4,838 shellac records · mostly British pressings, 1900s–1950s
4,838 records matching · page 64 of 101
M. Hughes performs two sentimental Victorian ballads on Neophone (Nep) 162: "Kathleen Mavourneen" and "Genevieve," likely from the 1920s or early 1930s. Neophone was a minor British label and the artist is otherwise untraced.AI summary
Neptune 162 Voice
M Marks on the Uni label performing 'I'm the Last of the Red Hot Mommas', a famous 1920s novelty song. The artist and the small Uni label are both obscure.AI summary
Unison 450 Voice
A Zonophone coupling of vocal pieces from the Viennese operetta world, credited to M Marlow and V Norbert with Leo Fall as composer — Fall being the Austro-Hungarian composer best known for 'Die Dollarprinzessin'. The catalogue number 2-24136 places this in an early Zonophone continental series, likely pressed in Germany or Austria around 1905–1910. Fall-associated recordings from this period attract specialist operetta collectors.AI summary
Zonophone 2-24136 Voice
M. Michailova was a Russian contralto. This His Master's Voice recording in the E catalogue (a cheaper HMV series for less prominent artists) offers two numbers: 'Let Joy Abide' and 'Stormy Breezes', likely folk songs or art songs of the pre-war era.AI summary
His Master's Voice E185 Voice
A vocal recording credited to M Nucelly on the Aero label, performing operatic or classical numbers.AI summary
Aerophone 640 Voice
M Piccalugga performing 'Sous le Regard de deux grandes Yeux' on Columbia.AI summary
Columbia 50584 Voice
Two performers credited to M Tabon and M Taylor on the obscure St label, performing popular novelty songs of the early 1930s.AI summary
Sterno 284 Voice
M Winifried Hughes presenting 'Some Famous English Letter Writers', featuring Hugh Walpole, on Columbia; a spoken-word or literary anthology piece, likely from the late 1930s or 1940s.AI summary
Columbia D40098 Voice
M. Lapelletrie, credited on Odeon 73111, performing 'Sa Mere l'Attend Toujours' and 'Pardon d'Enfant' — French-language sentimental songs, likely from the 1920s–1930s.AI summary
Odeon 73111 Voice
Mabel Gregory singing 'Love the Pedlar' and 'Love's Coronation' on Scala Records, catalogue 148; Scala was a minor British label of the early 1920s–1930s.AI summary
Scala 148 Voice
Mabel Marks performing vaudeville material ('Giggling Gertie') for Electrical Recording company. The catalogue number and label suggest a late 1920s pressing on a minor imprint.AI summary
Electron 0259 Voice
Mabel Marks performs two jazz-age standards, 'Tell me more about Love' and 'I must have that Man', on the obscure British label Broadcast, catalogue 399.AI summary
Broadcast 399 Voice
Mabel Marks on Broadcast 450. Broadcast was a British label of the 1920s-1930s period. The titles—'He's a Good Man' and 'Last of the Red Hot Mammas'—indicate popular vocal material, but the artist is unidentified in standard sources.AI summary
Broadcast 450 Voice
Mac recorded 'They're Either Too Young or Too Old' and 'Say a Prayer for the Boys Over There' for His Master's Voice, catalogue NE787. The first title is a wartime song popularized by Bette Davis; the catalogue number and arrangement of initials suggest 1940s wartime material.AI summary
His Master's Voice NE787 Voice
The Macari Brothers, an early vocal ensemble, recorded "Home" and "I Don't Know Why" for Zonophone around 1910-1912.AI summary
Zonophone 6105 Voice
Mackenzie Murdoch singing two Scottish traditional songs, 'Callum o' Glen' and 'Highland Boat Song', for Winner 2647. Winner was a cheap British label of the early 1920s.AI summary
Winner 2647 Voice
Mackey on Columbia 4184 from the early 1920s, a popular song recording. Mackey is unidentified in standard discographies.AI summary
Columbia 4184 Voice
Mackey performing 'For You' and 'Some Day' on Columbia 4009, an early 1920s vocal recording.AI summary
Columbia 4009 Voice
Mackey on Columbia 4090, performing 'Gentlemen prefer Blondes' and 'I don't care what you used to be', popular songs from the 1920s.AI summary
Columbia 4090 Voice
Mackey, a performer of popular and novelty songs, recorded these numbers for Columbia in the mid-1920s. The artist is not well identified from standard reference.AI summary
Columbia 4270 Voice
Mackey performing popular sentimental songs on Broadcast, a small British label of the early 1930s.AI summary
Broadcast 477 Voice
