4,838 shellac records · mostly British pressings, 1900s–1950s
4,838 records matching · page 91 of 101
Sydney Coltham performing romantic ballads 'For Ever and Forever' and 'Only You' on Zonophone. Coltham was a British tenor of the early twentieth century; Zonophone was a budget British label.AI summary
Zonophone 2159 Voice
Sydney Coltham on Zonophone 1477, performing two sentimental ballads from the early recorded era.AI summary
Zonophone 1477 Voice
Sydney Coltham performing classical Italian songs 'Serenata' and 'Mattinata' for Piccadilly 5118, likely from the 1930s. This is a light classical or popular tenor repertoire.AI summary
Piccadilly 5118 Voice
Sydney Coltham, a performer on Piccadilly, a cheap British budget label of the 1930s, performing sentimental or light classical material.AI summary
Piccadilly 360 Voice
Sydney Coltham on Piccadilly 431, performing two Irish vocal pieces, 'She is far from the Land' and 'Eileen Alannah'.AI summary
Piccadilly 431 Voice
Sydney Coltham on Piccadilly Records, a budget British marque of the 1920s and 1930s, with two sentimental ballads.AI summary
Piccadilly 5057 Voice
Sydney Coltham with Softly as in a Morning Sunrise and Only a Rose on Piccadilly 352.AI summary
Piccadilly 352 Voice
His Master's Voice B1486 Voice
Sylvia Syms recorded 'I Could Have Danced All Night' (from My Fair Lady) and 'Be Good to Me' for Brunswick in the mid-1950s. Syms was a sophisticated British vocalist and cabaret performer.AI summary
Brunswick 05744 Voice
The Sylvians on His Master's Voice, a popular vocal group of the 1920s–30s.AI summary
His Master's Voice B5203 Voice
T Brown on Broadcast 130, a small British label of the early 1930s, performing popular songs.AI summary
Broadcast 130 Voice
T. Campbell with The Girls I Left Behind Me and Follow the Tram Lines on Empire 193.AI summary
Empire 193 Voice
T Cavendish singing ballads 'Waiting for the Rainbow' and 'Shepherd of the Hills' on Columbia IS2000, a British Columbia pressing.AI summary
Columbia is2000 Voice
T Dewar singing 'Pretty Polly Perkins' and 'I Know That You're Pretty', recorded for Winner, a British label active in the early 1900s.AI summary
Winner 2589 Voice
T F Kinniburgh recorded religious and sentimental vocal numbers for Bell, a minor label; the artist is not documented in standard sources.AI summary
Bell 34 Voice
T Jackson singing spirituals and a sentimental ballad on Curry's, a small British label—extremely rare, as Curry's operated only briefly in the 1920s and made very limited pressings.AI summary
Curry's 39 Voice
T. Kinniburgh and H. Turnpenny on Victor D4, performing religious or patriotic material ('Watchman what of the Night', 'Battle Eve'). Victor D-series indicates an early pressing, probably from the 1900s–1910s.AI summary
Victor D4 Voice
'Where do Flies go' and 'Ca-bages Ca-beans' credited to T Lovell on Bull, catalogue 676.AI summary
Bulldog 676 Voice
T May recorded 'Shirts' and 'I Was Standing at the Corner of the Street' on J. Bull label, catalogue 41071. J. Bull was a small British imprint, and this side dates to the late 1920s or early 1930s.AI summary
John Bull 41071 Voice
T Nevill on Columbia IS1786, performing 'It's Not the First Time You Left Me' and 'It's a Man Every Time It's a Man'. Columbia IS was a numbered series of British recordings.AI summary
Columbia IS1786 Voice
T Nevill, credited on Columbia IS1786, recorded 'It's Not the First Time You Left Me' and 'It's a Man Every Time It's a Man'.AI summary
Columbia IS1786 Voice
T O'Malley on Pop, an obscure British label, with Irish vocal material from an unidentified era.AI summary
Popular 601 Voice
T. Payne, an obscure artist, performing two sentimental Victorian-era parlour songs on Imperial, an early British budget label.AI summary
Imperial 914 Voice
T. Shirley with I Like Your Town and Sergeant Macadoo on Popular 645.AI summary
Popular 645 Voice
T Watts, an unidentified artist, on BestB (Best, a minor British label), performing songs titled 'Diver' and 'Drinking'.AI summary
Best B62 Voice
