116 shellac records · mostly British pressings, 1900s–1950s
116 records matching · page 2 of 3
A band performing 'Magic Moments' and 'Barcelona' on Bell 364, from an unknown date on a small British label.AI summary
Bell 364 Dance
An unidentified band on the Bell label, performing 'Wanna go back again blues' and a celeste instrumental titled 'Celestina'. Bell is an obscure or short-lived British imprint.AI summary
Bell 368 Dance
An unnamed band performing two novelty pieces on Bell, a minor British label: 'Lonesome and Sorry' and a xylophone novelty titled 'Manella'.AI summary
Bell 377 Instrumental
An untitled band recording on Bell 388 performing 'That certain Party' and an anonymous 'Whistling Scot'. Bell was a short-lived British label of the early 1920s; the artist and pressing details are obscure.AI summary
Bell 388 Dance
King's Colonials recorded 'Crystal Palace March' and 'Evening News Waltz' for Bell, a small British label. The low catalogue number suggests the early 1920s, and the marches indicate a light orchestral or military-style group.AI summary
Bell 251 Orchestra
The Band of the Irish Guards recorded two British military marches for Bell (256) in the early 1920s. Bell was a minor British label. Military band records of this era were common but are increasingly scarce as shellac discs deteriorate.AI summary
Bell 256 Orchestra
A military band recording on the Bell label, catalogue 255, featuring marches and regimental selections. Bell was a small British label active in the early 1900s-1920s era.AI summary
Bell 255 Orchestra
Bells recorded 'Stephanie gavotte' and 'Narcissus' for the Bell label, catalogue 272, likely from the early acoustic or early electrical era.AI summary
Bell 272 Instrumental
Bell LKS-137
Billy Whitlock credited on Bell 354 with novelty or seasonal material. Whitlock is not immediately recognisable; the titles suggest Christmas or festive recordings from the 1920s–1930s.AI summary
Bell 354 Misc.
Billy Whitlock recorded 'The Village Tragedy' and 'The Haunted House' for the Bell label, an early British imprint. The titles suggest narrative or dramatic monologues, but the artist and label are not readily identified.AI summary
Bell 369 Music Hall
Billy Whitlock recorded 'Father and Son' and 'I'll Take Her Back' for Bell, a small British imprint of the 1920s; Whitlock was a minor performer and the material is sentimental and comic song.AI summary
Bell 336 Music Hall
Billy Whitlock on Bell 356, performing novelty and sentimental material. Whitlock was a British music hall performer; Bell was a minor British label.AI summary
Bell 356 Music Hall
Billy Whitlock recorded 'Laughing Zulu' and 'Always' on Bell label, catalogue 361. Bell was a minor British imprint, and this is likely a novelty or comic side from the early 1920s.AI summary
Bell 361 Comic
Billy Whitlock recorded 'A Baby Record Laugh' and 'Tin Can Fusileers' for Bell, catalogue 362. Bell was a minor British label.AI summary
Bell 362 Comic
Billy Whitlock recorded 'Gout' and 'Pal of my Cradle Days' for Bell, catalogue 393, a small British label of the early 1920s.AI summary
Bell 393 Music Hall
California Ramblers on Bell Records performing 'Georgette' and 'Count the Days' — an influential early jazz and dance ensemble on a small American label, likely mid-1920s.AI summary
Bell P160 Jazz
California Ramblers performing 'Charley My Boy' and 'Mandalay' on Bell P290, a 1920s American pressing; the Ramblers were a prolific studio dance orchestra of the 1920s.AI summary
Bell P290 Dance
Bell 271 Music Hall
Clara Inter on Bell Records LKS248, performing Hawaiian titles 'Kohala march' and 'Hula town'. Bell was a small British imprint.AI summary
Bell LKS248 Hawaiian
Bell LKS224
Dudley Roy was a singer recorded for Bell, a small British label of the 1920s-1930s. These are hymn or sacred music titles.AI summary
Bell 260 Voice
Dudley Roy performing bell solos on two popular titles on the Bell label, a small British marque of the 1920s or 1930s.AI summary
Bell 254 Instrumental
E Wellbeloved recorded novelty songs for Bell, a small British label. The title 'Ten little Nigger Boys' was a nursery rhyme of the period, though the terminology is now obsolete.AI summary
Bell 263 Comic
Edward Halland on Bell, a minor British label of the early 1930s. 'A Frog he would a wooing go' is a traditional English song. Halland's identity and recording career are not established in standard reference works.AI summary
Bell 261 Voice
