4,838 shellac records · mostly British pressings, 1900s–1950s
4,838 records matching · page 60 of 101
Lawrence performing popular songs on Decca F5125, mid-1930s.AI summary
Decca F5125 Voice
Lawrence on Decca F5762, a popular vocal from the late 1930s–40s on the major British label Decca.AI summary
Decca F5762 Voice
Lawrence Wright, the Denmark Street music publisher and songwriter, with I'm Coming Back to Bonnie Scotland and, by Harry Cove, Someone Is Coming to My House on Invicta 343.AI summary
Invicta 343 Voice
Lawrence Wright Troupe on Imperial 992, a budget British label of the 1920s–1930s; the titles suggest popular sentimental material.AI summary
Imperial 992 Voice
Layton and Johnstone, a popular American vocal duet, with 'For You' and 'I Love You in the Same Sweet Way' on His Master's Voice DB677 — vocal duet material from the 1920s–1930s era.AI summary
His Master's Voice DB677 Voice
Layton and Johnstone were an influential American vocal duo who recorded numerous sides in the 1920s–30s, known for their close harmonies and charm. This Columbia recording of two popular standards typifies their easy-listening style and was likely mass-pressed by the major label.AI summary
Columbia DB245 Voice
Layton and Johnstone perform 'Goodnight Sweetheart' and 'Shout for Happiness' on Columbia DB513 from the late 1920s or early 1930s. Layton and Johnstone were a popular duo, mainly known as a vaudeville act.AI summary
Columbia DB513 Voice
Layton and Johnstone, the celebrated American vocal duo, performing 'I've Gotta Right to Sing the Blues' and 'Stormy Weather' on Columbia's DB-series in the early 1930s.AI summary
Columbia DB1066 Voice
Layton and Johnstone, a British vocal duo, performing 'Love Is the Sweetest Thing' and 'Nightfall' on Columbia DB1029, a standard dance-era coupling.AI summary
Columbia DB1029 Voice
Layton and Johnstone were a popular American vocal duo of the 1920s and 1930s, best known for their light, sophisticated close-harmony style; this Columbia DB740 sides 'I Found a Million Dollar Baby' and 'Love Letters in the Sand' are representative of their repertoire.AI summary
Columbia DB740 Voice
Layton and Johnstone were a British vocal duo popular in the 1920s–1930s; this Columbia pressing features sentimental ballads of the period.AI summary
Columbia DB889 Voice
Layton and Johnstone, an American vocal duo, recorded 'Alabamy Bound' and 'I'll take her back (if...)' for Columbia in the 1920s. Layton and Johnstone were a popular novelty and comedy singing duo known for their work in musical theatre and recordings.AI summary
Columbia 3672 Voice
Lazos Shuk recorded 'The Swan' and 'Swing Song' (the latter credited to Lorenzo) on Imperial label.AI summary
Imperial 1224 Voice
Le Chanteur Sans Nom ('The Singer Without a Name') on Rythme Records, catalogue 2083, with 'Maria' and 'Un Petit Bonjour'. A mysterious or pseudonymous French-language vocalist on an obscure label.AI summary
Rythme 2083 Voice
An unnamed leader or orchestra performing two popular ballads on Eclipse, a small British label: 'Little Man You've Had a Busy Day' and 'On a Blue Lagoon'.AI summary
Eclipse 729 Voice
Credited to Leader on Eclipse 935, performing 'I'm going to lose my Heart to Someone' and 'Dancing with my Shadow'; Eclipse was a small British label.AI summary
Eclipse 935 Voice
Ledor recorded two Spanish-language titles for Zonophone, the British branch of Victor and Gramophone Company's subsidiaries. These vocal recordings reflect the early recording industry's interest in international repertoire.AI summary
Zonophone 2717 Voice
Lee Morse, the jazz-age singer with the remarkable deep voice and yodel, sings 'Tentin' Down in Tennessee' and 'Poor Papa' on American Perfect.AI summary
Perfect 11608 Voice
Lee Morse on Columbia 2564D, 'Call me Darling' / 'I'm for you a hundred percent'. Lee Morse was a notable 1920s–1930s female vocalist, saxophonist and bandleader, recorded extensively on major labels.AI summary
Columbia 2564D Voice
Lee Morse was an American blues and jazz singer active from the 1920s; this Columbia DB-series disc from the early 1930s carries two spiritually-tinged numbers, credited to her but possibly group recordings.AI summary
Columbia DB579 Voice
Lee White performing popular songs on Winner, a budget British label; the titles suggest early 1920s popular material.AI summary
Winner 3181 Voice
Lee White on Winner, performing two sentimental popular songs of the 1920s era. Winner was a cheap British label active 1923–c.1930; the artist is unrecognised in standard discographies.AI summary
Winner 3232 Voice
Lee White and J Morrison performing two popular songs—'On the 5.15' and 'High Cost of Loving'—on Columbia 527, a pre-1920s popular vocal recording.AI summary
Columbia 527 Voice
