4,838 shellac records · mostly British pressings, 1900s–1950s
4,838 records matching · page 67 of 101
Mary Garden, the celebrated Scottish soprano and actress, singing two traditional Scottish songs, 'Jock O'Hazeldean' and 'The Blue Bells of Scotland', on Columbia catalogue A1191, likely a 1910s–1920s pressing.AI summary
Columbia A1191 Voice
Mary Martin, the American stage and film star, recorded 'Katie went to Tahiti' and 'Friendship' for Brunswick Records in the 1940s–50s.AI summary
Brunswick 03393 Voice
Mary Martin, the American musical-theatre and film star famous for her roles in Broadway productions and Hollywood musicals, recorded 'Almost Like Being in Love' and 'Beyond the Blue Horizon' for Brunswick; both are popular standards from the 1940s–1950s.AI summary
Brunswick 04058 Voice
Mary Martin, the American actress and singer, performing 'Kiss the Boys Goodbye' and 'Please Do It Again' for Brunswick UK 03253, likely late 1940s.AI summary
Brunswick 03253 Voice
Mary Morgan performing two untitled or unidentified songs on Parlophone R4154. Nothing is known of the artist.AI summary
Parlophone R4154 Voice
Mary Reed on Columbia 2083, an early Columbia acoustic catalogue number; the titles suggest popular ballad material from the 1920s.AI summary
Columbia 2083 Voice
Mary Sanchez on two Spanish-language songs, 'Que quieres que te merque' and 'La Alpispa', from Decca AL22031. This is a Spanish or Latin-American vocal recording issued on Decca's AL (Alhambra) series, likely from the 1930s-1940s, aimed at Spanish-speaking communities in Britain.AI summary
Decca AL22031 Voice
Mary Williams performed 'Annie Laurie' and 'Old Folks at Home' for Imperial, a British budget label of the early 1900s–1950s, likely a classical or parlour-song vocalist.AI summary
Imperial 912 Voice
Mary Williams and T Howell performing 'Hey willow waly O' and 'Life's Dream is o'er' on Olympia, a small British label.AI summary
Opera 30100 Voice
Mason performing two popular songs on Broadcast 3067, an obscure British label. The catalogue number is high, suggesting late 1920s or 1930s pressing.AI summary
Broadcast 3067 Voice
Mason on Decca F5564, a vocalist recording two standards from the mid-1930s on a mass-market commercial release; likely a commonplace dance or vocal recording.AI summary
Decca F5564 Voice
Matilde Brodes is not a name that appears in standard operatic or vocal discographies, and Victor 66096 — 'England's Godspeed to Her Prince' — appears to be a patriotic occasional piece rather than operatic repertoire. Victor 66000-series pressings are American acoustic discs from the earliest recording era (c.1902–1908). The identity of the performer and the occasion of the piece both warrant investigation.AI summary
Victor 66096 Voice
Matt Dennis, the singer-pianist and composer of 'Angel Eyes', with 'The Birth of the Blues', and the Sextette from Hunger with 'Lock, Stock and Barrelhouse', on a MacGregor transcription disc made for radio broadcast, not shop sale.AI summary
MacGregor & Ingram 1002 Voice
Matt Malneck with C. Gibbons on Columbia's DB series, two untraceable ballad standards from the early 1930s.AI summary
Columbia DB1000 Voice
Matt Monro was a British popular singer who rose to prominence in the 1950s–60s with a smooth, sophisticated baritone; this Decca recording from the late 1950s captures his early commercial work.AI summary
Decca F10816 Voice
Mattia Battistini, the 'king of baritones', sings 'Ancora!' on an early G&T.AI summary
G&T 52669 Voice
Mattie Haskins on Imperial A543, a British vocal of Irish folk or sentimental song from the 1920s–30s.AI summary
Imperial A543 Voice
Maud Mortimer sings 'There's Not Another Daddy in the World Like Mine' on Zonophone 12827. Mortimer is not a widely traced name in standard music-hall references, and the Zonophone 12xxx series suggests a mid-period acoustic pressing. A modest sentimental song on a common label by an obscure artist.AI summary
Zonophone 12827 Voice
Maureen Evans with Hoopa Hoola and The Hula Hoop Song on Embassy 309.AI summary
Embassy 309 Voice
Maurice Chevalier, the celebrated French entertainer and actor, recorded for Columbia; these French songs represent the sophisticated vocal style that made him an international star.AI summary
Columbia D2026 Voice
Maurice Chevalier, the French singer and actor, performing two songs in French on Columbia 4401, with Yvonne Vallée on one side. Chevalier was an international star of stage and film in the 1920s–30s.AI summary
Columbia 4401 Voice
Maurice Chevalier, the French entertainer and star of stage and film, on His Master's Voice performing 'Wait Till You See Ma Cherie' and 'It's a Habit of Mine', likely from the late 1920s or early 1930s.AI summary
His Master's Voice B3089 Voice
Maurice Chevalier, the iconic French singer and entertainer, recorded for HMV in multiple languages. This K-series side couples two of his French-language recordings: 'J'ai peur de coucher tout seul' and 'En plus grand', from the 1930s–40s era.AI summary
His Master's Voice K6052 Voice
