4,839 shellac records · mostly British pressings, 1900s–1950s
4,839 records matching · page 47 of 101
I Kaufman on HomH 771, a singer on an unidentified British label; little is known of this release.AI summary
Hom H771 Voice
Ian Colquhoun on Imperial 45372, performing a Scottish traditional song on a British label.AI summary
Imperial 45372 Voice
Ian Colquhoun performing 'Queen of my Heart' on Imperial 45384, a 1950s vocal single.AI summary
Imperial 45384 Voice
Ian Colquhoun performing 'Tom Bowling' on Imperial 45388.AI summary
Imperial 45388 Voice
Ian Colquhoun performing 'The Imperial Toast' on Imperial 45389. An unidentified Scottish or Irish speaker on a high Imperial catalogue number.AI summary
Imperial 45389 Voice
Ian Colquhoun performing the Irish song 'Father o' Flynn' on Zonophone 1095. Zonophone was a budget British label active in the 1920s-30s.AI summary
Zonophone 1095 Voice
Idelle Patterson on Columbia, a female vocalist recording sentimental and light novelty material from the late 1920s.AI summary
Columbia 1817 Voice
Ifor Evans, a distinguished Welsh poet and broadcaster, performing readings of twentieth-century poetry on Columbia's D40100 series, a prestige educational label. Part 1 and Part 2 appear on this disc.AI summary
Columbia D40100 Voice
Ifor Evans recorded 'Twentieth Century Poetry', part 4, for Columbia, catalogue D40101, a release likely aimed at educational or literary audiences.AI summary
Columbia D40101 Voice
Ilene Woods recorded parts 1 and 2 of 'Cinderella' for His Master's Voice. These appear to be from a complete recording or narrative adaptation of the fairy tale from the early 1950s.AI summary
His Master's Voice BD1270 Voice
Ilene Woods, an American voice actress and singer, recorded parts 3 and 4 of 'Cinderella' for His Master's Voice. These are soundtrack or adaptation pieces from the early 1950s.AI summary
His Master's Voice BD1271 Voice
Inga Andersen on Decca F7469, recorded 'Luxury Cruise' and 'Two Hundred & Three' from the late 1940s or early 1950s.AI summary
Decca F7469 Voice
Ingrid Almquist was a Scandinavian vocalist recorded by HMV; these are light instrumental or vocal pieces from the 1920s–1930s era.AI summary
His Master's Voice B10256 Voice
The Ink Spots with Am I Too Late and Melody of Love on Parlophone R3977.AI summary
Parlophone R3977 Voice
The Ink Spots, one of the most commercially successful vocal groups of the 1930s–1940s, recorded two numbers for Brunswick: "My Greatest Mistake" and "I'll Never Smile Again Until I Smile at You". The Ink Spots were prolific and hugely popular.AI summary
Brunswick 3081 Voice
The International Novelty Quartette were a recording ensemble of the 1910s–1920s; this Zonophone disc preserves two popular songs from the period in a light vocal arrangement.AI summary
Zonophone 5726 Voice
Irene Dunne, the major Hollywood actress and soprano, on Columbia DB3081. Dunne recorded frequently in the 1930s–1940s; this is one of her standard film songs from that era.AI summary
Columbia DB3081 Voice
Irene Dunne recorded 'When I Grow Too Old to Dream' and 'Lovely to Look At' for Brunswick 02048 in the mid-1930s; Dunne was a major American film actress and popular singer known for her light soprano voice and sophisticated comedic timing.AI summary
Brunswick 02048 Voice
Irene Dunne was an American film star and sophisticated vocalist, celebrated for her roles in musical films of the 1930s–40s. 'When I Grow Too Old To Dream' and 'Lovely to Look At' are from her film work, recorded for Brunswick during her Hollywood years.AI summary
Brunswick 02048 Voice
Irene Eisinger performing the operetta song 'Das gibt's nur einmal' and 'Heuerigenlied' (an Austrian folk song), on Electrola EG2450, a German pressing from the 1930s.AI summary
Electrola EG2450 Voice
Pathé 1084 Voice
Irene Price vocal on Rex 9040, a small British label of the early 1930s.AI summary
Rex 9040 Voice
Irving Berlin, the legendary American composer, sings his own compositions from the First World War era on Brunswick. 'Oh How I Hate to Get up in the Morning' was one of Berlin's hits from Yip, Yip, Yaphank (1918).AI summary
Brunswick 03492 Voice
Irving Kaufman, a prolific American vaudeville and recording artist of the 1920s, recorded 'Roses Remind Me of You' and 'Who' for Grafton 9185, a British label. The catalogue number appears to have been incorrectly labelled on this copy. Kaufman was active in the 1920s–1930s as a recording artist for many American labels.AI summary
