4,838 shellac records · mostly British pressings, 1900s–1950s
4,838 records matching · page 76 of 101
Perceval Allen singing the hymn 'How Beautiful Are the Feet' on G&T, the early Gramophone & Typewriter Company label. An early acoustic sacred vocal recording.AI summary
G&T 3662 Voice
Perceval Allen performing two Scottish traditional songs, 'Robin Adair' and 'Comin' thro' the Rye', on Columbia 2668. A vocal performance in the salon style common to early acoustic recordings.AI summary
Columbia 2668 Voice
'Farewell Song', sung by the English soprano Perceval Allen on a single-sided G&T.AI summary
G&T 3709 Voice
Perceval Allen singing the hymn 'God is a Spirit' on Gramophone Company (GCo) 04025, a sacred vocal recording from the early electrical era.AI summary
GCo 04025 Voice
The English soprano Perceval Allen and the tenor John Harrison sing the duet 'O Love Divine' on a single-sided G&T.AI summary
G&T 04006 Voice
Percy Mayfield, an influential American blues and R&B artist, recorded 'My heart' and 'Lonesome highway' for Speciality, catalogue 439.AI summary
Speciality 439 Voice
Percy Mott on His Master's Voice, recorded on the very early C-series (catalogue C15) with two short pieces: 'Welcome' and 'All aboard'. The early catalogue number suggests this is among HMV's earliest 78rpm releases.AI summary
His Master's Voice C15 Voice
Perry Como on His Master's Voice 1251, with 'Marcheta' and 'I Don't See Me in Your Eyes Anymore'. Como was one of the most popular and widely recorded singers of the 1940s–1950s, known for his smooth baritone and mainstream appeal.AI summary
His Master's Voice 1251 Voice
Perry Como on His Master's Voice, recorded during his early years in British release. 'Till the End of Time' was one of his signature sentimental ballads.AI summary
His Master's Voice BD1120 Voice
Perry Como recorded 'You must have been a beautiful baby' and 'Little man you've had a busy day' for His Master's Voice. Como was one of the most successful popular singers of the 1940s and 1950s.AI summary
His Master's Voice BD1161 Voice
Perry Como recorded 'If I'm Lucky' and 'Blue Skies' for His Master's Voice BD1154. Como was one of the most commercially successful vocalists of the 1940s-1950s, and his recordings were widely distributed.AI summary
His Master's Voice BD1154 Voice
Perry Como, the American balladeer and film star, recording 'The Rosary' and 'Bless This House' for His Master's Voice. The EA-series number places this in the late 1950s.AI summary
His Master's Voice EA3955 Voice
Perry Como, the American crooner and television star, recorded this pair of popular standards for Brunswick in the early 1950s.AI summary
Brunswick 03806 Voice
Perry Como was one of the most successful American popular singers of the 1940s–1950s, with a vast recording career and crossover into film and television. 'Jingle Bells' and 'Winter Wonderland' are seasonal novelties, likely from the early 1950s.AI summary
His Master's Voice BD1187 Voice
Perry Como, one of the most successful American popular singers of the 1950s, on His Master's Voice BD1156 with two standards.AI summary
His Master's Voice BD1156 Voice
Perry Como was a major American popular singer of the 1940s–1960s, known for his relaxed crooning style and crossover appeal. This RCA side pairs two of his hits, 'Catch a Falling Star' and 'Magic Moments', from the mid-1950s.AI summary
RCA 1036 Voice
Perry Como's US Victor recording of the Rodgers & Hammerstein numbers from South Pacific, a major hit for the American crooner in the early 1950s.AI summary
Victor S2 Voice
Pete Brown performing 'I Used to Sigh for the Silvery Moon' and 'Enjoy Yourself' on Alex 186. Alex was a small British label. Brown is not well-documented.AI summary
Alexander 186 Voice
A popular song recorded by Pete Brown for Bek, a small and obscure British label. The artist is not well known from standard reference, though the catalogue number suggests an early 1930s pressing.AI summary
Beka 40582/3 Voice
Pete Brown recorded 'Enjoy Yourself' and 'I Used to Sigh for the Silvery Moon' for J Bull, catalogue 40582.AI summary
John Bull 40582 Voice
Pete Woolery recorded 'Then Came the Dawn' and 'If You Don't Love Me' for Columbia, catalogue 5114; both are sentimental popular songs, likely from the 1920s-1930s.AI summary
Columbia 5114 Voice
Peter Bernard with Choo Choo Train to Tennessee and, by a band, Why Sell Kippers on Duophone M158.AI summary
Duophone M158 Voice
Peter Cornelius — presumably the German baritone of that name active in the early recording era — sings the Sword Song from 'Die Walküre' and Walther's Prize Song from 'Die Meistersinger' on Polyphon 22000. The Polyphon label was a German company active in the early 1900s, and its vocal pressings are less commonly encountered in British collections than HMV or Zonophone equivalents.AI summary
Polyphon 22000 Voice
Peter Dawson, the celebrated British baritone, performing 'Old Flagged Path' and 'Lackaday' on Zonophone 1282, an early recording from the acoustic era.AI summary
Zonophone 1282 Voice
Peter Dawson, one of Britain's finest baritones of the early 20th century, on Zonophone 2195. Dawson had an enormous recording career spanning four decades and recorded everything from ballads to comic songs.AI summary
Zonophone 2195 Voice
Peter Dawson, the Australian baritone celebrated for popular ballads and character songs, singing 'The Winding Road' and 'Waltzing Matilda' on His Master's Voice B9191 — the latter his signature recording.AI summary
