4,838 shellac records · mostly British pressings, 1900s–1950s
4,838 records matching · page 97 of 101
Violet Essex on Lyric 287 with 'Letter Song' and 'My Hero', a vocal recording from the 1920s–1930s. 'My Hero' is a famous waltz from the operetta *The Chocolate Soldier*.AI summary
Lyceum 287 Voice
Violet Essex, a British vocalist, recorded sentimental ballads for His Master's Voice in the 1920s.AI summary
His Master's Voice B1417 Voice
Violet Loraine was a British singer and actress of the Edwardian era; this Columbia side features the 'Kipling Walk' and orchestral accompaniment, representing early 1900s musical theatre recording.AI summary
Columbia D1340 Voice
Violet Loraine, a British musical theatre star and singer, on His Master's Voice; Loraine performed in the West End musical theatre of the 1910s-1920s and recorded early electrical and acoustic sides.AI summary
His Master's Voice 03576 Voice
Violet Loraine recorded 'What a Little Moonlight Can Do' for Decca (TB1615-2). Loraine was a British revue and film performer of the 1920s–30s, and this title is a well-known jazz standard.AI summary
Decca TB1615-2 Voice
Violet Loraine was a British stage and recording artist of the 1920s–30s; this Decca pressing of 'What a Little Moonlight Can Do' and 'Don't You Cry When We Say Goodbye' captures her popular vocal style.AI summary
Decca F5266 Voice
Violet Loraine, the British musical-theatre singer and actress, recorded 'Oh the Woman in Room 13' and 'You'd be Surprised' for His Master's Voice, catalogue D475. Loraine was popular in Edwardian musical comedy and revue.AI summary
His Master's Voice D475 Voice
Violet Loraine, the English musical theatre star and singer, performing 'Oh how I laugh when I think how I cried about you' and 'If Mr Cupid went on Strike' on His Master's Voice D494. Loraine was a leading West End comedienne and performer in the early twentieth century.AI summary
His Master's Voice D494 Voice
Virgo and Thornton with Excelsior and The Moon Hath Raised on Ebonoid 10004.AI summary
Ebonoid 10004 Voice
The Virginia Female Jubilee Singers recorded 'Lover of the Lord' and 'O Mary Don't You Weep', African American spirituals, for Okeh Records in the 1920s, part of Okeh's extensive catalogue of blues and gospel.AI summary
Okeh 4430 Voice
Vivian Foster singing a sentimental ballad on Columbia DB696, a British vocal recording of the early 1930s.AI summary
Columbia DB696 Voice
Vivien Lambelet recorded 'When You and I Were Seventeen' and 'All Alone' for Zonophone (2599). Vivien Lambelet is not identified in standard discographies; Zonophone catalogue numbering suggests mid-1920s–30s era.AI summary
Zonophone 2599 Voice
Vivien Lambelet singing popular ballads on Piccadilly, a cheap British marque of the 1930s.AI summary
Piccadilly 198 Voice
Vivien Lambelet was a singer recording on Zonophone in the 1910s–20s; these sentimental ballads represent the popular vocal repertoire of the early electrical era.AI summary
Zonophone 2599 Voice
Vivien Lambelet recorded two light vocal numbers, 'Amorous Goldfish' and 'Love will find a Way', for Parlophone Records, catalogue R137. The novelty title suggests a comic or dance context.AI summary
Parlophone R137 Voice
Vladimir Rosing, a Russian tenor and later opera director, recorded 'Song of the Flea' and 'Song of the Volga Boatmen' for Parlophone. Rosing was a significant figure in opera and concert music in the early-to-mid 20th century.AI summary
Parlophone E11240 Voice
Vladimir Rosing, a Russian tenor celebrated in European opera and concert halls, recorded 'Isobel' and 'Don Juan's serenade' for Parlophone. Rosing was a significant interpreter of Lieder and song repertoire in the early recording era.AI summary
Parlophone R2015 Voice
A vocal recording of 'Cross of Gold' on the United label; artist unidentified.AI summary
United Voice
'Voice of the Stars' No. 3 on Regal. The 'Voice of the Stars' series was a Regal budget-label compilation of celebrity vocalists, typically unremarkable pickups from other sources.AI summary
Regal VS3 Voice
Vorhees on Imperial 2236, a popular or dance vocal from the Imperial label, likely 1920s–30s.AI summary
Imperial 2236 Voice
A vocalist credited as Vorzanger on the minor British label Broadcast, recording popular songs of the 1920s–30s.AI summary
Broadcast 168 Voice
