4,838 shellac records · mostly British pressings, 1900s–1950s
4,838 records matching · page 85 of 101
S Ross and J Sargent recorded 'Ladies & Gentlemen That's Love' and 'Thrill Is Gone' for Parlophone, a major British label, catalogue R1098.AI summary
Parlophone R1098 Voice
S Roy recorded the popular ballad 'A Room with a View' and 'I'll Be Lonely' for Imperial, a British budget label of the 1930s.AI summary
Imperial 1922 Voice
S Roy, credited on Columbia IS2038, performing 'You Know I Love You' and Bidgood's 'Mine' — popular ballads of the 1920s.AI summary
Columbia is2038 Voice
S. Roy recorded these popular and novelty songs for Scala, a small British imprint. The artist is not well known from standard reference.AI summary
Scala 821 Voice
S Roy performing 'A Room with a View' and 'I'll be lonely' on Imperial 1922. An unidentified vocalist on a budget British label pressing.AI summary
Imperial 1922 Voice
S Roy recorded 'Bless her little Heart' and 'Once in a Blue Moon' for Imperial, catalogue 1836. Roy was a minor vocalist; identity and artist details are scant.AI summary
Imperial 1836 Voice
S Roy on Imperial 1906, performing 'I Can't Give You Anything But Love' and 'Stay Out of the South'. These are popular songs of the 1920s-1930s. Imperial was a minor British label.AI summary
Imperial 1906 Voice
S Shaw performing "He Was Very Kind to Me" and "I Love a Lassie" on Columbia 1050, an early acoustic issue from Columbia's first catalogue era.AI summary
Columbia 1050 Voice
S. Tarri and H. Hemsley performing 'Kids and the Char' on Columbia FB2063, a duet recording from the 1930s-1940s.AI summary
Columbia FB2063 Voice
S Wood on Scala 561, performing 'Sunshine & Roses' and 'That Was the End of My Dream'.AI summary
Scala 561 Voice
Sally Ann Howes, a British-American musical-theatre star, recorded duets from film and stage musicals on Columbia; a double-sided release of dance-orchestra accompaniment.AI summary
Columbia DB3288/9 Voice
Sam Browne recorded 'I Never Loved Anyone' and 'A Tree in the Meadow' for Decca (F8830). Sam Browne was a popular British light vocalist and crooner of the 1930s–40s; Decca was the major British label and F series pressings are common.AI summary
Decca F8830 Voice
Sam Browne, a popular British crooner of the 1940s and 1950s, recorded these two sentimental ballads for Decca in the post-war era.AI summary
Decca F8872 Voice
Sam Browne performing popular ballads on Winner in the early 1930s. Browne was a prolific light-music vocalist of the period.AI summary
Winner 5113 Voice
Sam Browne was a British crooner and popular radio vocalist in the 1930s–1940s. This Winner pressing (5560) captures him in popular ballad repertoire. Winner was a cheap British label and Sam Browne's records are fairly common.AI summary
Winner 5560 Voice
Sam Cooke's early recording on Special 619 ('I'll Come Running Back to You' and 'Forever'), before his legendary career at RCA and Keen. This is a scarce early release.AI summary
Special 619 Voice
Sam Coslow, American songwriter and performer, singing 'You Are My Lucky Star' and 'I've Got a Feelin' You're Foolin'' on Decca F5805.AI summary
Decca F5805 Voice
Sam Hempsall performing popular sentimental ballads on Winner, a budget British label of the late 1920s.AI summary
Winner 2018 Voice
Sam Hempsall on Beka M54, performing two sides of an unidentified piece. Beka was an early British label of the acoustic era.AI summary
Beka M54 Voice
Sam Mayo recorded two songs for Bell, a small British label: 'The Toreador' and '(Williams) Put a Bit of Powder on It'.AI summary
Bell 84 Voice
Sam Starling performing 'Joshu-ah' and 'You can have such fun with the Girls' on the Syr label, catalogue 325.AI summary
Sirena 325 Voice
Sammy Davis Jr. recorded 'Jacques d'Iraque' and 'Too Close for Comfort' for Brunswick, likely from the mid-1950s.AI summary
Brunswick 05668 Voice
Sammy Davis Jr. on Brunswick 05617, singing two romantic pop standards from the early 1950s.AI summary
Brunswick 05617 Voice
Sammy Davis Jr., the American entertainer and dancer, performing two Cole Porter standards on Brunswick in the 1950s.AI summary
Brunswick 05629 Voice
Sammy Davis Junior on Brunswick 05583 performing two popular standards, 'Adelaide' and 'I'll Know' (from the musical Guys and Dolls). Davis was one of the most celebrated entertainers of the 20th century; this is a mid-1950s release during his rise to major stardom.AI summary
Brunswick 05583 Voice
