4,839 shellac records · mostly British pressings, 1900s–1950s
4,839 records matching · page 8 of 101
B Hale and C Mollison, performing two light popular songs on Columbia DB: 'It must be you' and 'Two of everything'.AI summary
Columbia DB350 Voice
B James recorded 'Anything to Make You Happy' and 'Sunshine' on Conquest, catalogue 7018. Conquest was a minor British label; the artist is unidentified.AI summary
Conqueror 7018 Voice
B. Jones and E. Hare with Farmer Took Another Load Away and Pardon Me While I Laugh on Banner 1605.AI summary
Banner 1605 Voice
B Peters sings 'Come Unto Me' and 'Sandon' on Bell, an obscure British label with minimal surviving documentation.AI summary
Bell 77 Voice
B Peters performs 'Veteran's Song' and 'The Watchman' on the obscure British label VF, catalogue 1094.AI summary
Velvet Face 1094 Voice
B. Thomas sang 'I'm in the Market for You' and 'Eleanor' on the St label, a small British imprint. The artist and repertoire are otherwise unidentified.AI summary
Sterno 400 Voice
B. Tinley on Peacan Records performing 'Language of Love' (with A. Rowley's 'Jog Along') — an unidentified vocalist on an obscure British label, likely 1920s-30s.AI summary
Peacock 125 Voice
B. Turner recorded two sentimental or classical-style songs for Columbia in the early 20th century.AI summary
Columbia D268 Voice
B Turner on HomS 009, two sacred vocal pieces; HomS is an unidentified label and the artist and pressing details are obscure.AI summary
Hom S009 Voice
B Wallace performs 'Waiting at the End of the Road' and 'Goin' Home' on St, a very obscure label of uncertain origin and period.AI summary
Sterno 364 Voice
B. Whitlock with Bells of the Glen and Shallow Waters on Citizen 830.AI summary
Citizen 830 Voice
Ballew on Imperial 2448, with 'You're the One I Care For' and 'When Your Hair Has Turned to Silver' — vocal ballads on a minor American label's British pressing, 1930s.AI summary
Imperial 2448 Voice
An unidentified band perform two hymns on Winner 2042 from the acoustic era. Winner was a budget British label active from the 1900s.AI summary
Winner 2042 Voice
John Bull 11183 Voice
Ariel 9010 Voice
Bantock Pierpoint on Pathé Records, performing two old English songs: 'Who carries the Gun' and 'Ho jolly Jenkin'. An obscure recording on a major label from the acoustic or early electric era.AI summary
Pathé 60531 Voice
Barbara Knowles performing the "Jewel song" from Gounod's Faust and a popular soprano standard on Regal, a budget British label of the 1930s.AI summary
Regal G7075 Voice
Barbara Mullen, an actress and vocalist, performing Irish or sentimental material on His Master's Voice; likely 1940s–1950s.AI summary
His Master's Voice B9148 Voice
Bardsley and Carter performing 'Miserere' and a sentimental duet on Dac 2048, a short-lived British budget label from the interwar years.AI summary
Dacapo 2048 Voice
Barret and Sullivan, credited performers on Gammon (a minor early British label), performing popular or sentimental songs.AI summary
Gmn 759 Voice
Barrington Hooper on Zonophone with 'Lolita' and 'Nirvana'—two vocal or instrumental pieces on a Gramophone Company subsidiary label from the 1920s–30s.AI summary
Zonophone A382 Voice
Barry Kendall was credited on the obscure British label Emb, recording "It's All in the Game" and "More Than Ever". Emb was a minor short-lived imprint; Kendall's recording career is not established in standard discographies.AI summary
Embassy WB304 Voice
Basil Hallam, a British actor and singer, recorded 'Constant Lover' for His Master's Voice, catalogue 02563.AI summary
His Master's Voice 02563 Voice
Basil Hope, singing in a quartette, performing 'Ben Bolt' and 'Darling Nellie Gray' on Lud 1882, an obscure British imprint.AI summary
Ludgate 1882 Voice
Basil Lloyd, accompanied by Will Evans, performing "Smoke Clouds" (with George Anderson) and "Roses of Picardy" on Columbia 2843, an early acoustic issue. Lloyd was a British tenor.AI summary
Columbia 2843 Voice
Belle Baker, an American vaudeville star and prominent recording artist, performing two sentimental songs for His Master's Voice: 'Blue Moon' and 'Old Mammy Mine'.AI summary
His Master's Voice B8294 Voice
Bellwood & Burr performing 'I'm Forever Blowing Bubbles', a popular novelty song of the 1920s, on the Scala label. Little information is available about these performers.AI summary