Grafton 9185(labelwrong) Voice
Irving Kaufman, a prolific vaudeville and recording artist known for novelty and comedy vocals, recorded two sentimental or novelty songs for Supert, a small British label.AI summary
Supert 9622 Voice
Irving Kaufman with It's a Man Every Time It's a Man and It's Not the First Time You Left Me on Vocalion 14746.AI summary
Vocalion 14746 Voice
Irving Kaufman, a prolific early recording artist, performs two vocal numbers on the Adelphi label. Kaufman recorded from the 1920s into the early acoustic era.AI summary
Adelphi 21 Voice
Irving Kaufman with Why Did I Kiss That Girl and What'll I Do on Meloto 1454.AI summary
Meloto 1454 Voice
Irving Kaufmann performing 'You're the Cream in My Coffee' and 'Glad Rag Doll' on Imperial 2093. Kaufmann was a prolific American tenor singer of the 1920s, known for sentimental ballads and novelty songs.AI summary
Imperial 2093 Voice
Irving Post (possibly under the pseudonym Kaufman) performing popular song material on Lyratone 11408, a small British independent label.AI summary
Lyratone 11408 Voice
Ivor Foster performing two musical pieces on Winner, a budget British label.AI summary
Winner 2015 Voice
Ivor Foster singing two romantic songs—'Woo Thou Thy Snowflake' and 'Thou'rt passing hence'—on Odeon 44843.AI summary
Odeon 44843 Voice
Ivor Foster performing two sentimental ballads on Odeon, a major international label. Foster was a British tenor recording in the 1920s–1930s.AI summary
Odeon 66656 Voice
Ivor Foster performing sentimental ballads on Winner, catalogue 2869. Winner was a budget British label of the 1920s-30s; Foster is unrecognised.AI summary
Winner 2869 Voice
Ivor Foster performing sentimental ballads on Winner, a budget British label of the early 1930s.AI summary
Winner 2978 Voice
Ivor Foster recorded for Odeon in the 1920s or early 1930s, singing 'Who Is Sylvia' (a classical art song by Schubert) and 'Queen of My Heart', suggesting light classical or sentimental vocal material.AI summary
Odeon 72524 Voice
J Bennett recorded 'All the World Will Be Jealous of Me' and 'You Remember a Place Called Home' for Olympia 105. Olympia was a minor British label.AI summary
Oly 105 Voice
J Boyd performing popular sentimental songs on Imperial, a small British label of the early 1930s.AI summary
Imperial 1413 Voice
J Broughton and H Thornton are credited on this JBull label recording, a tiny British imprint, with folk or traditional Scottish material ('Hey Willow Waly O').AI summary
John Bull 5 Voice
A Columbia early vocal recording by J Buchanan and E Randolph, 'Fancy Our Meeting' and 'One I'm Looking For', from a high catalogue number suggesting the acoustic or early electric era.AI summary
Columbia 9462 Voice
A duet by J Buchanan and E Randolph on His Master's Voice B8026, performing 'Fancy Our Meeting' and 'Now That I've Found You'. HMV B-series were mass-produced popular vocal and dance sides.AI summary
His Master's Voice B8026 Voice
J Collins and C Fleming perform 'I Want the Sun and Moon' and C Fleming sings 'Call of the Sea' on Columbia F1054. The artists are not widely recognised recording names; this is a standard mid-1920s Columbia F-series popular vocal pressing of modest value.AI summary
Columbia F1054 Voice
Collins and Bates recorded these sentimental ballads on Columbia's popular-priced series. The song titles suggest light romantic material typical of the 1920s–1930s vocal repertoire.AI summary
Columbia L1156 Voice
J. Farrington on Cinch 5073, credited with two traditional items: 'Asleep in the Deep' (a Victorian standard) and 'Skipper'. Cinch was a British budget label.AI summary
Cinch 5073 Voice
Judy Garland and Dick Haymes, major American film and recording stars, recorded 'For You, For Me, For Evermore' and 'Aren't You Kind of Glad We Did' for Brunswick 03776, likely 1940s.AI summary
Brunswick 03776 Voice
J Hay singing two songs for Imperial, a minor British imprint, likely 1920s-30s based on the catalogue number.AI summary
Imperial 1693 Voice
J Henty and C Collins recorded 'When Paderewski plays' and 'Are you from Dixie' for Zonophone 1648, typical of Zonophone's dance and popular song catalogue from the 1910s.AI summary
Zonophone 1648 Voice
J Hopkins, an unidentified vocalist, recorded 'Let me like a Soldier fall' (a well-known ballad) and 'True till Death' for Burl, a minor British label. The Burl label is poorly documented and Hopkins cannot be placed.AI summary
Burlington 145 Voice