Voice
I Jones (identity unclear) on Decca F2971 performing 'Keepin' Out of Mischief Now' and a sweet duet arrangement of 'We Will Always Be Sweethearts'. The catalogue number places this in the mid-1930s.AI summary
Decca F2971 Voice
I Jones recorded two popular songs for Brunswick in the electrical era. The artist is not identified in standard references.AI summary
Brunswick 2767 Voice
I. Jones recorded 'Alabamy Bound' and 'Indian Love Call' for Brunswick, catalogue 2789, in the late 1920s.AI summary
Brunswick 2789 Voice
I Jones is credited with 'Monte Carlo' and 'One of Those Things' on Brunswick 3112. Without further identifying information this artist cannot be placed or valued with confidence.AI summary
Brunswick 3112 Voice
I. Jones recorded 'The Cat' and 'I'm Back to Love Again' for Brunswick in the late 1920s–early 1930s.AI summary
Brunswick 3461 Voice
I. Jones on Brunswick 3685, performing 'What'll You Do' and 'Together We Two', likely early 1930s.AI summary
Brunswick 3685 Voice
I Jones performing 'Koolemoff' and 'Japanese Sandman' on Brunswick, catalogue 5026. 'Japanese Sandman' is a popular song of the 1920s; the artist and the identity of 'Koolemoff' are unclear.AI summary
Brunswick 5026 Voice
I. Jones performing two sentimental popular songs on Brunswick, catalogue 5066. The artist is unidentified beyond the initial.AI summary
Brunswick 5066 Voice
I Jones performs two popular standards for Brunswick, a major American label's British pressing.AI summary
Brunswick 01083 Voice
I. Jones on Brunswick 02163, 'Life Begins When You're in Love' / 'Saddle Your Blues to a Wild Mustang'.AI summary
Brunswick 02163 Voice
I Jones was a British vocalist; this Brunswick recording pairs two sentimental popular songs, likely from the early 1930s based on the Brunswick 01000-series catalogue number.AI summary
Brunswick 01239 Voice