W. Bishop and E. Lucas performing two Christmas carols on Opal Records, catalogue 169. Opal was a small British label.AI summary
Opera 169 Voice
W Bryant recorded 'The Rosary' and 'Mary' for Winner, a British budget label, in the 1920s–30s.AI summary
Winner 2429 Voice
W Dalby on the St label, a small British imprint, singing sentimental ballads from the early acoustic era.AI summary
Sterno 268 Voice
W. Dalby recorded two nineteenth-century vocal ballads—"Oft in the Stilly Night" and "Tom Bowling"—for an unidentified label (St) 299.AI summary
Sterno 299 Voice
Credited to W Ellis on Winner Records, catalogue 2147, with 'Come Sing to Me' and 'Better Land' (credited to W Lacey); Winner was a cheap British label active in the 1920s–30s.AI summary
Winner 2147 Voice
W Ellis on the Melot label, a minor British imprint, with romantic ballad material; 'I Passed By Your Window' from the late 1920s or early 1930s.AI summary
Meloto 1078 Voice
W. Heath, an unidentified singer, on St. label—"Mean to Me" and "I'm Just in the Mood Tonight".AI summary
Sterno 199 Voice
A duet disc on HMV M-series (catalogue M59) by Danish singers William Herold and Helge Nissen, performing duets from Bizet's Les Pêcheurs de Perles and what appears to be a Danish work. The HMV M-series was a Scandinavian or continental vocal series. Herold was a significant Danish tenor of the early recording era; pressings from the M-series are uncommon in British collections.AI summary
His Master's Voice M59 Voice
W Kuming recorded 'My dear Marie' and 'Peg o' my Heart' for Winner 2666, a vocal record from the early 1920s.AI summary
Winner 2666 Voice
W Lee recorded 'Abide with Me' and 'Rock of Ages' for HomS (Home Series), a small label. These are hymns or sacred songs, likely from the 1950s.AI summary
Hom S008 Voice
W. Marwood, H. Turnpenny and others performing 'Judge's Song' and 'Brightly dawns' on the Era label, catalogue 10590.AI summary
Era 10590 Voice
W Munroe performing two traditional mining songs, 'Miner's Dream of Home' and 'Don't Go Down the Mine Dad', on Curry's 38.AI summary
Curry's 38 Voice
W. Pembroke sings Take a Pair of Sparkling Eyes and My Sweetheart When a Boy on Velvet Face 1017.AI summary
Velvet Face 1017 Voice
W Sizer, performing two sentimental ballads on Invicta Records: 'Take me back to the Garden of Love' and 'My Heart is with you tonight'.AI summary
Invicta 262 Voice
W Sizer performing 'The Rosary' and 'Lost Chord' on Opera label 2556, an unidentified British imprint. Both pieces are sentimental vocal favourites; the label and artist are obscure.AI summary
Opera 2556 Voice
W Strong on Zonophone, performing sentimental ballads typical of the 1910s-1920s acoustic era.AI summary
Zonophone 1797 Voice
W. Thompson recorded 'Sylvester' and 'I'm a Middy in the King's Navee' for Diplomat (DipC), a short-lived or regional British label. No information available on the artist.AI summary
Diploma C109 Voice
W Virgo on Opera label 28, performing 'Come Into the Garden Maud' and 'Farewell to Summer'. Both are 19th-century vocal standards; Opera was a small British imprint. Virgo is unidentified.AI summary
Opera 28 Voice
W. Virgo and A. Chapman performing 'The Moon hath Raised her Lamp above' and 'Excelsior' on Empire (Emp) 88, a small British label.AI summary
Empire 88 Voice
W Virgo and A Chapman on OlyJA 132, performing 'Excelsior' and 'The Moon has raised her Lamp above'.AI summary
Oly JA132 Voice
Virgo, Chapman and Mulligan performing a duet on Whit 91, a minor British budget label of the early 1930s.AI summary
Whit 91 Voice
W. Virgo and Alma Jones perform two sentimental songs on Winner 2424 from the acoustic era.AI summary
Winner 2424 Voice
Wallace performing 'Ro-Ro-Rollin' Along' and 'Painting the Clouds with Sunshine' on Ar 4622, a popular vocal or novelty recording on a small British label.AI summary
Ariel 4622 Voice
Wallace (artist unidentified) on Columbia CB94. The titles are popular standards; the CB series suggests early or mid-1930s pressing.AI summary
Columbia CB94 Voice
Wallace on Imperial 2011 (possibly 2098), a dance-era vocal record on a minor American label.AI summary
Imperial 2098 Voice
Wallace on Imperial 2174, credited with a sentimental ballad from the mid-1920s.AI summary
Imperial 2174 Voice
Wallace on Imperial 2888, two standards 'I cover the Waterfront' and 'Hold me', from the 1930s–40s.AI summary
Imperial 2888 Voice