Mackey recorded 'Zanzibar' and 'Babette' for Columbia, likely popular songs from the 1920s–30s.AI summary
Columbia 3721 Voice
Mackey recorded 'I wonder where my Baby is tonight?' and 'Every Sunday Afternoon' for Columbia 3850, a British pressing from the 1920s.AI summary
Columbia 3850 Voice
A pianist or vocalist credited as Mackey on Columbia, recording popular songs of the 1920s–30s.AI summary
Columbia 3866 Voice
Credited to Mackey on Columbia, with 'Wildflower', a popular song standard of the 1920s; 'Goodbye Little Rosebud' on the reverse.AI summary
Columbia 3894 Voice
Mackey singing 'Dreaming of a Castle in the Air' and 'Cecilia' on Columbia 3992, from the early 1920s.AI summary
Columbia 3992 Voice
Mackey performing 'Two little bluebirds' and 'D'ye love me?' on Columbia 4101, from the early 1930s.AI summary
Columbia 4101 Voice
Credited to Mackey on Columbia 4144, a high catalogue number in the popular-vocal series; the titles suggest sentimental or novelty material from the late 1920s.AI summary
Columbia 4144 Voice
Mackey recorded the popular songs 'Beautiful Baby' and 'Don't Forget' for Columbia early in the 1930s. The artist is not further identified.AI summary
Columbia 4145 Voice
Mackey performing two popular songs on Columbia, a major British label.AI summary
Columbia 4174 Voice
Mackey, a performer of unidentified standing on Met (a minor label), performing light sentimental or popular material.AI summary
Metropole 1160 Voice
Mackey on His Master's Voice BD128, a popular song recording from the 1930s or later.AI summary
His Master's Voice BD128 Voice
Mackey recorded 'Who's Been Polishing the Sun' and 'No a Thousand Times No' for His Master's Voice, catalogue B6553, in the early 1930s.AI summary
His Master's Voice B6553 Voice
Credited to Mackey on Piccadilly, a cheap British label of the 1930s. 'There's a Rainbow round my Shoulder' was a popular song of the period. Mackey's identity is not established.AI summary
Piccadilly 215 Voice
Mackey performing two popular numbers for Piccadilly in the early 1930s.AI summary
Piccadilly 238 Voice
Mackey on Piccadilly, a cheap British marque of the 1930s–40s. 'You're the Cream in My Coffee' is a standard of the late 1920s, but the artist is not identified in standard discographies.AI summary
Piccadilly 326 Voice
Mackey on Piccadilly 366, with 'Louise' and 'I'll See You Again' — light vocal material on a cheap British marque, early 1930s.AI summary
Piccadilly 366 Voice
Mackey on Columbia 4253 with 'Waiting for the Rainbow' and 'Ça C'est Paris', mid-1930s popular songs. The artist Mackey is not clearly identified in standard references.AI summary
Columbia 4253 Voice
MacRobert and Ford recorded 'I Love You So' for Imperial Records, a single-sided release; artists and label are otherwise unplaced.AI summary
Imperial H201 Voice
Madam D. Hawkins singing 'Everyone will sing' and 'Liebestraume' for Coronation, catalogue 1. Hawkins is not known; the Coronation label was a minor British imprint.AI summary
Coronation 1 Voice
Madam D. Hawkins performing two songs on Coronation, a very obscure British label, with catalogue number 1.AI summary
Coronation 1 Voice
Madame Deering singing the Latin hymn 'Ora pro nobis' on Zonophone, a British label active in the early 1900s.AI summary
Zonophone X43138 Voice
Madame Deering recorded religious or sentimental material 'In a child's small hand' and 'There's a land' for Twin 571.AI summary
Twin 571 Voice
Madame Deering, recorded on Zonophone X43153, a high catalogue number indicating a later pressing from the 1920s–30s. No information is available about this artist or the specific recording.AI summary
Zonophone X43153 Voice
Madge Temple performing 'On the Silvery Sands' and 'I'm Looking for Mr. Wright' on Pathé 78743, a popular music side from a minor recording artist.AI summary
Pathé 78743 Voice
Madge Temple on Pathé 78780, a British early acoustic recording from the 1910s.AI summary
Pathé 78780 Voice
Madge Varcoe, a British soprano or mezzo, on Reviera Records with two sentimental vocal pieces; Varcoe is not a widely documented artist, and Reviera was an obscure or short-lived British label.AI summary
Reviera Voice
Mae Marion performing 'Come up and see me some Time' and 'When you were the Girl on the Scooter' on Rex 8092. An unidentified female vocalist on Rex, a British budget label.AI summary
Rex 8092 Voice