Scala 204 Voice
Bellwood and Burr with Down the Trail of Home Sweet Home and, by R. Carr, City of Laughter, City of Tears on Scala 269.AI summary
Scala 269 Voice
Belmont & Lyster performing two bird-song pieces on Exo, a small British label of the 1920s–1930s. These are novelty or imitative vocal numbers typical of the era.AI summary
Exo 105 Voice
The Belmont Duettists, a vaudeville and variety duo, recorded these popular sentimental songs for Oly, a small British imprint. The artists are not well known from standard reference.AI summary
Oly 118 Voice
Ben Albert singing two novelty or popular songs on Scala, a small British label of the early 1930s.AI summary
Scala 182 Voice
Ben Albert performing two novelty and sentimental songs on DipC, an unidentified small British label of the 1920s–1930s.AI summary
Diploma C131 Voice
Ben Davies recorded 'Tom Bowling' (a traditional nautical ballad) for Columbia, catalogue 7159. Davies was a celebrated Welsh tenor active from the 1880s into the 1920s; this is likely a late career or reissue recording.AI summary
Columbia 7159 Voice
Ben Davies was a celebrated Welsh tenor and one of the first great recording artists of the acoustic era, active from the 1900s onwards; this Columbia 7350 issue preserves one of his later studio performances.AI summary
Columbia 7350 Voice
Ben Davies, a celebrated Welsh tenor of the late 19th and early 20th centuries, performs two songs for Pathé: 'Here's to the maiden of bashful Fifteen' and 'At Parting'.AI summary
Pathé 60045 Voice
Ben Davies, a celebrated Welsh tenor of the late 19th and early 20th centuries, sings two songs — 'Here's to the maiden of bashful Fifteen' and 'Anchor's weighed' — on Pathé catalogue 60067, likely a 1920s pressing.AI summary
Pathé 60067 Voice
Ben Davies, a celebrated Welsh tenor, recorded 'Star of Bethlehem' and 'To Mary' for His Master's Voice D100. Davies had a long recording career from the acoustic era onward; this catalogue number is very early.AI summary
His Master's Voice D100 Voice
Ben Davies, a Welsh baritone and oratorio singer of the Victorian and Edwardian era, performing 'I Know of Two Bright Eyes' and 'I'll Sing Thee Songs of Araby' on Columbia DB1430. Davies was a prominent concert and recorded artist in the early 20th century.AI summary
Columbia DB1430 Voice
Ben Davies (1858–1943) was a celebrated Welsh tenor of the late 19th and early 20th centuries; this Columbia pressing of sentimental songs is from the electrical era.AI summary
Columbia 7350 Voice
Ben Lawes on His Master's Voice, performing 'My Marriage' as a two-part recording.AI summary
His Master's Voice C1159 Voice
Ben Williams, a baritone vocalist, performs standard light operetta numbers 'Softly as in a Morning Sunrise' and medley selections from operettas on Columbia 9753. The catalogue number suggests a 1920s-1930s pressing.AI summary
Columbia 9753 Voice
Bennie Griffiths performing Afrikaans-language songs on Gallotone GE, catalogue 420, a South African label.AI summary
Gallotone GE420 Voice
Benny Lee, credited on Parlophone R4136, performing 'Love Plays the Strings of My Banjo' and 'Born to Sing the Blues'; an obscure vocal recording from the early swing era.AI summary
Parlophone R4136 Voice
Benny Lee with Something's Gotta Give and Learnin' the Blues on Embassy WB136.AI summary
Embassy WB136 Voice
Benny Strong performing 'Five Foot Two Eyes of Blue' and 'Dream Baby' on Tower Records, catalogue 1456. Tower was a small British label active in the late 1920s.AI summary
Tower 1456 Voice
Benson Chicago was an American tenor vocalist popular in the 1920s, known for his sweet, light vocal style. This His Master's Voice recording of two jazz standards, 'Tea for Two' (Vincent Youmans' famous melody) and 'I Want to Be Happy' (also by Youmans), offers two of the most recorded songs of the era.AI summary
His Master's Voice B1978 Voice
Benson Chicago recorded 'I'd Love to Fall Asleep and Wake Up in My Mammy's Arms' and 'Fair One' for His Master's Voice in the early 1920s. The title reflects the popular American song idiom of the period.AI summary
His Master's Voice B1179 Voice
Benson Chicago performing 'My Sunny Tennessee' and 'Ma' on His Master's Voice B1294, an early acoustic-era side from the 1920s.AI summary
His Master's Voice B1294 Voice