Lee Wiley, a sophisticated American cabaret and jazz vocalist, performing 'Rodgers and Hart' standards on the MusicBox label; Wiley was renowned for her interpretations of American songbook material.AI summary
MusicBox 1-4 Voice
Lelio Casini performing 'Canzone Toscana—Stornellata' (a Tuscan folk song) for Black Label Zonophone 497.AI summary
BlackZono X497 Voice
Len Fillis performs 'The World Is Waiting for the Sunrise' and 'Three Little Words' on Columbia DB series, two very popular American songs from the 1920s–1930s.AI summary
Columbia DB498 Voice
Len Fillis was a South African recording artist of the 1950s; these titles in Afrikaans were recorded for the Columbia South African market.AI summary
Columbia DE123 Voice
Len Fillis, credited on Columbia 5698, performing 'Progressions' and a piece with Al Bowlly titled 'Anita'. Limited information available about Fillis, though Bowlly was a prolific British vocalist of the 1930s.AI summary
Columbia 5698 Voice
Len Fillis recorded 'Sort of Uncertain' and 'My Rose' for Columbia; both are sentimental popular songs of the 1920s–1930s.AI summary
Columbia 4383 Voice
Len Fillis, a minor British vocalist, performs two sentimental ballads on Decca's popular F-series.AI summary
Decca F3036 Voice
Len Fillis and his novelty quartet recorded for Columbia in the 1950s; ballad novelties likely from the South African market.AI summary
Columbia 5522 Voice
Len Maurice recorded "Louise" and "On Top of the World Alone" for Columbia 01665, very early catalogue numbers from the late 1920s acoustic era.AI summary
Columbia 01665 Voice
Len Price recorded 'Tables Are Turning on You' and 'I Think of What You Used to Think of Me' for Parlophone E6104.AI summary
Parlophone E6104 Voice
Len Spencer and Ada Jones were prominent American recording artists of the acoustic era, known for duet recordings and comic dialogue. This Columbia side documents popular entertainment from the early 1900s. Columbia 3050 is an early catalogue number.AI summary
Columbia 3050 Voice
Len Spencer and Ada Jones, pioneering recording artists of the Edison and Columbia acoustic eras, recorded this sentimental song as a duet. Spencer was one of the earliest and most prolific American recording artists; Jones was a leading female comic and popular singer of the early 1900s.AI summary
Columbia 3314 Voice
Lena Horne, the celebrated American jazz and popular singer, performing two jazz standards on His Master's Voice in the 1940s.AI summary
His Master's Voice B10869 Voice
Lena Horne, 'I Love to Love' and 'Love Me or Leave Me', on His Master's Voice B10869; Horne was a pioneering African-American singer, actress and entertainer, and her 1940s recordings for major labels document her early career.AI summary
His Master's Voice B10869 Voice
Lena Horne, the celebrated African-American singer and entertainer, recorded these two standards for His Master's Voice in the 1940s or 1950s; I Love to Love and Love Me or Leave Me are showcase pieces for her distinctive contralto voice.AI summary
His Master's Voice B10869 Voice
Lena Horne, the celebrated American jazz singer and actress, recorded 'The Lady is a Tramp' and 'Where or When' for MGM Records, likely from the 1950s.AI summary
MGM 164 Voice
Lena Horne on His Master's Voice JO201, recording 'Stormy Weather' and another standard; Horne was a major Black American jazz and cabaret singer, though this particular pressing is not particularly scarce.AI summary
His Master's Voice JO201 Voice
Lena Horne, the American jazz and popular singer, recorded 'I Love to Love' and 'Love Me or Leave Me' for His Master's Voice in the 1950s. Horne was an international recording star and this pressing represents her work during a period of sustained commercial and artistic success.AI summary
His Master's Voice B10869 Voice
Lena Wilson recorded 'Hula Blues' and 'Four Flushin' Papa' for Brunswick, likely in the late 1920s. The title suggests a blues or vaudeville performance; Wilson is not widely documented in standard discographies.AI summary
Brunswick 2590 Voice
Lenghi Cellini recorded "Here's to the Sparkling Cup" and "Una Vergina" for Piccadilly catalogue 251. Piccadilly was a budget British label of the 1930s-1950s, and Cellini is not identified in general discographies.AI summary
Piccadilly 251 Voice
Lenghi and Cellini on Regal singing 'Maire, My Girl' and 'I Hear You Calling Me', sentimental songs and standards from the 1920s–30s.AI summary
Regal 1008 Voice
Lenghi and Cellini performing 'I'll Sing Thee Songs of Araby' and 'I Know a Lovely Garden' on Beka 44, early sentimental vocal duets on an obscure British label.AI summary
Beka M44 Voice
Lenghi-Cellini, likely an operatic or classical singer, on Beka M 53 performing art songs.AI summary
Beka M53 Voice
Beka M90 Voice
Lenghi-Cellini, likely a vocal duo or operatic partnership, perform 'Where my Caravan has rested' and 'I know a lovely Garden' on the obscure Sc label.AI summary
Scala 5003 Voice