4,838 shellac records · mostly British pressings, 1900s–1950s
4,838 records matching · page 69 of 101
Miller on Brunswick, catalogue 3975, a popular vocal ballad from the late 1920s or early 1930s. Mass-market Brunswick pressing.AI summary
Brunswick 3975 Voice
The Mills Brothers, an American vocal quartet, recorded these songs for Brunswick; the Mills Brothers were one of the most popular and enduring vocal groups of the 20th century.AI summary
Brunswick 6490 Voice
The Mills Brothers, an enormously successful American vocal quartet, recorded prolifically for Brunswick from the early 1930s; this pressing of 'Baby won't you please come Home' and 'You Rascal you' dates from their peak years.AI summary
Brunswick 01255 Voice
The Mills Brothers, the American vocal quartet famous for their close harmonies and instrumental imitations, recorded 'Shoe Shine Boy' and 'Rhythm Saved the World' for Brunswick; both were popular numbers of the late 1930s and early 1940s.AI summary
Brunswick 02245 Voice
The Mills Brothers, one of the most successful and influential American vocal groups of the 1930s–40s, on Brunswick 1296 with 'Rockin' Chair' and 'Goodbye Blues'.AI summary
Brunswick 1296 Voice
Milton Charles, with C Edwards, performing 'Can you blame me' and 'How about me' for Columbia, 5252. Both are popular songs; the artist is unidentified beyond this single release.AI summary
Columbia 5252 Voice
Milton Hayes, a British actor and monologist known for his dramatic recitations and character sketches, recorded for Columbia in the 1920s. Hayes was a popular revue and theatrical performer.AI summary
Columbia 3233 Voice
Mindy Carson, an American popular singer, performing 'I'm Bashful' and 'A Rainy Day Refrain' on His Master's Voice B9986. Carson was known as a country and novelty vocalist in the 1940s–50s.AI summary
His Master's Voice B9986 Voice
Mindy Carson and Guy Mitchell, two popular American singers of the 1950s, on Columbia DB3203 with 'Train of Love' and 'That's a-Why'.AI summary
Columbia DB3203 Voice
Minnie Mearns was recorded by the Belt label, a short-lived British imprint; her recordings are scarce and little is known of her career.AI summary
Beltona 785 Voice
Credited as Miscel, a vocalist recorded Italian songs 'Stornellata Fiorentina' and 'Occhi neri' on Columbia D5790, Italian folk or popular vocal material from the 1920s–30s.AI summary
Columbia D5790 Voice
Miss D. Hayward Webb recorded vocal ballads for the Aco (Acme Record Company) label, a British budget imprint of the 1920s–30s.AI summary
Aco G15014 Voice
Miss Ninja (likely an Indonesian or Malay singer, given the Sundanese language titles) recorded 'Terang Boelan' and 'Gitaar Berboenji' for Columbia. These are colonial-era recordings from the Dutch East Indies region, sung in Indonesian languages. Such recordings are rarely encountered outside specialist collectors of Southeast Asian 78s.AI summary
Columbia DB30192 Voice
Miss Venning performs 'Come Sing to Me' and 'For All Eternity' on Best, a very minor British label of uncertain date. Venning is unrecorded in standard reference works.AI summary
Best 232 Voice
Miss Venning sings Come Sing to Me and Love's Old Sweet Song on Pick of All 35-4511.AI summary
Pickofall 35-4511 Voice
Mistinguett, the legendary French music-hall and chanson performer, on Pathé with 'On M'suit' and 'Tout Ca Est Pour Vous'. These are chansons from her long career in the Parisian music hall, recorded during the early recording era.AI summary
Pathé 3618 Voice
Mitchell & Shepherd performing a two-part sentimental song on Imperial, a budget British label.AI summary
Imperial 1097 Voice
Mitja Nikisch recorded 'Madelon' and Otto Dobrindt's 'Speak of Love Eternal' for Parlophone E11068; Nikisch was a tenor, and both pieces were popular vocal material of the interwar period.AI summary
Parlophone E11068 Voice
Mizzi Fink performing German Christmas songs ('O Tannenbaum', 'All Jahre wieder', 'Schlas Kindlein', 'Wenn Ich ein Vöglein war') on HMV 11114. An early recording of Christmas and folk repertoire in German.AI summary
His Master's Voice 11114 Voice
Claire Croiza, the celebrated French mezzo-soprano and one of the foremost interpreters of French mélodie, performing songs from Verlaine's 'Ariettes oubliées' with Francis Poulenc at the piano, and a Sarabande with Albert Roussel at the piano, on Columbia D13084. Composer-accompanied recordings of this type are primary documents; a Croiza disc with both Poulenc and Roussel as pianists is historically exceptional.AI summary
Columbia D13084 Voice
Mme Geori-Boué, a French mezzo-soprano or soprano of the early 1900s, recorded two romantic songs in French for Odéon: "Mon Cœur ne peut changer" and "À toi mon âme". Odéon was a major European label based in Berlin and had extensive French repertoire.AI summary
Odeon 188945 Voice
Mohammad Rafi sings two songs from the Urdu film Miss Bombay.AI summary