Maurice Chevalier, the legendary French entertainer, recorded two songs in French for His Master's Voice K7767, a mid-period recording from his recording career.AI summary
His Master's Voice K7767 Voice
Maurice Chevalier, the celebrated French performer, singing two pieces on Decca: 'Bouquet de Paris' and 'La Barbe'. Chevalier's extensive recording career spans multiple labels and languages, and his recordings remain collectible; however, Decca pressings of his material are usually common.AI summary
Decca F9323 Voice
Maurice Chevalier, the French singer and actor, on two jazz-standard sides for Decca: 'Just One of Those Things' and 'I'm Looking Over a Four-Leaf Clover'.AI summary
Decca C16042 Voice
Maurice Chevalier, the French entertainer and film star, recorded 'Toi et moi' and 'Oh come on be sociable' for His Master's Voice around the early 1930s. Chevalier was an international celebrity of the period and his vocal recordings remain widely collected.AI summary
His Master's Voice B3685 Voice
Maurice Elwin was a British popular singer active in the 1930s–40s. This Decca F-series pressing of "This Is the Night" and "Beautiful Garden of Roses" documents his light vocal style.AI summary
Decca F3062 Voice
Maurice Elwin on Rex, singing two popular ballad standards of the interwar era — an unknown artist to standard reference sources.AI summary
Rex 8773 Voice
Maurice Elwin was a British popular vocalist of the 1920s and 1930s; this Zonophone coupling pairs two sentimental ballads from that era.AI summary
Zonophone 5375 Voice
Maurice Elwin performing 'I'd Rather Cry Over You' and 'Happy Days and Lonely Nights' for Zonophone 5265, a catalogue number from the 1920s–30s.AI summary
Zonophone 5265 Voice
Maurice Elwin, one of the most prolific pseudonymous crooners on British budget labels of the late 1920s and 1930s, sings 'I've Never Seen a Smile Like Yours' and 'Lady Divine' on Zonophone.AI summary
Zonophone 5375 Voice
Maurice Elwin, vocalist, recorded popular ballads for Zonophone in the 1920s–30s. 'Breakaway' and 'Lonesome Road' are dance-band era ballads; this is a standard Zonophone issue from a major British label.AI summary
Zonophone 5418 Voice
Maurice Farkoa, the Edwardian singer famous for his laughing song, sings 'Do I Like Love?' on a single-sided Gramophone Company disc.AI summary
Gramophone Company 3-2255 Voice
Maurice Farkoa, the Edwardian singer famous for his laughing song, sings 'Who'll Marry Me?' on a single-sided Gramophone Company disc.AI summary
Gramophone Company 4-2029 Voice
Maurice J Gunsky recorded 'Just as the Sun Went Down' and 'Consolation' for Zonophone, a British label owned by The Gramophone Company. The catalogue number suggests an early 1920s pressing.AI summary
Zonophone 5096 Voice
Maurice J Gunsky performing two sentimental ballads on Zonophone, a British subsidiary of the Gramophone Company. Zonophone issued a wide range of material, often at lower cost, and recordings on this label from the acoustic era are common but surviving stock is limited.AI summary
Zonophone 5177 Voice
Maurice J Gunsky performing 'Lay My Head Beneath a Rose' and 'Why Do I Always Remember' on Zonophone 2864, from the early 1900s or 1910s.AI summary
Zonophone 2864 Voice
Mavis Rivers on TanzaZ, performing two South Sea themed songs, 'Farewell Samoa' and 'My South Sea Island Dream'.AI summary
Tanza Z98 Voice
Max Bygraves, the British singer and entertainer, recorded 'That Dear Old Gentleman' for His Master's Voice in the early 1950s. Bygraves was a popular post-war variety and recording artist, best known for his later hit 'You're a Pink Toothbrush'.AI summary
His Master's Voice POP262 Voice
Max Bygraves was a popular British entertainer and singer of the 1950s, recording light comedy and novelty songs. 'Little Train' and 'Gotta Have Rain' are minor entries in his Decca catalogue.AI summary
Decca F11046 Voice
His Master's Voice B10703 Voice
Max Mossel recorded art-song repertoire for Columbia in the early 1900s, performing German and Italian lyrical material.AI summary
Columbia 2777 Voice
Jazz vocalist Maxine Sullivan performing 'Loch Lomond' and 'Just Like a Gypsy' on Brunswick 03246. Sullivan was a prominent jazz singer of the 1930s–40s known for her cool, sophisticated style and folk-song interpretations.AI summary
Brunswick 03246 Voice
May Lloyd recorded these popular songs on Winner in the early 1920s-30s, during the early jazz and dance era.AI summary
Winner 2848 Voice
May Moore Duprez, credited on Columbia's Rena label (a cheap British marque used for short-run and secondary releases), performing two early vocal recordings. Very little is known of this artist outside of these disc credits.AI summary
Columbia Rena1997 Voice
Credited to McDermott on Piccadilly, an early-1930s cheap British label, this disc of 'Oh Donna Clara' and 'Kiss Waltz' is light sentimental material from an unidentified source.AI summary
Piccadilly 677 Voice
McDermott recorded 'Mona Lisa' and 'Hold my hand' for Winner, a British budget label of the 1950s.AI summary
Winner 5458 Voice