Edward Halland recorded 'Little Man & Maid' and 'See saw Margery Daw' for Bell, an early British imprint.AI summary
Bell 264 Personalities (Prs)
Edwin Sawtelle on Bell Records performing Hawaiian-style vocals, 'Beautiful Kahana' and 'Blue lei'; likely a British recording from the 1920s–1930s.AI summary
Bell LKS21 Hawaiian
F. Murray (artist unidentified) on Bell 105, a rare British label. The titles are popular ballad material; the label and artist cannot be placed with confidence.AI summary
Bell 105 Voice
F. Murray credited on Bell 170, a marginal British label, with two popular songs from the 1920s or early 1930s. Murray is not a standard discographic name.AI summary
Bell 170 Voice
F Murray performing two songs, 'Little Willie's Woodbines' and 'Old grey Coat', on Bell, a British budget label, catalogue 179.AI summary
Bell 179 Voice
Fiddling Sam on Bell, a small British label — artist otherwise unrecorded in standard reference sources.AI summary
Bell FS14 Instrumental
Fred Van Eps, an American banjo virtuoso and recording pioneer, performing Dixie-themed medleys on Bell Records. Van Eps was a major artist of the acoustic era whose banjo recordings defined the instrument on disc.AI summary
Bell 69 Instrumental
Fred Vernon on Bell Records with two sentimental ballads from the early 1920s, a small British label.AI summary
Bell 97 Voice
Bell LKS-76
George Archer and the Pagans recorded Hawaiian-themed novelty songs—"Hawaiian Vamp" and "Polynesian Hideaway"—for Bell, a minor American label (LKS33). The Hawaiian craze was popular in the 1920s–1930s and produced many amateur and semi-professional recordings.AI summary
Bell LKS33 Hawaiian
George Kainapau, performing here with G. Archer and the Pagans, recorded two Hawaiian songs, "E Mama ea" and "Hookipa Paka", on the Bell label. Hawaiian music was a popular commercial genre in the 1920s and 1930s, and this pressing documents the colonial-era fascination with island sounds.AI summary
Bell 112 Hawaiian
G.H. Chirgwin, the Victorian-era music hall entertainer (known as the 'White-Eyed Kaffir'), recorded for Bell catalogue 66, likely an early reissue or preservation of historical material.AI summary
Bell 66 Music Hall
Harry Bluff recorded 'Come and Have a Drink with Me' and 'Waldmere' for Bell, an obscure British label; the titles suggest music-hall or novelty comedy from the 1920s–1930s.AI summary
Bell 42 Music Hall
Harry Hemsley, a British comedy performer, with a recitation of 'Jack and the Beanstalk' on Bell Records.AI summary
Bell 397 Comic
Harry Hemsley, a British comedian and character actor, recorded 'Dick Whittington' for Bell, an obscure label, likely a novelty or sketched performance.AI summary
Bell 400 Comic
A Hawaiian guitar duo or ensemble recorded 'Honolulu blues' and 'Chunka' for Bell, a minor British label, catalogue 314. The very low catalogue number suggests an early pressing.AI summary
Bell 314 Hawaiian
Herbert Rule performing novelty or comic material for Bell Records, a small British label. 'Everybody's Tired of Doing It' and 'Woolloomooloo' suggest comedy songs or character pieces.AI summary
Bell 470 Comic
Jack Charman, a British performer, recorded light entertainment novelty songs for Bell, a short-lived British imprint; 'Put on Your Ta Ta' and 'Take Your Girlie Where the Band is Playing' are typical music-hall comic numbers from the 1920s.AI summary
Bell 232 Music Hall
Jack Charman recorded "Mamie May" and "Maisie Lou" for Bell catalogue 317. Charman was a British popular singer and comedian of the 1910s-1920s, and Bell was a minor British label of that era.AI summary
Bell 317 Music Hall
Jack Charman recorded 'Cubanola Glide' and 'My Cinnamon Lady' for Bell 395, a minor British label. Both titles suggest light dance or Latin-novelty material of the 1920s–30s. The catalogue number is early.AI summary
Bell 395 Dance
Jack Charman recorded 'Ragtime Violin' and 'I'm going back to Dixie' for Bell Records, a small British label. Charman was a comedic music-hall performer active in the 1920s.AI summary
Bell 474 Music Hall
Jack Pleasants on Bell 352 — 'To Cheer Him Up' and 'I'm 21 Today.' Bell is a British label less commonly encountered than the major marques; Pleasants is a documented Edwardian music-hall comedian known for his gentle, bashful stage persona.AI summary
Bell 352 Music Hall
Jack Sillman performing two popular ballads, 'If tears could bring you back to me' and 'Gone again Gal', on the Bell label.AI summary
Bell 457 Voice