4,838 shellac records · mostly British pressings, 1900s–1950s
4,838 records matching · page 82 of 101
Robert Howe, a baritone vocalist, performs two ballad standards—'The Rosary' and the 'Bedouin Love Song'—on a Scala record, catalogue 459; Scala was a budget British label of the 1920s–30s.AI summary
Scala 459 Voice
Robert Howe on Scala (581) with 'I loved you more than I knew' and 'Little Grey Home in the West', sentimental ballads from the 1920s.AI summary
Scala 581 Voice
Robert Kinnear recorded 'Land of Gra-ma-Chree' and 'Danny Boy' for Imperial 1371, likely 1920s–1930s—Irish or sentimental material on a minor British label.AI summary
Imperial 1371 Voice
Robert Kinnear, a vocalist, recorded Romantic-era parlor songs—"Less Than the Dust" and "Kashmiri Song"—for Imperial.AI summary
Imperial 1033 Voice
Robert Kinnear performing 'Granny's Song at Twilight' and 'Just Like a Thief' on Imperial 1175, a British voice recording from the 1920s.AI summary
Imperial 1175 Voice
Robert Kinnear on Imperial 1193, performing 'Thro' the Night' and 'Wonderful One' (C. Bonheur). Kinnear's identity and recording history are not well established; Imperial was a mid-range British label.AI summary
Imperial 1193 Voice
Robert Mitchum was an American film actor and occasional recording artist. 'Just Like Me' and 'O-he-o-hi-o-ho' on Brunswick are pop or novelty numbers from the 1950s, likely capitalising on his film fame.AI summary
Brunswick 04059 Voice
Robert Radford, a British baritone popular in Edwardian Britain and the 1920s, recorded in the early acoustic era for His Master's Voice. The E-series catalogue indicates a very early pressing, circa 1910–1912.AI summary
His Master's Voice E303 Voice
Zonophone GO16 Voice
Robert Radford singing traditional English songs on Zonophone GO20. Radford was a respected British baritone of the early 20th century, recorded frequently in the acoustic era.AI summary
Zonophone GO20 Voice
Robert Radford was a leading British tenor of the early 20th century; this Zonophone pressing of two dramatic songs—'Rage thou angry Storm' and the 'Armourer's Song'—dates from the acoustic era.AI summary
Zonophone GO21 Voice
Robert Radford was a British baritone concert singer. G&T 3-2788 ('Rocked in the Cradle of the Deep') is an acoustic recording of a late-19th-century drawing-room ballad.AI summary
G&T 3-2788 Voice
Robert Radford, the English bass, sings Stanford's 'Drake's Drum' on a single-sided G&T.AI summary
G&T 3-2799 Voice
Robert Radford, a British baritone of the late 19th and early 20th centuries, recorded for His Master's Voice; "Why Do The Nations" is from *The Messiah*.AI summary
His Master's Voice D1213 Voice
Robert Radford was a British bass-baritone singer and light opera performer active in the early 20th century; this HMV D series pressing offers two songs.AI summary
His Master's Voice D272 Voice
Robert Radford on His Master's Voice E 77, with two ballads. Radford was a respected British bass-baritone and concert vocalist of the Edwardian and early acoustic era.AI summary
His Master's Voice E77 Voice
Robert Wilson, a Scottish vocalist, recorded these two Highland character songs for His Master's Voice. Both are traditional or traditional-style Scottish songs.AI summary
His Master's Voice B10083 Voice
Robert Wilson recorded Scottish and Irish traditional material, 'Scotland the Brave' and 'The Pride of Donaghadee', for His Master's Voice. A British vocalist in the popular ballad tradition of the 1930s-40s.AI summary
His Master's Voice B10401 Voice
Robert Wilson recorded two Scottish songs, 'Hame o' Mine' and 'Green Grew the Rushes O', on His Master's Voice; a singer specialising in traditional Scottish repertoire.AI summary
His Master's Voice B9968 Voice
The Roberta Martin Singers, a prominent gospel group, recorded 'That Great Judgement Day' and 'He's All I Need' for Savoy Records, a major American independent label.AI summary
Savoy 4125 Voice
Robertson on two old music-hall standards, 'I wonder what's become of Sally' and 'Two little Girls in Blue', from Decca F6844. Robertson's identity and the exact date of this pressing are unclear, but the songs suggest a 1930s-1940s popular vocal or novelty recording.AI summary
Decca F6844 Voice
Robison recorded 'My blue heaven' and 'There's a Cradle in Caroline' for Perf, a small or obscure British label. 'My blue heaven' is a standard sentimental song recorded by many artists. Artist identity is unclear.AI summary
Perfect 341 Voice
Ol' Man River with The Man I Love by a band on the reverse, credited to Robison, on Perfect 380.AI summary
Perfect 380 Voice
Roland Hayes was an influential African-American tenor and interpreter of spirituals. Vocalion B3034 ('By and By') is from the electrical period and shows Hayes in his prime.AI summary
