4,838 shellac records · mostly British pressings, 1900s–1950s
4,838 records matching · page 98 of 101
Walsh and Barker on Columbia Records with 'You can't fool the boys behind the Desk' and 'You better go now'. The DB series suggests a late 1920s-early 1930s pressing.AI summary
Columbia DB1816 Voice
Walter Brooks recorded 'Shanghai' and a piece titled 'One Million Times Per Day' for Grafton Records—light orchestral or vocal numbers from a minor British label of the 1930s–1940s.AI summary
Grafton ton9094 Voice
Walter Glynne performing two British folk-song arrangements on His Master's Voice from the 1920s.AI summary
His Master's Voice B3293 Voice
Walter Glynne singing 'Moonlight and Roses' and 'The World is Waiting for the Sunrise' on His Master's Voice B8195; Glynne was a British tenor active in the dance-band era, and these popular songs date to the late 1920s or early 1930s.AI summary
His Master's Voice B8195 Voice
Walter Glynne performing Welsh-language titles 'Fy Blodwen f'anwyld fy mhobpeth' (with B Jones) on Regal T2325, a British pressing from the 1930s. Welsh-language recordings are less common in British collections.AI summary
Regal T2325 Voice
Walter Glynne on Decca 11027-2, performing 'Just because the Violets'. Glynne was a British vocalist of the 1930s–50s recording for Decca.AI summary
Decca 11027-2 Voice
Walter Glynne recorded 'Passing by' for Decca, the major British label. A solo voice piece, likely from the 1930s-1940s.AI summary
Decca 11028 Voice
Walter Glynne, a British light tenor of the 1920s, singing sentimental ballads on HMV.AI summary
His Master's Voice B1644 Voice
Walter Mead is credited on an Ar label 78, a cheap British budget pressing; the songs are sentimental ballads, typical of minor imprint output.AI summary
Ariel 1708 Voice
Walter Midgley, the English tenor, sings One Flower Alone in Your Garden and Serenade on Columbia DB1905.AI summary
Columbia DB1905 Voice
Walter Miller performing 'Tiny Seed of Love' for Zonophone X-series (X42864), an early acoustic catalogue from the 1900s–1910s.AI summary
Zonophone X42864 Voice
Walter Miller recorded "Isn't It Lovely to Be in Love" for Zonophone X42867, a British budget label of the 1920s–1930s.AI summary
Zonophone X42867 Voice
Walter Miller performing 'Just Kiss Yourself Goodbye' on GC, an obscure or regional British label.AI summary
Gramophone Company 3-2317 Voice
Walter Miller on GC, a very early label. The artist and label are not immediately recognised, and little information is available. GC catalogue numbers suggest an early 1900s-1910s pressing.AI summary
Gramophone Company 3-2381 Voice
Walter O'Keefe recorded 'Man on the Flying Trapeze' for His Master's Voice. O'Keefe was an American singer, comedian and actor active from the 1920s onward; 'Man on the Flying Trapeze' is a traditional music-hall song.AI summary
His Master's Voice B8050 Voice
A Columbia educational or speech-training recording by Walter Ripman, titled 'Good Speech', likely part of a series on proper English pronunciation or elocution from the early-to-mid twentieth century.AI summary
Columbia D40014 Voice
Walter van Brunt and Maurice Burkhardt recorded 'Fiddle-dee-dee' for His Master's Voice, catalogue 2-4046, an early or novelty recording.AI summary
His Master's Voice 2-4046 Voice
Waring performing 'Looking at the World thru Rose coloured Glasses' and a Shilkret composition on His Master's Voice B5225, 1920s popular song material.AI summary
His Master's Voice B5225 Voice
Two popular ballads attributed to Waring on His Master's Voice B5000 series, from the late acoustic or early electric era of the late 1920s.AI summary
His Master's Voice B5262 Voice
Waring on Victor Records with 'Syncopatin Sal' and 'Way down in my Heart', likely an American vocalist recorded for the Victor label.AI summary
Victor 19768 Voice
Watcyn Watcyns performing 'West Country Lad' and 'Pibroch' on Vocalion, a major British label of the 1920s-1930s.AI summary
Vocalion X9597 Voice
Watcyn Watkins sings Now Sleeps the Crimson Petal and Alanna on Vocalion X9419.AI summary
Vocalion X9419 Voice
Weems recorded two popular songs for HMV in the late 1920s (B5145 series). The artist's full identity and recording career are not known from this label alone.AI summary
His Master's Voice B5145 Voice