T Weist Hill recorded 'The Rosary' (a sentimental classical-crossover vocal) and 'Ave Maria' (performed as a trio) for Winner Records, catalogue 2386; the artist is untraced.AI summary
Winner 2386 Voice
T Yorke recorded 'I'll make you want me' and 'Never Mind' for Winner, a budget British label.AI summary
Winner 2668 Voice
T. Yorke performs two popular British songs on the Winner label: 'Hello Who's Your Lady Friend' and 'It's a Long Way to Tipperary', the latter a major hit of the First World War. Winner was a budget British imprint.AI summary
Winner 2702 Voice
T. Yorke on Winner, a cheap British marque, with 'Pucker Up Your Lips Miss Lindy' and 'Moonlight Bay'. Light popular or comic songs from the 1920s–30s.AI summary
Winner 2264 Voice
T. Yorke performing 'Always Take a Girl Named Daisy' and 'It's a Long Way to Tipperary' on Winner, a budget British label.AI summary
Winner 2321 Voice
Talbot O'Farrell, an Irish tenor, recorded 'Charmaine' and 'Souvenirs' for Imperial 1815, likely 1920s–30s.AI summary
Imperial 1815 Voice
Talbot O'Farrell on Imperial 2435, performing 'When Your Hair Has Turned to Silver' and 'You're the One I Care For'. Imperial was a small British label active in the 1920s-30s.AI summary
Imperial 2435 Voice
Talbot O'Farrell, an Irish tenor and character vocalist, singing 'Mother O'Grady' and 'River Shannon Moon' on Clifford 4002, from the early 1920s.AI summary
Clifford 4002 Voice
Talbot O'Farrell was an Irish tenor and one of the earliest vocal recording artists, active from the 1900s; this HMV B820 issue preserves Irish songs that were staples of his recording career.AI summary
His Master's Voice B820 Voice
Talbot O'Farrell, an Irish performer, singing nationalist or sentimental songs with Irish themes on Aco (Acme), a British label of the 1920s.AI summary
Aco 33024 Voice
Talbot O'Farrell on Imperial 2169 with 'This is Heaven' and 'Excuse me Lady'.AI summary
Imperial 2169 Voice
Talbot O'Farrell on Imperial 2903 performing 'Memories', listed as two sides. O'Farrell was an Irish tenor and traditional vocalist popular in the 1920s–1930s.AI summary
Imperial 2903 Voice
The Tanner Sisters on His Master's Voice performing novelty and folk material of the late 1940s–early 1950s.AI summary
His Master's Voice B10100 Voice
Tanzoni, an unidentified artist or group, recorded 'The Clouds will soon roll by' and 'Marta' for Winner Records, catalogue 5516.AI summary
Winner 5516 Voice
Tatiana Makushina on VF 1083, credited with 'Chanson Indoue' and 'On the Steppe'. The repertoire and title suggest a Russian or Eastern European performer, possibly recorded abroad and imported into Britain.AI summary
Velvet Face 1083 Voice
T.C. Sterndale Bennett, a British vocalist of the 1920s–30s, recorded 'I Don't Wanna Go Back to Dixie' and 'Sweetheart Mine' for an unidentified label.AI summary
Voice
T.C. Sterndale Bennett, a British vocalist of the 1920s–30s, on an unidentified label performing 'I Need Love' and 'Leanin'.AI summary
Columbia 3989 Voice
Ted and May Hopkins, a British vocal duo, performing on Winner Records. Credited as '(2 sides)' suggests the artist name may be slightly misspelled or the sides are instrumental rather than vocal.AI summary
Winner 4135 Voice
Ted Bartell is not well-documented. This VT Records side couples 'I get the blues when it rains' and Ross's 'Do something', likely from the 1930s on a small or short-lived British imprint.AI summary
VT 1913 Voice
Ted Cowan recorded 'Oh it's a terrible Tale' and 'My Mother said' for Imperial, probably in the early 1930s. Imperial was a small British label.AI summary
Imperial 938 Voice
Ted Feeny singing 'That Old Fashioned Cot in Kildare' and Ave Maria by the Samehtino Trio on Met 1007, an obscure British label of the 1920s–30s.AI summary
Metropole 1007 Voice
Ted Feeny and the Samehtino Trio on Met label, performing 'That old fashioned cot in Kildare' and 'Ave Maria', likely early 1930s Irish or UK regional issue.AI summary
Metropole 1007 Voice
Teddy Bryan recorded "My Heart Stood Still" and "Desert Song" for Columbia 4469, early catalogue numbers from the acoustic era around 1927–1928.AI summary
Columbia 4469 Voice