Vocalion B3034 Voice
Roland Hayes, African-American tenor and spirituals singer. Vocalion B3037 ('Deep River') is a classic recording of this important artist.AI summary
Vocalion B3037 Voice
Roland Hayes, the Black American tenor celebrated for his spirituals, sings Swing Low, Sweet Chariot on Vocalion B3039.AI summary
Vocalion B3039 Voice
Roland Hayes, the African-American tenor who was the first Black singer to win international concert fame, sings the spiritual 'By an' By' on Vocalion.AI summary
Vocalion B3034 Voice
Rolando performing 'Goodnight' and 'Pardon Madame' on Winner 5361 — a ballad recording on a small British label.AI summary
Winner 5361 Voice
Ronald Gourley was credited on Winner 4975, recording "My Arabian Maiden" and "Little Willie Wagtail", sentimental vocal material. Winner was a budget British label active from the 1920s into the 1950s.AI summary
Winner 4975 Voice
Ronnie Hilton on His Master's Voice POP198, a chart-based British pop single release of the 1950s. Hilton was a popular British vocalist who had numerous hit records during this period; 'No Other Love' was one of his known songs.AI summary
His Master's Voice POP198 Voice
Ronnie Hilton with 'I've Grown Accustomed to Her Face' and 'On the Street Where You Live' from My Fair Lady on His Master's Voice POP479 — popular songs from the 1950s musical.AI summary
His Master's Voice POP479 Voice
Ronnie Hilton, a popular British crooner of the 1950s, recorded 'Two different worlds' and 'Constant and true' for His Master's Voice. Hilton had a significant chart presence in that decade.AI summary
His Master's Voice POP274 Voice
Ronnie Hilton, a British pop singer of the 1950s, recorded 'Magic Moments', one of his chart hits, for HMV's POP-series.AI summary
His Master's Voice POP446 Voice
Ronnie Meede, a minor vocalist, recorded this novelty number for Decca in the early 1950s; very little is known of his recording career.AI summary
Decca F10167 Voice
Ronnie Williams with There's One Little Girl Who Loves Me and And Furthermore on Guardsman 2131.AI summary
Guardsman 2131 Voice
Rosa Chalia, a singer of Spanish vocal material, on Columbia C2656 in the early acoustic period.AI summary
Columbia C2656 Voice
Rosa Chalia recorded 'Juanita' and 'Dolores' for Columbia, probably in the early 1920s. Chalia was a minor vocal artist of the acoustic era.AI summary
Columbia C2656 Voice
Rosa Linde Wright performing 'La Paloma' on Columbia catalogue 3502. The artist does not appear prominently in standard discographic references; the Columbia 3000-series is a relatively early catalogue number. This appears to be the same disc as id 11889 in this collection.AI summary
Columbia 3502 Voice
Rosa Linde Wright performing 'La Paloma' on Columbia catalogue 3502. The artist does not appear prominently in standard discographic references; the Columbia 3000-series suggests an early pressing. An unrecognised artist on an early Columbia catalogue number warrants a closer look.AI summary
Columbia 3502 Voice
Rosa Ponselle on His Master's Voice DA 1023, performing two art-song ballads. Ponselle was one of the greatest American opera sopranos of the early 20th century, renowned for both operatic and song repertoire.AI summary
His Master's Voice DA1023 Voice
Rosalia Chalia and Francisco performing 'Live and love thee' on Victor 3404, a popular vocal duet from the acoustic era.AI summary
Victor 3404 Voice
Rosalind Patton performing "That Same Old Song" and "When I was Young" on Allen, a small British label—an artist and label with little documented recording history.AI summary
Allen 227 Voice
Rose Hayes, a British vocalist, recorded for Famous; 'Georgie Took Me Walking in the Park' and 'When Mother was 21' are popular ballads from the early 1930s.AI summary
Famous 99 Voice
Rose Hayes performing 'Keep on Swinging Me Charlie' and 'Mother's Had a Row with Father' on Fam (Family), an obscure British imprint. Hayes is unidentified.AI summary
Famous 144 Voice
Rose Hayes performing 'Mary used to love a Sailor' and 'Mary told the Story to the Soldier' on Pel 79, a small British label of uncertain date.AI summary
Pelican 79 Voice
Rose Hayes on Victor, a New York label, performing popular ballads 'Mary Used to Love a Sailor' and 'Mary Told the Story to the Soldier' — a minor American vocalist with a UK pressing, circa 1920s.AI summary
Victor C72 Voice
Rose Moore singing two sentimental ballads on Lud, a small British label.AI summary
Ludgate 3701 Voice
Rose Moore recorded 'The Rosary' and 'Mighty lak' a Rose' for Lud, a small or obscure British label. Both pieces are Victorian-era sentimental songs. Nothing is known of this artist.AI summary
Ludgate 3701 Voice