4,838 shellac records · mostly British pressings, 1900s–1950s
4,838 records matching · page 77 of 101
Peter Dawson, the great Australian baritone, recorded for Zonophone in the early acoustic era. Dawson was one of the finest singers of the Edwardian age and remains actively collected; this Zonophone pressing is scarce.AI summary
Zonophone 1023 Voice
Peter Dawson, the celebrated Australian baritone, on Zonophone, a British label. Dawson was one of the most prolific and popular recording artists of the 1920s–30s, known for ballads and light songs.AI summary
Zonophone 1282 Voice
Peter Dawson, Australia's most celebrated baritone of the early 20th century, performs 'Genevieve' with accompanist Ernest Pike on Zonophone — rare early acoustic recording of a legendary and prolific artist.AI summary
Zonophone 525 Voice
Peter Gawthorne was a British baritone and character singer active in the 1920s–1930s; 'Garden of Girls' and 'Hearts that Were Aching' are typical drawing-room and sentimental ballad material from his repertoire.AI summary
Columbia D1344 Voice
Peter Taunton on Decca F6499, a late 1950s popular song release from a singer with no substantial recording career we know of.AI summary
Decca F6499 Voice
Petula Clark, who later became an international pop star, recorded 'I'll Always Love You' and 'Clancy Lowered the Boom' on Columbia DB2551 as a young artist in the late 1940s.AI summary
Columbia DB2551 Voice
Petula Clark with With Your Love and Suddenly There's a Valley on Pye Nixa N15013.AI summary
Pye N15013 Voice
Petula Clark recorded 'I'll always love you' and 'Clancy lowered the Boom' for Columbia DB series in the early 1950s. Clark was a British child star and recording artist who later became an international popular singer.AI summary
Columbia DB2551 Voice
Petula Clark was a British-French pop singer who rose to international fame in the 1960s; this early Polyphon recording captures her as a young artist in the post-war period.AI summary
Polyphon gP1117 Voice
Petula Clark with Tennessee Waltz and Sleepy Eyes on Polygon P1004, an early record by the child star of British radio.AI summary
Polygon P1004 Voice
Phemie Marquis, a Scottish singer, recorded these two ballads for His Master's Voice: 'A Fairy's Love Song' and 'The Land of the Mountains'. Both are sentimental character pieces.AI summary
His Master's Voice B974 Voice
Phil Arnold on DomA 198 with 'Hollow of a Hill' and 'That's the Good Old Sunny South', sentimental material from the early 1930s. DomA was a small British label; Arnold is unidentified.AI summary
Dominion A198 Voice
Phil Brito, a Hawaiian-influenced or Latin vocalist, recorded for Musicraft Records, a minor New York independent label of the 1940s, performing two popular songs.AI summary
Musicraft 15047 Voice
Phil Brito was an American singer and guitarist of the 1940s, popular in the Latin and novelty markets; this Musicraft Records side pairs two sentimental popular songs, 'Bless You' and 'If You're Somebody Else's Sweetheart'.AI summary
Musicraft 15098 Voice
Phil Brown performing 'Crazy People' and 'Love in Lilac Time' on Columbia CB499, a catalogue format suggesting early 1920s pressing.AI summary
Columbia CB499 Voice
Phil Harris was an American entertainer, comedian, singer and actor known for his work in radio, theatre, and film. This HMV pressing of "Smoke, Smoke, Smoke!" (a novelty hit) and "Crawdad Song" captures his light, comedic style.AI summary
His Master's Voice BD1195 Voice
Phil Harris performing 'The Old Master Painter' and the novelty swing song 'Chattanooga Shoe-Shine Boy' on His Master's Voice 9895, a British pressing from the late 1940s.AI summary
His Master's Voice 9895 Voice
Phil Lenard recorded a 'Swanee River Medley' for Decca (F2384) in the early 1930s. The artist is otherwise unidentified. 'Swanee River' medleys were popular novelty items of the period.AI summary
Decca F2384 Voice
Phil Pavey was a singer recorded by Parlophone in the acoustic era; 'Bronco Bustin' Blues' and 'Prairie Blues' reflect the American folk and blues themes occasionally tackled by British recording artists of the period.AI summary
Parlophone E6207 Voice
Phil Ray performing 'Wouldn't you like to save my Life' and 'Slaughter of the Minstrel Boy' on ArK, a minor British label.AI summary
Ariel K945 Voice
Phil Ray recorded 'Seventeen' and 'Parting' for Bek Records 41246/8, a catalogue number suggesting a 1930s release. Ray cannot be identified; Bek was a minor British label.AI summary
Beka 41246/8 Voice
Philip Ritte sings Thora and, with J. Hudson, Nellie Dean on Britannic 0060.AI summary
Britannic it0060 Voice
Philip Ritte performing two vocal songs on Brunswick Italian issue (catalogue it2320). The artist is not widely recorded, and the specific pressing details require verification.AI summary
Britannic it2320 Voice
Philip Ritte performs 'Sing Me to Sleep' and 'Sleep & Forget' on Inv 29. Inv was an obscure or short-lived British label.AI summary
Invicta 29 Voice
