4,838 shellac records · mostly British pressings, 1900s–1950s
4,838 records matching · page 90 of 101
Stiles Allen recorded 'Home Sweet Home' and 'Last Rose of Summer' for VF, a small imprint.AI summary
Velvet Face 1162 Voice
Stone performing novelty and folk material on Decca, mid-1930s.AI summary
Decca F3268 Voice
Stone singing 'Lullaby in Blue' and 'Gosh I must be falling in love' on Decca F3884. The artist is unidentified.AI summary
Decca F3884 Voice
Stone performing 'One more Kiss' and 'By the Fireside' on Dur, an obscure British label, catalogue 0.AI summary
Durium Voice
Stone performing 'Rollin' Home' and 'With My Eyes Wide Open I'm Dreaming' on Decca F5172, a mid-1930s pressing.AI summary
Decca F5172 Voice
A singer named Stone on Decca F6607, performing 'Little Drummer Boy' and 'Girl in the Alice Blue Gown'. The artist is unidentified.AI summary
Decca F6607 Voice
Stone recorded 'Now It Can Be Told' and 'On the Sentimental Side' on Decca, catalogue F6795. The artist is not further identified.AI summary
Decca F6795 Voice
Stone performing 'All Ashore' and 'Penny Serenade' on Decca F6890. The artist is not known; Decca was a major label but this is a standard popular song pairing.AI summary
Decca F6890 Voice
Stone performs 'Any Broken Hearts to Mend' and 'Georgia's Gotta Moon' on Decca. The artist cannot be identified without further research, but Decca was a major UK label with wide distribution.AI summary
Decca F6891 Voice
Stone on Decca F3268, performing British popular material. Decca F-series 78s were produced in large quantities in the 1930s-1940s, and without further identification of this artist, the record appears to be a routine commercial pressing.AI summary
Decca F3268 Voice
Stone on Decca, catalogue F3314, performing 'I'll never be the same' and 'Balloons', a popular vocal recording from the 1930s or 1940s.AI summary
Decca F3314 Voice
Stone recorded 'What more can I ask' and 'Can't we meet again' (credited to Hylton) for Decca, catalogue F3459; the artist credited is unidentified.AI summary
Decca F3459 Voice
Stone recorded two sentimental vocal numbers for Decca in the mid-to-late 1930s or 1940s.AI summary
Decca F3496 Voice
A singer credited as Stone performing 'Won't you stay to Tea' and 'Someone to care for' on Decca F3502.AI summary
Decca F3502 Voice
Stone (unidentified vocalist) on Decca F3592, performing 'In the Park in Paree' and 'Look what I've got'.AI summary
Decca F3592 Voice
Stone on Decca F3603, with sentimental vocal material from the 1930s–40s.AI summary
Decca F3603 Voice
Stone (artist unidentified) on Decca F3676, performing popular novelty or sentimental songs.AI summary
Decca F3676 Voice
Stone on Decca F3884 with 'Lullaby in Blue' and 'Gosh I Must Be Falling in Love', a British popular vocal or orchestra recording from the 1930s–1940s.AI summary
Decca F3884 Voice
Stone was a performer on the Decca label; this pressing carries 'Mauna Loa' and 'Emmaline', popular sentimental songs from the 1930s.AI summary
Decca F3952 Voice
A record credited to 'Stone', likely a British vocalist, recorded two popular ballads for Decca in the late 1930s.AI summary
Decca F5131 Voice
Stone on Decca F5132, performing 'As long as I live' and 'Isle of Capri'.AI summary
Decca F5132 Voice
Stone recorded 'Music Goes Around and Around' and 'Marilou' for Decca. The first title is a novelty hit of the 1930s recorded by many artists.AI summary
Decca F5846 Voice
The Street Singer, a British entertainer known for busking and street performance, recorded these two sentimental songs for Decca; the artist was a minor figure in British popular music.AI summary
Decca F3337 Voice
Stuart Robertson, a Scottish vocalist, on Duo, a British budget label. Robertson recorded numerous sides for small labels; he remains obscure outside specialist vocal collecting.AI summary
Duophone B5098 Voice
Stuart Vaughan singing two sentimental songs on Zonophone, a budget British label active through the 1920s-30s.AI summary