Sammy Davis was an American entertainer, comedian and singer best known for his later work as part of the Rat Pack. This Brunswick pressing is from his earlier career in the 1950s.AI summary
Brunswick 05747 Voice
Sammy Davis Jr. recorded 'Man with the Golden Arm' and 'In a Persian Market' for Brunswick in the mid-1950s.AI summary
Brunswick 05518 Voice
Sammy Davis Jr. recording for Brunswick in the 1950s; these sides showcase his versatility as a vocalist and entertainer during his rise to prominence.AI summary
Brunswick 05518 Voice
Sammy Davis Jr. performing two standard ballads for Brunswick in the 1950s, before his international stardom with the Rat Pack. This is from the period of his early solo career.AI summary
Brunswick 05428 Voice
Sammy Fain on Columbia DB1095, performing songs from the early 1930s; an obscure recording by the American songwriter and performer.AI summary
Columbia DB1095 Voice
Samuels recorded 'Love Nest' and 'Avalon' for Pathé (Pathe), catalogue 1376; both are popular ballad standards from the 1920s, by an unidentified vocalist.AI summary
Pathé 1376 Voice
Samuels performing two songs on Imperial 1251, a US label with British distribution. The catalogue number is relatively low, suggesting late 1920s pressing.AI summary
Imperial 1251 Voice
Sandy Maclean recorded 'Roaming in the Gloaming' and 'Breakfast in Bed' for Lyr (Lyric), catalogue 659, a British budget label of the early 1930s.AI summary
Lyceum 659 Voice
Sarah Vaughan on Columbia, catalogue DB3197. Vaughan was a major American jazz and popular vocalist, one of the greatest singers of the 1940s–50s. This is a UK Columbia pressing of one of her recordings.AI summary
Columbia DB3197 Voice
Savoy Quartet recorded 'Beware of Chu Chin Chow' and 'What do you want to make those Eyes at me for' for His Master's Voice. Both are popular songs of the 1910s-1920s era.AI summary
His Master's Voice B867 Voice
The Savoy Quartet recorded 'Helen of Troy' and 'Smiles' for His Master's Voice (B1016). The Savoy Quartet were a British vocal ensemble active in the 1920s–30s, and this record is a typical dance-era vocal side.AI summary
His Master's Voice B1016 Voice
The Savoy Quartet, credited on His Master's Voice B1069, performing 'When You See Another Sweetie Hanging Around' and 'Oh Helen' — popular songs of the early 1920s. The group was a consistent performer on the HMV label.AI summary
His Master's Voice B1069 Voice
The Savoy Quartet recorded 'Swanee' and 'I'm Getting Tired of Playing Second Fiddle' for His Master's Voice B1116, a vocal ensemble number likely from the early 1920s.AI summary
His Master's Voice B1116 Voice
The Savoy Quartet on His Master's Voice, performing 'At the Moving Picture Ball' and 'Blue Nights'; a British vocal group from the acoustic era.AI summary
His Master's Voice B1154 Voice
The Savoy Quartet performing 'Kipling Walk' and 'Down Home in Tennessee' on His Master's Voice B702. A vocal quartet from the acoustic era.AI summary
His Master's Voice B702 Voice
The Savoy Quartet were a vocal group of the 1920s, and this His Master's Voice recording captures them performing two jazz-era novelty numbers with popular appeal.AI summary
His Master's Voice B991 Voice
'Schubert' credited to Curry's Records, with band accompaniment, performing 'Honeybunch' and 'Valentine'. Curry's was a cheap British marque of the early 1930s, and this appears to be a pseudonym or house recording.AI summary
Curry's 232 Voice
Schubert (the artist, not the composer) performing 'Will you think of me as I think of you' and 'Chant of the Jungle' on Banophone, a small British label.AI summary
Banner 0515 Voice
Schubert on Imperial 1911, performing popular numbers 'I can't give you anything but Love' and 'Ramona', from the 1920s or early 1930s.AI summary
Imperial 1911 Voice
An artist credited as 'Schubert' recorded two popular sentimental songs for Imperial, a minor British label, in the 1920s; the artist's identity and connection to the famous composer are unknown.AI summary
Imperial 2009 Voice
Scott Wood recorded 'Cradle Lullaby' and 'We're tired of that Tiger' for Columbia FB1618, a light or children's record from the late 1930s.AI summary
Columbia FB1618 Voice
Scrappy Lambert performing two sentimental ballads on Brunswick 3779 from the early electrical era.AI summary
Brunswick 3779 Voice
Scrappy Lambert recorded 'Ramona' and 'I'm Winging Home' for Brunswick (3779) in the late 1920s. Lambert was an American popular singer of the period; Brunswick was a major label and copies are common.AI summary
Brunswick 3779 Voice