Philip Ritte performing two sentimental vocal pieces on Scala, an obscure British label.AI summary
Scala 120 Voice
Philip Ritte singing two religious songs — 'Holy City' and 'Star of Bethlehem' — on Scala, a minor British imprint, likely 1920s-30s.AI summary
Scala 121 Voice
Philip Ritte recorded Irish ballad material for Scala, an obscure British label; 'Kathleen Mavourneen' and 'Killarney' are traditional Irish songs frequently recorded in this period.AI summary
Scala 128 Voice
Philip Ritte singing 'Sing Me to Sleep' and 'Sleep & Forget' on JBull, catalogue 40733; JBull was a minor British label of the 1920s–30s.AI summary
John Bull 40733 Voice
Philip Ritte singing 'Kathleen Mavourneen' and 'Killarney' on JBull, catalogue 40748; sentimental Irish-themed songs by an unconfirmed artist on a minor British label.AI summary
John Bull 40748 Voice
Philip Ritte recorded two popular hymns, 'Holy City' and 'Star of Bethlehem', for the Lyc label, catalogue 072.AI summary
Lyceum 072 Voice
Philip Ritte performing Irish sentimental ballads on Zonophone's brown-label series in the early 1920s. Ritte was a prolific tenor of the period, recording widely for both major and minor labels.AI summary
Zonophone 216 Voice
Philip Ritte (or Ritt) on Zonophone 216 (green label), singing 'Barney Take Me Home Again' and 'I'll Take You Home Again Kathleen', likely 1920s.AI summary
Zonophone 216 Voice
Phillips on Winner 5296, a vocal recording on the British budget label Winner from the interwar period.AI summary
Winner 5296 Voice
Phyllis Dare was a British stage actress and singer of the early 1900s–1920s era; 'Atlantic Blues' and 'Here in my Arms' (the latter a duet with Jack Hulbert) are light song material from her theatrical repertoire. Columbia 4226 indicates a 1920s pressing. Dare was a West End star and early recording artist.AI summary
Columbia 4226 Voice
Phyllis Dare, the Edwardian musical comedy actress who starred in The Arcadians, The Merry Widow, and many Gaiety productions, sings 'Some Day' on Columbia MC11. The MC prefix is an unusual Columbia series designation; Dare is a collected name in Edwardian musical theatre and an unusual catalogue prefix warrants investigation.AI summary
Columbia MC11 Voice
Phyllis Lett recorded 'Daddy' and a violin piece, Chanson Polonaise by Opferman, for the Bell label, a British imprint of the 1920s.AI summary
Bell 107 Voice
Phyllis Monkman, a British musical theatre and light entertainment performer, recorded "Raggedy Man" with G. Childs and "You've Such a Lot" with A. Melford for His Master's Voice in the early 1920s.AI summary
His Master's Voice B1804 Voice
Phyllis Robins performing 'Smoke Gets in Your Eyes' and 'Lovely to Look At' for Rex 8569, likely 1930s–40s.AI summary
Rex 8569 Voice
Phyllis Robins performing popular song material on Rex 8537, a budget British label. 'Lullaby of Broadway' suggests early-to-mid 1930s repertoire.AI summary
Rex 8537 Voice
Phyllis Robins was a British female vocalist of the 1930s–40s; this Rex disc carries two popular ballads, 'Smoke Gets in Your Eyes' and 'Lovely to Look At'.AI summary
Rex 8569 Voice
Phyllis Robins performing two popular ballads on the Rex label, a British budget imprint. Limited information on this artist.AI summary
Rex 8356 Voice
Phyllis Titmuss was a soprano and musical-comedy actress who appeared in West End productions of the 1920s; Jack Hulbert was a prominent musical-comedy star of the same era. This Columbia F-series coupling of two light operetta numbers probably dates from around 1924–1926. A pleasant period piece from the British musical theatre of the 1920s, though not among the rarer Columbia pressings of the decade.AI summary
Columbia F1013 Voice
Phyllis Lett was a British or Commonwealth singer, probably of the 1920s–1930s. 'The Hills of Donegal' and 'Caller Herdin'' are popular songs or folk pieces. This His Master's Voice D248 pressing is from the early classical/voice series, probably 1920s.AI summary
His Master's Voice D248 Voice
The Pickens Sisters, an American novelty and comedy trio, on His Master's Voice with two light popular songs; the Pickens Sisters were prolific recording artists of the late 1920s-1930s and known for their close harmony and novelty style.AI summary
His Master's Voice B4176 Voice
The Pickens Sisters on His Master's Voice, this pressing of 'Lawd you made the Night too long' and 'Dream Sweetheart' is another example of their 1930s harmony vocal work.AI summary
His Master's Voice B4212 Voice
The Pickens Sisters were a vocal trio on His Master's Voice; this pressing of 'San' and 'Sweet Georgia Brown' dates from the 1930s and captures their polished harmony work.AI summary
His Master's Voice B4250 Voice
Piero Trombetta, 'Cantando Questa Strana Canzon' and 'Mi Bumba Ne', on Columbia CQ17774; an Italian vocalist recorded for one of the major labels, with song titles in Italian.AI summary
Columbia CQ17774 Voice
Pierre Dudan, the Russian-born French singer, with Jimmy de Harlem and Polka de mandibules on Polydor 590.162.AI summary
Polydor 590.162 Voice