Zonophone 2314 Voice
Stubby Kaye, the American tenor and Broadway performer, on Brunswick 05098 with two songs from the hit musical *Guys and Dolls* (1950).AI summary
Brunswick 05098 Voice
Suzette Tarri, a British vocalist, performing novelty or comic songs 'My Alf' and 'Boarding House' on Columbia FB2003, a popular-music pressing from the 1930s-1940s.AI summary
Columbia FB2003 Voice
Suzy Solidor, the French chanteuse, sings Le Petit Rat and Escale on London RB-62011.AI summary
London RB-62011 Voice
A Regal Records pressing of 'Bye Pretty Baby' and 'Why Can't We Be Sweethearts' credited to Swain. Regal was a cheap British marque of the 1930s and later.AI summary
Regal 9003 Voice
Swain recorded 'Without a Song' and 'Great Day' for Broadcast, catalogue 632, in the early 1930s. An obscure performer on a minor label.AI summary
Broadcast 632 Voice
Broadcast 652 Voice
Swain performing 'Sweet Jennie Lee' and 'I'll be blue just thinking of you' on Broadcast 270, sentimental vocal numbers on a small British label from the early 1930s.AI summary
Broadcast 670 Voice
Swain on Broadcast 710, performing 'On a Little Balcony in Spain' and 'Lizzie'. Broadcast was a small British label of the early 1930s.AI summary
Broadcast 710 Voice
Swain on Imperial 2525, performing 'In Old Madrid' and 'When the Moon Comes Over the Mountain'. Imperial was a small British label active in the 1920s-30s.AI summary
Imperial 2525 Voice
Swain recorded two popular ballads, 'I Found You' and 'Time on My Hands', for Imperial, a minor British label.AI summary
Imperial 2526 Voice
Credited to Swain on Columbia, this early 1930s disc offers two sentimental popular songs: 'Show Me the Way to Go Home' and 'If I Had Only Known'. The artist is not prominently identified.AI summary
Columbia 3633 Voice
Swain on Regal 9003, with 'Bye Pretty Baby' and 'Why Can't We Be Sweethearts' — light vocal material on a major British label, early 1930s.AI summary
Regal 9003 Voice
Swain's Regal recording of popular songs from the 1920s-30s era.AI summary
Regal 9163 Voice
Credited to Swain on Regal, a cheap British label of the early 1930s, this disc of 'Because My Baby Don't Mean Maybe Now' and 'Just Like a Melody Out of the Sky' is light popular material.AI summary
Regal 9223 Voice
Swain on Imperial 2526, with two popular songs from the 1920s–1930s era. Imperial was a minor British label.AI summary
Imperial 2526 Voice
Swain recorded 'Honeymoon Lane' and 'Kiss me Goodnight' for Imperial, a budget British label of the early 1930s.AI summary
Imperial 2581 Voice
Swain recorded 'Yes yes My Baby said Yes' and 'Sleepy Time down South' for Imperial Records, catalogue 2608; the artist is untraced in standard discographies.AI summary
Imperial 2608 Voice
An artist credited as 'Swain' on Imperial 2616, performing 'Just a blue eyed Blonde' and 'Lies'. Imperial was a budget label; the artist is not widely recognised.AI summary
Imperial 2616 Voice
Swain, credited as a performer on Imperial, an obscure British or international label, performing popular songs.AI summary
Imperial 2505 Voice
Sydney Barclay, a singer of the acoustic era, recorded 'Love's Old Sweet Song' and 'Father O'Flynn' for the Peacock label around the 1920s. Peacock was a short-lived British imprint and copies are uncommon.AI summary
Peacock P149 Voice
Sydney Barnes with In the Moonlight, Dear Louise and, by a band, Teddy Bear's Picnic on Bell 116.AI summary
Bell 116 Voice
Sydney Burchall recorded 'There'll always be an England' and 'Homeland' for Decca F7135; both songs were popular in Britain during and after the Second World War.AI summary
Decca F7135 Voice
Sydney Burchall is an unidentified British or Commonwealth singer. 'There'll Always Be an England' is a patriotic wartime song from 1939, and 'Homeland' is likely also patriotic material. This Decca F7135 pressing is from the 1940s.AI summary
Decca F7135 Voice