Weems on His Master's Voice B5862, performing 'Washing Dishes with My Sweetie' and 'Dancing with Tears in My Eyes', sentimental popular songs of the 1920s–1930s. Weems is likely Ted Weems, a bandleader, or a session vocalist; HMV B-series sides are moderately common.AI summary
His Master's Voice B5862 Voice
Weiner & Doucet, a French vocal duo, performing two numbers—a French song and 'Hungaria'—on Columbia's D series.AI summary
Columbia D13029 Voice
Welchman and Carlisle performing popular song material on Columbia DB647, a mid-1930s or later pressing.AI summary
Columbia DB647 Voice
Wendell Hall, the 'Red-Headed Music Maker', was a popular American entertainer and composer of the 1920s; 'It Ain't Gonna Rain No Mo' was one of his signature pieces, recorded on Victor.AI summary
Victor 19501 Voice
The West Virginia Glee Club on Brunswick 3498, performing spiritual songs 'Walk in Jerusalem just like John' and 'Ezekiel saw de wheel'. This is a vocal ensemble recording of American spirituals from the 1920s-30s.AI summary
Brunswick 3498 Voice
W.H. Berry was a British actor and light comedian; this His Master's Voice side features him in sentimental ballad material of the early 1930s.AI summary
His Master's Voice C1241 Voice
WH Berry recorded 'I Want to Go to Bye Bye' for His Master's Voice; likely a British vocalist of the early 1920s.AI summary
His Master's Voice 02776 Voice
W.H. Berry and Cyril Delysia, both established entertainers of the 1920s, recorded 'Babyin' You' and a Clarke composition for Columbia. This represents popular song and theatre music of the era by performers with stage credentials.AI summary
Columbia 4187 Voice
W.H. Berry and Violet Loraine singing the duet Wonderful Love on His Master's Voice 04267.AI summary
His Master's Voice 04267 Voice
Whidden performing two novelty songs on Columbia—'Let's All Go to Mary's House' and the sing-along 'The More We Are Together'. The artist is unidentified and likely a minor vocalist.AI summary
Columbia 4130 Voice
Whidden was a singer recorded for Columbia in the early acoustic era. The titles and catalogue format suggest a recording from the early 1920s or late 1910s.AI summary
Columbia 4241 Voice
Whidden on Imperial label (Imp 2024), recorded 'Louisiana' and 'Happy Days and Lonely Nights'. These appear to be popular songs from the 1920s-1930s, though the artist is not established in standard discographies.AI summary
Imperial 2024 Voice
Whidden recorded two sentimental ballads—one a blues novelty, one Irish—for Columbia 4010 in the 1920s–30s.AI summary
Columbia 4010 Voice
Whidden on Columbia, performing light sentimental songs with Oriental themes from the late 1920s.AI summary
Columbia 4067 Voice
Whidden's Decca recording of popular ballads from the 1930s-40s.AI summary
Decca F3820 Voice
A Decca 78 credited to Whidden, a name not readily placed in the popular vocal records of the era, with two sentimental titles typical of the 1930s–40s.AI summary
Decca F5135 Voice
Credited to Whidden on Imperial, a budget British label, with popular songs from the 1930s.AI summary
Imperial 1934 Voice
Whidden recorded these popular songs for the Imperial label, a British budget marque.AI summary
Imperial 1971 Voice
Whidden performing 'Sing song Girl of old Shanghai' and 'My Inspiration is you' on Imperial 1972.AI summary
Imperial 1972 Voice
Whidden's Imperial label recording of popular ballads from the 1930s-40s.AI summary
Imperial 1996 Voice
Whidden on Imperial 2011, a vocal record on a minor American label.AI summary
Imperial 2011 Voice
Credited to Whidden on Imperial 2088, with 'When I met Connie in the Cornfield' and 'It's a Million to One you're far from Home'.AI summary
Imperial 2088 Voice
A singer named Whidden performed 'Shepherd of the Hills' and 'Sheila O'Shay' for Columbia, catalogue 4266, in the late 1920s–early 1930s. The artist and label are obscure.AI summary
Columbia 4266 Voice
'Whispering Ed' on Imperial 1745, performing 'Susie's Feller' and 'While I Have You' (credited to C Keane). Imperial was a minor British label; the artist is not identified in standard reference.AI summary
Imperial 1745 Voice
Whit Cunliffe recorded 'D'you follow me' and 'I would' for Odeon 32830, British light vocal or music-hall material from the 1920s–30s.AI summary
Odeon 32830 Voice