His Master's Voice B9191 Voice
Peter Dawson, the Australian bass-baritone, sings The Bedouin's Love Song on Britannic 2344. The reverse is labelled as Blow, Blow, Thou Winter's Wind.AI summary
Britannic it2344 Voice
Peter Dawson, the Australian bass-baritone who was one of the most prolific recording artists of the 78rpm era, performing 'Bedouin Love Song' on the Nicole label, catalogue 5658. Nicole was a small British label; Dawson's catalogue is enormous and most of his popular sides are common, but a Nicole pressing is less standard than his HMV or Columbia equivalents.AI summary
Nicole 5658 Voice
Peter Dawson, the Australian bass-baritone who became one of the most prolific recording artists of the century, sings 'Let Me Love Thee' on an early G&T.AI summary
G&T 3-2483 Voice
Peter Dawson, the Australian bass-baritone, sings 'The Shipwright' on an early single-sided G&T.AI summary
G&T 3-2797 Voice
Peter Dawson, the Australian bass-baritone, sings 'The Bandolero' on an early single-sided G&T.AI summary
G&T 3-2857 Voice
Peter Dawson, the renowned Australian baritone, recorded two sailor songs, 'The Fleet's not in Port very long' and 'Rivetter', for His Master's Voice, catalogue B8554. Dawson was one of the most prolific and collected vocalists of the acoustic and early electrical era, known for narrative ballads and folk songs.AI summary
His Master's Voice B8554 Voice
Peter Dawson, one of Britain's finest baritones of the acoustic era, recorded 'Silver Patrol' and 'Old Plantation' for His Master's Voice; Dawson's HMV catalogue is extensive and highly collected.AI summary
His Master's Voice B8583 Voice
Peter Dawson was a dominant Australian baritone who recorded prolifically for His Master's Voice; 'Hotel Pimlico' and 'I Never Knew' are comic-sentimental songs typical of his British vaudeville repertoire.AI summary
His Master's Voice B1158 Voice
Peter Dawson, one of Britain's finest baritones of the early twentieth century, recorded two classical English songs—"Down Among the Dead Men" and "O Mistress Mine"—for His Master's Voice B851.AI summary
His Master's Voice B851 Voice
Peter Dawson, a major British baritone and ballad singer of the late 1800s–1930s, performing 'Smuggler's song' and 'Pauper's drive' on His Master's Voice B1311. Dawson was one of the most prolific classical-voice recording artists in British history.AI summary
His Master's Voice B1311 Voice
Peter Dawson, the great Australian baritone, recorded these two songs for His Master's Voice, likely in the 1920s based on the early catalogue number.AI summary
His Master's Voice B1348 Voice
Peter Dawson, the celebrated Australian baritone, in ballad songs for His Master's Voice. Dawson's HMV sides from the acoustic and early electrical era remain highly sought after.AI summary
His Master's Voice B777 Voice
Peter Dawson was one of the finest British baritones of the 20th century, with a recording career spanning five decades. This HMV side pairs two of his signature pieces: 'On the road to Mandalay' and 'Sylvia', which he recorded repeatedly throughout his life.AI summary
His Master's Voice B8886 Voice
Peter Dawson, the celebrated Australian baritone, recorded "Sleepy Hollow Tune" and "Song of the Homeward Bound" for Zonophone in the early 1900s. Dawson was one of the most prolific recording artists of the acoustic era.AI summary
Zonophone 2623 Voice
Peter Dawson, the Australian-born baritone and one of the most prolific recording artists of the 1900s–1920s, on Zonophone performing two sacred songs.AI summary
Zonophone 743 Voice
Peter Dawson, a distinguished Australian baritone, recorded 'Simon the Cellarer' and 'The Deathless Army' for Zonophone 159. Dawson was a major artist of the Edwardian era; Zonophone was the Gramophone Company's budget label.AI summary
Zonophone 159 Voice
His Master's Voice OB5940-2 Voice
Peter Dawson was one of the most recorded British baritones of the early 20th century, beloved for sentimental sea-songs and ballads like "The Bay of Biscay" and "Out on the Deep". This Zonophone pressing is from the acoustic era or early electrical period.AI summary
Zonophone A25 Voice
Peter Dawson was one of the finest British baritone singers of the early 20th century, celebrated for his ballads and sentimental songs. This His Master's Voice recording of 'Man Is Master of His Fate' and a song arrangement by Jones captures Dawson in the 1920s repertoire for which he became famous.AI summary
His Master's Voice B1512 Voice
Peter Dawson, one of the finest and most recorded baritones of the acoustic and early electric era, performs two narrative songs 'Drake Goes West' and 'Rolling Down to Rio' on Zonophone 614. Dawson was an Australian baritone who became one of Britain's most prolific recording artists from the 1900s through the 1950s, known for ballads and narrative songs.AI summary
Zonophone 614 Voice
Peter Dawson, the distinguished Australian baritone, recorded 'Farmer's Pride' and 'Windmill' for Zonophone; Dawson was one of the most prolific recording artists of the 1920s–30s.AI summary
Zonophone 804 Voice
Peter Dawson, the celebrated Australian baritone, recorded 'If those Lips could only speak' and 'Meet me Jenny when the sun goes down' for Zonophone, the budget British label, likely in the 1920s–30s. Dawson was one of the most recorded vocalists of the acoustic era and is highly sought by collectors.AI summary
Zonophone 50 Voice