Voice
Montague Arnold on Odeon Records, a major British label, performing light vocal and sentimental song of the early acoustic era.AI summary
Odeon 44935 Voice
Morgan performing 'Casey Jones' and 'I love a Lassie' for Columbia, DB5039. Both are popular standards and traditional songs. Morgan is unidentified.AI summary
Columbia DB5039 Voice
Morgan Kingston on Columbia Records with two Irish traditional vocal sides ('Kerry Dance' and an instrumental trio arrangement); Kingston was a tenor or baritone specializing in Irish repertoire.AI summary
Columbia 99 Voice
Morlais Morgan singing 'Floral Dance' and 'Fishermen of England' on the VF label, catalogue 1212. An unplaceable Welsh or British regional pressing from the early 20th century.AI summary
Velvet Face 1212 Voice
Morny Cash performing '21 to 63' and 'Dance With Your Uncle Joseph' on Columbia is879. Cash is not a major recording artist of documented prominence.AI summary
Columbia is879 Voice
Morny Cash performing *Married a Year Today* and *Come to Your Daddy* on Jumbo, a small British budget label. Jumbo records were cheap pressings sold through variety outlets in the 1920s–1930s.AI summary
Jumbo 1331 Voice
Morny Cash on Scala 779 — 'Come to Your Daddy' and 'Dance with Your Uncle Joseph' (with Whitlock). Cash was a popular Edwardian bass-baritone singer of sentimental and patriotic songs. Scala is a minor British label; the pairing with a comic piece is typical of the period.AI summary
Scala 779 Voice
Morny Cash, a female singer on the Winner label in the 1920s, recorded this comic song about marriage for a small British imprint; very little is documented about her recording career.AI summary
Winner 2920 Voice
Credited to Morrison on Piccadilly, a cheap British marque of the 1930s–40s.AI summary
Piccadilly 232 Voice
Morton Downey, the American crooner popular in the late 1920s and 1930s, recorded these two sentimental ballads for Brunswick.AI summary
Brunswick CB143 Voice
Morton Downey, the American tenor and radio star of the late 1920s and 1930s, performing "Paradise" and "One Hour with You" on Royal, a small American label.AI summary
Royal 91326 Voice
Morton Downey, the American radio crooner, sings 'I'm Pally with Sally Again' backed with 'Isn't it Heavenly' on Broadcast, a cheap British label of the late 1920s and early 1930s sold through Woolworths.AI summary
Broadcast 3341 Voice
Morton Downey, the Irish-American tenor popular on radio and record in the 1930s, sings 'Stormy Weather' and 'In the Valley of the Moon' on Broadcast, a British budget label of the period tied to cheap retail outlets.AI summary
Broadcast 3327 Voice
Mouloudji, the French singer, with Si tu t'imagines and Comme un petit coquelicot on Philips PB347.AI summary
Philips PB347 Voice
Mr and Miss Brighten, a duet act, on His Master's Voice in the 1920s, performing sentimental popular material.AI summary
His Master's Voice B1665 Voice
Mr Aumonier, credited on Odeon 3835, performing 'Les Boeufs' and 'Primavera'.AI summary
Odeon 3835 Voice
Mrs A Stewart Holt performing Stephen Foster's 'Old Folks at Home' on Columbia 30128. A parlour or domestic vocal recording from the early 20th century.AI summary
Columbia 30128 Voice
Mrs Jack Hylton (the dancer Enid Hylton) recorded 'In a Little Gypsy Tea Room' and 'There's No Day Like Today' for Cr, an obscure British label, possibly in the 1930s.AI summary
Crown 1 Voice
The Mudlarks, a 1950s vocal group, perform two novelty-style songs for Columbia — a post-war doo-wop era recording.AI summary
Columbia DB4099 Voice
The Mudlarks on Columbia DB4133, performing 'Book of Love', a novelty vocal group recording from the mid-1950s.AI summary
Columbia DB4133 Voice
Munro on His Master's Voice BD5242, performing 'Vieni vieni' and 'Le Touquet'. The titles are Italian and French respectively.AI summary
His Master's Voice BD5242 Voice
A performer or band credited to Munro on the Sav label (likely Savoy), a small British marque, recording popular songs of the 1920s–30s.AI summary
Savana 1589 Voice
Munro credited on His Master's Voice BD5280, a date that places this in the early 1930s. The artist is unidentified; the title suggests a sentimental popular song of the era.AI summary
His Master's Voice BD5280 Voice
Munro recorded 'Me and My Girl' and 'Lambeth Walk' for His Master's Voice, likely from the late 1930s when these songs from Noël Gay's musical were highly popular.AI summary
His Master's Voice BD5324 Voice
Munro recorded 'Shepherd of the Hills' and 'Tell Me You Love Me' for Curry's 273. Curry's is not identified as a standard British record label; this may be a local or regional imprint.AI summary
Curry's 273 Voice
An unidentified artist credited as 'Munro' on the Imperial budget label, performing 'My Inspiration is you' and the ballad standard 'Ramona'.AI summary
Imperial 1985 Voice